GARY THOMAS & SEVENTH QUADRANT - By Any Means Necessary [1989] JMT / APE (image+.cue), lossless

The M-Base concept, which never caught on in a big way but did influence the playing of a dozen or so top jazz improvisers, is heard in its prime on this Gary Thomas release. The tenor saxophonist (doubling on flute) meets up with the fiery altoist Greg Osby, keyboardist Geri Allen, keyboardist Tim Murphy, bassist Anthony Cox, drummer Dennis Chambers, percussionist Nana Vasconcelos, and, on some selections, guitarists John Scofield and Mick Goodrick. The music features dense ensembles, simultaneous improvisations, eccentric funk rhythms, and rhythmic but very dissonant horn solos that have a logic of their own. One can think of this noisy date as being an updated extension of Ornette Coleman's Prime Time and is recommended to open-minded listeners who think that nothing new has been played in jazz since the mid-'70s. by Scott Yanow
Tracklist
1 By Any Means Necessary 7:44
Gary Thomas
Guitar – John Scofield
Percussion – Nana Vasconcelos
2 Continuum 6:52
Gary Thomas
Percussion – Nana Vasconcelos

3 You're Under Arrest 7:17

John Scofield
Guitar – John Scofield
4 Potential Hazard 6:23
Gary Thomas
Percussion – Nana Vasconcelos
Piano, Synthesizer – Geri Allen

5 To the Vanishing Point 4:37

Gary Thomas
Piano, Synthesizer – Geri Allen

6 Screen Gem 5:02

Gary Thomas
Guitar – Mick Goodrick
Percussion – Nana Vasconcelos

7 Janala 2:39

Geri Allen / Greg Osby / Gary Thomas / Naná Vasconcelos
Alto Saxophone, Synthesizer – Greg Osby
Percussion – Nana Vasconcelos
Piano, Synthesizer – Geri Allen
8 At Risk 7:12
Gary Thomas
Guitar – John Scofield, Mick Goodrick
Percussion – Nana Vasconcelos
 9 Out of Harm's Way 6:12
Gary Thomas
Alto Saxophone, Synthesizer – Greg Osby

 GARY THOMAS & SEVENTH QUADRANT - By Any Means Necessary 

[1989] JMT / APE (image+.cue), lossless 

O Púbis da Rosa

JACK DeJOHNETTE - The DeJohnette Complex (1969-1991) RM / APE (image+.cue), lossless

The DeJohnette Complex is the debut album by Jack DeJohnette featuring Bennie Maupin, Stanley Cowell, Miroslav Vitous, Eddie Gómez, and Roy Haynes recorded in 1968 and released on the Milestone label in 1969.

Drummer Jack DeJohnette's debut as a leader (which has been reissued on CD) has quite a bit of variety. The music ranges from advanced swinging to brief free improvisations and some avant-funk. DeJohnette (who doubles on melodica) is joined by Bennie Maupin (on tenor and flute), keyboardist Stanley Cowell, bassists Miroslav Vitous and Eddie Gomez, and drummer Roy Haynes. He uses six different combinations of musicians on the eight songs (five of his originals, John Coltrane's "Miles' Mode," Cowell's "Equipoise" and Vitous' "Mirror Image"). Intriguing and generally successful music. 

This album, released in 1969, has all the charms of an eager first album. THE DEJOHNETTE COMPLEX also makes a solid case for Jack DeJohnette as a formidable composer and band leader. He already had impressive credentials as a drummer, having had successful stints with both Charles Lloyd and Miles Davis (after replacing Tony Williams).

The players on this album are some of the best of that time: Miroslav Vitous and Eddie Gomez on bass, Stanley Cowell on piano, Bennie Maupin on tenor saxophone, and Roy Haynes on drums. There are angular ballads and furiously cascading post-bop rave-ups. The compositions reveal DeJohnette's deep musical background and training in classical piano.

Tracklist:

1. Equipoise (Stanley Cowell) - 3:58

2. The Major General - 6:34

3. Miles' Mode (John Coltrane) - 6:36

4. Requiem Number 1 - 2:21

5. Mirror Image (Miroslav Vitous) - 5:08

6.   Papa, Daddy and Me - 7:53

7. Brown, Warm and Wintry - 5:02

8. Requiem Number 2 - 1:41

Personnel

    Jack DeJohnette: drums, melodica

    Bennie Maupin: tenor saxophone, wood flute, flute

    Stanley Cowell: electric piano, piano

    Miroslav Vitous; bass

    Eddie Gomez: bass

    Roy Haynes: drums, percussion