Gathered here are many of the first sides cut by the Quintette du Hot Club de France. Better known maybe as Django Reinhardt and Stephane Grappelli's band, this very original Parisian combo took the energy of early jazz classics sides by Armstrong, Beiderbecke, et al., and infused it with elements from the French chanson tradition and Reinhardt's own gypsy heritage. Beyond their unique guitar and violin repartee, though, Reinhardt and Grappelli could match -- and even surpass -- the improvised swing forged by their stateside contemporaries, a feat rarely achieved in the early days of European jazz. With the quality of these maiden QHCF sides, then, the pickings are plentiful. Alongside other finely remastered collections on JSP and Affinity, this and many other Classics volumes in the label's strict chronological series will probably be best appreciated by completists rather than survey-seeking newcomers. That said, the 22 tracks here contain some top performances, including such QHCF standouts as "You and the Night and the Music," "Ultrafox," and "Avalon." Also to be found are a some innocuous vocals by Jerry Mengo, a few cuts manned by New Orleans native and multi-instrumentalist Frank "Big Boy" Goudie, and plenty of Reinhardt and Grappelli's incredible playing. A nice addition to an already healthy catalog. Stephen Cook Tracklist :
27.9.23
DJANGO REINHARDT – 1935 | The Classics Chronological Series – 727 (1993) FLAC (tracks+.cue), lossless
7.6.23
SIDNEY BECHET – 1949, Vol. 2 | The Classics Chronological Series – 1186 (2001) FLAC (tracks+.cue), lossless
During the last decade of his life, Sidney Bechet spent ever more of his time in Europe, especially in Paris, where he was revered as a hero and cultural icon. This tenth installment of Bechet's complete recordings in chronological order presents three Parisian sessions and a Circle Records date with Bechet as featured soloist with the Bob Wilber Orchestra in New York. Wilber's band mingled seasoned old-timers like Pops Foster and Jimmy Archey with younger talent like Dick Wellstood. The material dished up by this group is delightfully varied. "I'm Through, Goodbye" is a smoothly bubbling strut, "Waste No Tears" a thoughtful reverie, and "Without a Home" a sanguine study in blue. During the sensuous "Love Me With a Feeling," Bechet talks to his woman about passion and demonstrates precisely what he means with the soprano sax. "The Broken Windmill" is a vigorous, slightly frantic stomp propelled by Pops Foster's booming bass. "Box Car Shorty," billed as "A Dixieland Calypso," has an authentic West Indian vocal by the Duke of Iron. Speaking of which -- "Ce Mossieu Qui Parle," the opening track from Bechet's Parisian session of October 14, 1949, sounds like an extension of his "Original Haitian Music" session with Willie "The Lion" Smith from November of 1939, although here Bechet has more room to improvise over the polyrhythmic changes. "Buddy Bolden Story," the famous melody established by Jelly Roll Morton, contains a humorous anecdote told in French by Bechet in conversation with Claude Luter after a bouncy introduction. "Bechet Creole Blues" is deep and dark, as serious as your life. "Anita's Birthday" is actually "Do the Hucklebuck," the pop song based on licks pilfered from Charlie Parker's "Now's the Time." "Les Oignons" -- very popular among the French -- is a jaunty hop dotted with periodic full stops. Bechet's rendition of Ma Rainey's "Ridin' Easy Blues" is blown in huge gusts of soul. "Blues in Paris" is a slow interlude for soprano sax and rhythm. "Panther Dance" is the old "Tiger Rag," served with roasted peppers. The last six selections presented here are particularly exciting, as listeners get to hear Bechet interacting with percussionist Kenny "Klook" Clarke. They exchange ideas during a paired passage on "Klook's Blues" and commandeer "American Rhythm" in its entirety as a saxophone/drum duet. Clarke generates thunderous textures that presage what Art Blakey would sound like ten years later. arwulf arwulf
Tracklist + Credits :
4.6.23
FREDDY JOHNSON AND HIS ORCHESTRA – 1933-1939 | The Classics Chronological Series – 829 (1995) FLAC (tracks+.cue), lossless
Freddy Johnson was a talented swing-oriented pianist who spent the 1930s playing in Europe. This Classics CD contains all five of his sessions, a song ("Wo Ist Der Mann?") on which his band accompanies Marlene Dietrich, plus a date with trumpeter Louis Bacon's septet. In addition to Johnson's many piano solos, the top players are trumpeter Arthur Briggs, Frank "Big Boy" Goudie on tenor, trombonist Herb Flemming, tenorman Alix Combelle, and Bacon. Four songs recorded in 1934 with a Dutch band have delightful vocals from the completely obscure Rosie Poindexter. This CD is a must for collectors of small-group swing. Scott Yanow
Tracklist + Credits :
22.5.23
BILL COLEMAN – 1936-1938 | The Classics Chronological Series – 764 (1994) FLAC (tracks+.cue), lossless
