Mostrando postagens com marcador Kenneth Nash. Mostrar todas as postagens
Mostrando postagens com marcador Kenneth Nash. Mostrar todas as postagens

8.9.24

JOE HENDERSON ft. ALICE COLTRANE - The Elements (1974-1996) RM | FLAC (image+.cue), lossless

This is one of the odder Joe Henderson recordings. The four lengthy selections not only feature the great tenor-saxophonist but the piano and harp of Alice Coltrane (during one of her rare appearances as a sideman), violinist Michael White, bassist Charlie Haden, percussionist Kenneth Nash and Baba Duru Oshun on tablas. The somewhat spiritual nature of the music (Henderson's compositions are titled "Fire," "Air," "Water" and "Earth") and the presence of Alice Coltrane makes these Eastern-flavored performances rather unique if not all that essential: an early example of world music in jazz. This recording has been reissued as part of Henderson's eight-CD Milestone box set. Scott Yanow
Tracklist :
1    Fire    11:07
 Joe Henderson
2    Air    9:53
 Joe Henderson
3    Water 7:27
 Joe Henderson
Flute [Wood] – Kenneth Nash
4    Earth 13:07
 Joe Henderson
Narrator – Kenneth Nash

Credits :
Bass – Charlie Haden
Congas, Percussion [North African Sakara Drum], Bells [Chinese, African, Indian], Gong, Percussion – Kenneth Nash
Drums – Leon Ndugu Chancler (tracks: 1, 4)
Piano, Harp, Tambura, Harmonium – Alice Coltrane
Tabla, Percussion – Baba Duru Oshun
Tenor Saxophone, Flute, Composed By, Alto Flute – Joe Henderson
Violin – Michael White (tracks: 1, 2, 4)

11.11.22

NTU WITH GARY BARTZ - Singerella : A Ghetto Fairy Tale (1974-2010) RM | BGP Funk & Jazz Classics | FLAC (tracks+.cue), lossless

Released in 1974, Singerella: A Ghetto Fairy Tale by Gary Bartz and his evolving Ntu Troop was a self-produced affair, and the first without vocalist Andy Bey. Bartz was exploring a CTI smooth groove aesthetic by this time, and was deeply invested in the funky side of jazz. He took a hard turn toward jazz-funk's smoother soul side here, an approach that was cemented in the final mix by Larry Mizell, who, along with his brother Fonce, would become his producers for the remainder of the 1970s. Bartz also changed his composition style for Singerella; these are, in large part, shorter, tighter, and feature quirky if readily accessible melodies. Some of these tracks yield fine improvisational moves despite their heavy reliance on funk vamps. This is true in particular of the opener, "St. Felix Street," and the bookend closer, "Nation Time." Other tracks, such as the humorous "The Dozens Song," the driving "I Don't Care" (with a generous touch of the lyric influence and hipster vocal phrasing of Ben Sidran), and "Mellow Yellow" (not the Donovan tune), offer a street-conscious aspect of the band's performance, while keeping the production on the slick side, featuring the infectious Fender Rhodes and keyboards laid down by Hubert Eaves, the razor-sharp guitar work of Hector Centeno, the cracking breaks of drummer Howard King, the tough in-the-pocket hand percussion of Kenneth Nash, and the punched-up accents of bassists James Benjamin and Maynard Parker. Bartz chose to handle the vocals on this set, and his off-key vocals did hurt him on both the title cut and "Lady Love" (these would have been stone killers sung by Bey or any more skilled singer), because their subtleties demand a more accurate pitch. That said, the music more than compensates, and Bartz's own alto, soprano, and clarinet chops are in top shape. This is a curious record, an experiment (and partnership with Mizell) that would take shape further on 1975's The Shadow Do! and culminate in the excellent Music Is My Sanctuary in 1977.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1    St. Felix Street 4:57
Arranged By – Hubert Eaves
Arranged By [Introduction] – Gary Bartz
Composed By – Hubert Eaves

2    Dozens (The Sounding Song) 4:36
Composed By – Gary Bartz
3    I Don't Care 6:43
Arranged By – Hubert Eaves
Composed By – Howard King, Hubert Eaves

4    Blind Man 2:59
Composed By – Gary Bartz
5    Singerella (A Ghetto Fairy Tale) 6:24
Composed By – Gary Bartz
6    Lady Love 6:15
Composed By – Gary Bartz
7    Mellow Yellow 4:15
Composed By – Gary Bartz
8    Nation Time 3:26
Composed By – Gary Bartz
Credits :
Arranged By – Gary Bartz (pistas: 2, 4 to 8)
Clarinet, Soprano Saxophone, Alto Saxophone, Jew's Harp [Mouth Harp], Synthesizer, Percussion, Vocals, Producer, Photography By [Front Cover] – Gary Bartz
Drums – Howard King
Electric Bass – James Benjamin
Electric Piano, Piano, Clavinet – Hubert Eaves
Guitar – Maynard Parker (pistas: 1, 2, 4 to 7)
Guitar [Guest] – Hector Centeno (pistas: 3, 8)
Percussion [Guest] – Kenneth Nash (pistas: 4, 8)
Recording Supervisor – Orrin Keepnews

7.11.22

PHAROAH SANDERS - Village of the Pharoahs + Wisdom Through Music (2011) RM | Serie : Impulse! 2-On-1 | FLAC (tracks+.cue), lossless

