The Spirits of Rhythm were to the 1930s what the Cats & the Fiddle were to the 1940s. Both groups relied upon well-organized, carefully harmonized scat singing and a flurry of adroitly picked tiples and guitar. What the Spirits had going for them was the great Leo "Scat" Watson (1898-1950), drummer, tiple tickler, and one of the most interesting scat singers of all time. Teddy Bunn was their guitarist, and may be heard playing and singing throughout the entire CD. The recordings made in 1933 are exceptionally fine. Two delightful versions of "I Got Rhythm" are matched with "Rhythm," an original by Wilbur Daniels. "I've Got the World on a String" cuts off abruptly during a reprise of the vocal chorus, as they ran out of room on the recording platter. The session of December 6, 1933, introduces bassist Wilson Myers. "I'll Be Ready When the Great Day Comes" is something like a spiritual with humorous overtones: "Didn't the good book say that Cain slew Abel? Hit him in the head with the leg of a table!" Johnny Mercer's "My Old Man" belongs in a special category of cruel songs poking fun at fathers. This picturesque ditty predicts that the parent in question will end up in a garbage can: "Put a bottle of gin there and he'll get in there." The first seven tracks are so satisfying that it's a bit of a jolt when Red McKenzie is featured as lead vocalist on the session of September 11, 1934. Whose idea was it to foist this character onto the Spirits? His wobbly chortling sounds a bit incongruous with such hip backing. The expert picking and scatting come as a relief, after which McKenzie's reprise sounds foolish. He should have confined himself to his famous paper and comb, which would have sounded wonderfully weird with this band. As it is, he sounds about as hip as, say, Nelson Eddy. Three days later, the Spirits were back without McKenzie but with the addition of percussionist and vocalist Virgil Scroggins. "Junk Man" is good fun, and Watson sings a snatch of the old vaudeville number "Horses, Horses," a riff he'd quoted on tiple during a solo on "I Got Rhythm" the previous year. Mercer's lightweight Sherlock Holmes routine is peculiar enough for entertainment purposes, but "That's What I Hate About You" is too closely modeled after a record made several years earlier by Jack Teagarden and Fats Waller. Waller fans who are aware of the original might actually resent the close cover. Now the chronology leaps ahead seven years. Ella Logan's piping vocal with the Spirits on "Tipperary" and "From Monday On" are cute enough, but the two instrumentals from the same session allow us to concentrate on the presence of bassist Wellman Braud and the fine drumming of Watson. "We've Got the Blues" contains a premonition of "Caldonia," and we learn that cement is the reason her head is so hard. The final six sides to appear under this band's name involved only Watson and Bunn from the original group. This 1945 ensemble contains no tiples whatsoever. Leonard Feather is sitting in on piano, Ulysses Livingstone operates a second guitar, and Red Callender is the bassist, while Georgie Vann sings the blues and plays the drums. Here we get a fine dose of Watson's fully developed singing style. No doubt Waller would have approved of "Honey-Sock-Me-on-the-Nose." Watson's throaty interjections on "She Ain't No Saint" sound slightly deranged. Irving Berlin's "Coquette" becomes a smorgasbord centering on "Chicken Croquette." Watson was working with Slim Gaillard during these years, and this last number sounds a lot like something Slim would have dished up. arwulf arwulf
Tracklist + Credits :
28.9.23
THE SPIRITS OF RHYTHM – 1933-1945 | The Classics Chronological Series – 1028 (1998) FLAC (tracks+.cue), lossless
8.6.23
SIDNEY BECHET – 1923-1936 | The Classics Chronological Series – 583 (1991) FLAC (tracks+.cue), lossless