With such trumpet stars as Louis Armstrong, Red Allen, Rex Stewart, and Cootie Williams grabbing the headlines and the gigs, Bill Coleman found it hard to make a name for his own considerable talents during the nascent swing years. Like many other jazz figures (Coleman Hawkins, Benny Carter, etc.), Coleman looked to France and Europe for a chance to make a name for himself and catch a break from stateside racism. And while his trip to Paris came about with some luck -- thanks to old friend Freddie Taylor and his need to recruit players for a nightclub stint -- Coleman soon became an in-demand soloist for both live gigs and recording dates overseas. This generous Classics collection brings together his initial dates in the City of Light, both as a leader and with various top local outfits. Featured throughout the 22 tracks are such Parisian jazz luminaries as Django Reinhardt, Stephane Grappelly, Eddie Brunner, and Alix Combelle. Along with a solid batch of tunes, excellent playing all around, and Coleman's own melodiously clear solos, specific highlights include the Coleman-Reinhardt duet, "Bill Coleman Blues," the trumpeter's vocal turn on "Indiana," and two momentous takes of "After You've Gone." An excellent chronicle of one of jazz's most unsung talents. Stephen Cook
Tracklist + Credits :
12.4.23
WILLIE LEWIS AND HIS ENTERTAINERS – 1932-1936 (1995) The Classics Chronological Series – 822 | FLAC (tracks+.cue), lossless
Willie Lewis invaded Europe in 1925 as a member of Sam Wooding's
explosive jazz orchestra, making hot records and stunning audiences
throughout Berlin, Barcelona, and Paris. When Wooding's organization
disintegrated, Lewis returned to New York in 1931 and assembled a group
of musicians for the purpose of a brief European tour the following
year. Willie Lewis & His Entertainers played the Merry Grill in
Brussels, and made one wild phonograph recording. A 13-piece orchestra
composed almost entirely of European musicians and augmented with a
vaudevillian vocal quartet (including Lewis himself) presents "Who
Taught You That?" This is funny stuff, something like the frantic
singing heard on certain records by Sam Wooding, Fats Waller & His
Buddies, or Bix Beiderbecke with Paul Whiteman. The rest of the material
on this disc was recorded in Paris following Lewis' return to Europe in
1934, and constitutes a grab bag of Afro-American musical styles
blended with popular music of the day. "Nagasaki" features another
version of Lewis' vocal quartet and a hot solo by clarinetist Jerry
Blake. Joe Hayman leads the band in singing "I Can't Dance (I Got Ants
In My Pants)," his high voice anticipating the style of Louis Jordan. As
if to purposefully present a wide range of Afro-American culture, two
spirituals are sung a cappella. "Ezekiel Saw the Wheel" is particularly
satisfying. Six records cut in January of 1936 find Lewis leading a
smooth dance band very much in the manner of Jimmie Lunceford. With
arrangements and trumpet/saxophone work by Benny Carter, a smooth vocal
by bassist June Cole on "Stay Out of Love," and tasteful embellishments
by Herman Chittison on piano and celeste, this is mid-'30s big band
dance music at its finest. Four selections feature vocalist and
professional stripper Joan Warner singing bouncy French pop melodies. At
the heart of this CD lie two magnificent recordings waxed on April 28,
1936: Herman Chittison's arrangement of "Stompin' at the Savoy" with
fine trumpeting from Bill Coleman, and Fletcher Henderson's arrangement
of "Christopher Columbus" -- a masterpiece of swing. Next come two
romantic numbers with pokey vocals by Willie Lewis and Alice Mann, and a
pair of theatrically charged presentations by Adelaide Hall, a lovely
woman who had made great records with Duke Ellington and Art Tatum,
would soon record with Fats Waller in London, and was eventually to
settle for the rest of her life in Scandinavia. For those who crave
sophisticated sounds while practicing calisthenics, this remarkably
varied disc ends with a two-part exercise record narrated in French,
with musical accompaniment by the very classy Willie Lewis & His
Entertainers. arwulf arwulf
Tracklist :
1 Who Taught You That? 2:48
Willie Lewis
2 Nagasaki 2:41
Mort Dixon / Harry Warren
3 I Can't Dance (I Got Ants in My Pants) 2:44
Charlie Gaines / Clarence Williams
4 Who'll Be a Witness 2:06
Traditional
5 Ezekiel 2:34
Traditional
6 I've Got a Feeling You're Fooling 3:20
Andy Razaf / Fats Waller
7 Stay Out of Love 3:17
Brent Gerlach
8 Rhythm Is Our Business 2:43
Sammy Cahn / Saul Chaplin / Jimmie Lunceford
9 Just a Mood 3:29
Benny Carter / Clarence Williams
10 All of Me 3:18
Gerald Marks / Seymour Simons
11 Stardust 3:14
Hoagy Carmichael / Mitchell Parish
12 Etre Parisienne 3:15
Marc Cab / Henri Varna
Willie Lewis feat: Joan Warner
13 Le Coo-Coo-Coo 2:32
Marc Cab / Henri Varna
Willie Lewis feat: Joan Warner
14 Magie de la Danse 3:19
Marc Cab / Henri Varna
Willie Lewis feat: Joan Warner
15 Mon Proces 3:31
Marc Cab / Henri Varna
Willie Lewis feat: Joan Warner
16 Stompin' at the Savoy 3:17
Benny Goodman / Andy Razaf / Edgar Sampson / Chick Webb
17 Christopher Columbus 3:22
Chu Berry / Andy Razaf
18 I'm Shooting High 3:13
Ted Koehler / Jimmy McHugh
19 Lost 2:58
Johnny Mercer / Phil Ohman
20 Alone 3:11
Nacio Herb Brown / Arthur Freed
21 Say You're Mine 2:43
Willie Lewis
22 Au Rythme du Jazz: Culture Physique 1ere Partie 2:46
Irving Berlin
23 Au Rythme du Jazz: Culture Physique 2eme Partie
Irving Berlin
WILLIE LEWIS AND HIS ENTERTAINERS – 1936-1938 (1995) The Classics Chronological Series – 847 | FLAC (tracks+.cue), lossless
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JOACHIM KÜHN — Europeana : Jazzphony No. 1 (Michael Gibbs) (1995) FLAC (image+.cue), lossless
Europeana won the Annual German Record Critics' Award upon its initial CD release in 1995. ACT Tracklist : 1 Castle In Heaven 4:16 Fr...