The albums packaged in this Impulse two-fer -- Village of the Pharoahs and Wisdom Through Music -- were both released in 1973, but only the latter was recorded as an album. They share the same basic personnel -- pianist Joe Bonner, bassist Cecil McBee, drummer Norman Connors, and percussionist Lawrence Killian -- while Village, because it was recorded at three different sessions over three years, also contains numerous other players, including vocalist Sedatrius Brown, bassists Stanley Clarke, Jimmy Hopps, and Calvin Hill, percussionists Hannibal Peterson and Kenneth Nash, and flutist Art Webb. Wisdom Through Music simply adds Mtume and Badal Roy to the percussion section, with Killian and flutist James "Plunky" Branch (founder of spiritual jazz-funk pioneers Oneness of Juju). Historically, Village of the Pharoahs has gotten a bad rap because of its wide range of musical approaches. The largest part of the former album is taken up with the three-part title track on which Sanders plays only soprano saxophone, percussion instruments, and sings. It's a cosmic, sprawling jam that seems to lead everywhere through Middle Eastern modalities, but is wonderfully accessible. Other highlights include "Memories of Lee Morgan," with gorgeous flute playing by Webb matching Sanders' soprano, and a wonderfully elliptical piano line by Bonner, and the closing "Went Like It Came," where Sanders pulls out his mighty tenor and makes his brand of vanguard jazz swing like mad. Wisdom Through Music, with its smaller lineup, consists of five tracks. Most notable is "High Life," on which Sanders emulates the West African style of music with roiling, celebratory drumming and singing, and killer flute playing. "Love Is Everywhere" is a shorter version of what is now a Sanders performance standard; it appeared in full on Love in Us All released in 1974. Its rawness and soulfulness simply burst from the musical frame with celebration before Bonner and the ensemble take over and rip it up. The title track is a slow, meditative, drone-like piece with abundant percussion by Roy and gorgeous arco work from McBee. Bonner's "The Golden Lamp" is driven by McBee, Branch, and an uncredited instrument rreminiscent of kora and/or an oud. It closes with the nearly 11-minute "Selflessness," a jam that begins as a sung chant and sprawls out into another Sanders orgy of celebration with excellent tenor blowing, as well as spirited interplay with Bonner and the percussionists. These two recordings belong together, and create a compelling whole, revealing a compelling chapter in Sanders recorded history.
|> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <|
Village Of The Pharoahs (1971)
Bass – Calvin Hill
Congas – Lawrence Killian
Drums – Jimmy Hopps
Drums [Sakara And Murdunom], Percussion – Kenneth Nash
Piano, Flute, Percussion, Shakuhachi – Joe Bonner
Soprano Saxophone, Vocals, Percussion – Pharoah Sanders
Tambura, Percussion – Kylo Kylo
Vocals, Percussion – Sedatrius Brown

1    Part One    7:14
2    Part Two    4:58
3    Part Three    4:51
4    Myth 1:47
Bass – Calvin Hill
Percussion, Whistle – Kenneth Nash
Vocals, Percussion – Joe Bonner, Lawrence Killian, Pharoah Sanders, Sedatrius Brown

5    Mansion Worlds 9:15
Bass – Cecil McBee, Stanley Clark
Congas, Percussion – Lawrence Killian
Drums – Norman Connors
Percussion – Marvin Peterson
Piano – Joe Bonner
Soprano Saxophone, Bells – Pharoah Sanders

6    Memories Of Lee Morgan 5:38
Bass – Cecil McBee, Stanley Clark
Drums – Norman Connors
Flute – Arthur Webb
Piano – Joe Bonner
Soprano Saxophone, Bells – Pharoah Sanders

7    Went Like It Came 5:09
Bass – Calvin Hill
Congas – Lawrence Killian
Drums – Jimmy Hopps
Percussion – Kenneth Nash, Kylo Kylo
Piano – Joe Bonner
Tenor Saxophone, Vocals, Percussion – Pharoah Sanders
Vocals, Percussion – Sedatrius Brown

Wisdom Through Music (1972)   
8    High Life 4:23
Bass – Cecil McBee
Drums – Norman Connors
Flute – James Branch
Percussion – Badal Roy, Mtume, Lawrence Killian
Piano – Joe Bonner
Soprano Saxophone, Tenor Saxophone, Flute – Pharoah Sanders

9    Love Is Everywhere 5:21
Bass – Cecil McBee
Drums – Norman Connors
Flute – James Branch
Percussion – Badal Roy, Mtume*, Lawrence Killian
Piano – Joe Bonner
Soprano Saxophone, Tenor Saxophone, Flute – Pharoah Sanders

10    Wisdom Through Music 5:46
Bass – Cecil McBee
Drums – Norman Connors
Flute – James Branch
Percussion – Badal Roy, Mtume, Lawrence Killian
Piano – Joe Bonner
Soprano Saxophone, Tenor Saxophone, Flute – Pharoah Sanders

11    The Golden Lamp 4:47
Bass – Cecil McBee
Drums – Norman Connors
Flute – James Branch
Percussion – Badal Roy, Mtume, Lawrence Killian
Piano – Joe Bonner
Soprano Saxophone, Tenor Saxophone, Flute – Pharoah Sanders
Written-By – Joseph Bonner

12    Selflessness 10:56
Bass – Cecil McBee
Drums – Norman Connors
Flute – James Branch
Percussion – Badal Roy, Mtume, Lawrence Killian
Piano – Joe Bonner
Soprano Saxophone, Tenor Saxophone, Flute – Pharoah Sanders

ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless

Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...