The first in a series of Classics CDs focusing on the recordings of Sidney Bechet, this disc features the clarinetist/soprano-saxophonist on two early titles with blues singer Rosetta SissCrawford, his torrid 1932 session with The New Orleans Feetwarmers (which also features trumpeter Tommy Ladnier and is highlighted by "Shag" and "Maple Leaf Rag") and sides from Noble Sissle's somewhat commercial orchestra. Fortunately Sissle was wise enough to give Bechet plenty of solo space on some of his selections, most notably "Polka Dot Rag." Even with a few indifferent vocals, this CD is recommended to those not already owning this music. Scott Yanow
Tracklist :
SIDNEY BECHET – 1938-1940 | The Classics Chronological Series – 608 (1991) FLAC (tracks), lossless
This entry in Classics' chronological reissue of the master takes of Bechet's early recordings finds the soprano great playing with trumpeter Tommy Ladnier and Mezz Mezzrow on the famous "Really the Blues" session, performing a hit version of "Summertime," overshadowing the other members of the all-star Port of Harlem Seven and recording "Indian Summer" and a hot version of "One O'Clock Jump" in a 1940 session for Victor. However, half of this CD is taken up by an odd and surprisingly restrained marathon date with pianist Willie The Lion Smith in which they perform Haitian folk songs. Scott Yanow
Tracklist + Credits :
SIDNEY BECHET – 1940 | The Classics Chronological Series – 619 (1991) FLAC (tracks+.cue), lossless
Classics' chronological reissue of Bechet's recordings (at least the regular takes) continues with a pair of songs made with blues singer Josh White, eight very enjoyable performances cut with a quartet consisting of cornetist Muggsy Spanier, guitarist Carmen Mastren and bassist Wellman Braud, and a pair of Bechet's Victor sessions. This is one of the strongest entries in this valuable series. Scott Yanow
Tracklist + Credits :
4.6.23
FREDDY JOHNSON AND HIS ORCHESTRA – 1933-1939 | The Classics Chronological Series – 829 (1995) FLAC (tracks+.cue), lossless
Freddy Johnson was a talented swing-oriented pianist who spent the 1930s playing in Europe. This Classics CD contains all five of his sessions, a song ("Wo Ist Der Mann?") on which his band accompanies Marlene Dietrich, plus a date with trumpeter Louis Bacon's septet. In addition to Johnson's many piano solos, the top players are trumpeter Arthur Briggs, Frank "Big Boy" Goudie on tenor, trombonist Herb Flemming, tenorman Alix Combelle, and Bacon. Four songs recorded in 1934 with a Dutch band have delightful vocals from the completely obscure Rosie Poindexter. This CD is a must for collectors of small-group swing. Scott Yanow
Tracklist + Credits :
22.5.23
BILL COLEMAN – 1936-1938 | The Classics Chronological Series – 764 (1994) FLAC (tracks+.cue), lossless
With such trumpet stars as Louis Armstrong, Red Allen, Rex Stewart, and Cootie Williams grabbing the headlines and the gigs, Bill Coleman found it hard to make a name for his own considerable talents during the nascent swing years. Like many other jazz figures (Coleman Hawkins, Benny Carter, etc.), Coleman looked to France and Europe for a chance to make a name for himself and catch a break from stateside racism. And while his trip to Paris came about with some luck -- thanks to old friend Freddie Taylor and his need to recruit players for a nightclub stint -- Coleman soon became an in-demand soloist for both live gigs and recording dates overseas. This generous Classics collection brings together his initial dates in the City of Light, both as a leader and with various top local outfits. Featured throughout the 22 tracks are such Parisian jazz luminaries as Django Reinhardt, Stephane Grappelly, Eddie Brunner, and Alix Combelle. Along with a solid batch of tunes, excellent playing all around, and Coleman's own melodiously clear solos, specific highlights include the Coleman-Reinhardt duet, "Bill Coleman Blues," the trumpeter's vocal turn on "Indiana," and two momentous takes of "After You've Gone." An excellent chronicle of one of jazz's most unsung talents. Stephen Cook
Tracklist + Credits :
12.4.23
WILLIE LEWIS AND HIS ENTERTAINERS – 1936-1938 (1995) The Classics Chronological Series – 847 | FLAC (tracks+.cue), lossless
11.4.23
ALIX COMBELLE – 1935-1940 (1993) The Classics Chronological Series – 714 | FLAC (tracks+.cue), lossless
Anybody who's listened to Django Reinhardt records from the late 1930s
has probably heard the saxophone of Alix Combelle, but few seem to know
him by name. Featured in front of the 1935 Hot Club of France Quintet,
this fellow demonstrates why he was such a sensation in Europe. During
"Crazy Rhythm" he rapidly alternates between gutsy tenor sax and gritty
clarinet, switching back and forth without missing a beat. Leading his
own band two years later, Combelle has a pair of accomplished American
musicians sitting in. Bill Coleman scats and blows his horn beautifully
during his own "Hangover Blues." Bassist Wilson Myers might be best
remembered for the records he made with Sidney Bechet. "Avalon" boils
over with a rigorous vitality typical of the late-'30s Parisian swing
scene. The tenor sax is warm and feisty. Comparison with Bud Freeman
seems inevitable. Two sides by Combelle's Hot Four are largely driven by
Joseph Reinhardt's rhythm guitar and the powerfully plucked bass of
Louis Vola. Paring his band down to a trio, Alix presents two original
compositions in the company of pianist Ray Stokes and Django's
trustworthy percussionist Pierre Fouad, who sounds a lot like George
Wettling on this date. From his solo on "Don't Get Tired," it is evident
that Stokes had been listening to Fats Waller, but with the exception
of Joseph Goebbels, who hadn't? Combelle certainly had. In fact, he
swiped "Honeysuckle Rose" and called it "Morning Feeling." Django's
"Daphne" sounds great inflated into a stomp for 11 players. The Hot Club
Swing Stars also tackle a Bob Crosby dance tune and the Kansas City
stomp "Every Tub," during which Louis Richardet meticulously copies the
already-famous Basie piano style. Basie's influence was stronger than
ever on February 20, 1940 as Alix Combelle's Swing Band seized upon
"Jumpin' at the Woodside." This track is notable for a particularly
expressive guitar solo by Django Reinhardt, who receives the customary
solo spotlight throughout this session. The drummer proves to be jazz
critic and promoter Charles Delaunay, masquerading under the name of
H.P.Chadel. That's probably him making verbal comments during the
stimulating "Weekend Stomp." A relaxed blues with the ironic title
"Nerves and Fever" is followed by "Fast, Slow, Medium Tempo," a sort of
mini-concerto for big band by Philippe Brun. Two more Basie covers bring
us to the session of October 21, 1940. Monsieur Combelle was now
standing at an historical crossroads, as he continued to make jazz
records during the German occupation, an activity specifically regarded
as subversive. Jazz, with its many Jewish and Afro-American influences,
was considered racially impure as proscribed by the Nuremberg Laws, and
therefore all jazz performance, recording or even listening was declared
subversive. Which makes these little swing records all the more
enjoyable. arwulf arwulf
Tracklist :
1 Alix Combelle Acc. By The Quintette Of The Hot Club De France– Crazy Rhythm 2:31
Clarinet, Tenor Saxophone – Alix Combelle
Double Bass [String Bass] – Louis Vola
Guitar – Django Reinhardt, Joseph Reinhardt
Piano – Stéphane Grappelly
Written-By – Meuer, Kahn
2 Alix Combelle Acc. By The Quintette Of The Hot Club De France– The Sheik Of Araby 2:37
Clarinet, Tenor Saxophone – Alix Combelle
Double Bass [String Bass] – Louis Vola
Guitar – Django Reinhardt, Joseph Reinhardt
Piano – Stéphane Grappelly
Written-By – Wheeler, Smith, Snyder
3 Alix Combelle Et Son Orchestre– Exactly Like You 3:06
Double Bass [String Bass] – Wilson Myers
Drums – Jerry Mengo
Guitar – Roger Chaput
Piano – David Martin (10)
Tenor Saxophone – Alix Combelle
Trumpet – Bill Coleman
Written-By – McHugh
4 Alix Combelle Et Son Orchestre– Alexander's Ragtime Band 2:51
Clarinet, Tenor Saxophone – Alix Combelle
Double Bass [String Bass] – Wilson Myers
Drums – Jerry Mengo
Guitar – Roger Chaput
Piano – David Martin
Trumpet – Bill Coleman
Written-By – Berlin
5 Alix Combelle Et Son Orchestre– Hang Over Blues 3:14
Double Bass [String Bass] – Wilson Myers
Drums – Jerry Mengo
Guitar – Roger Chaput
Piano – David Martin
Tenor Saxophone – Alix Combelle
Trumpet, Vocals – Bill Coleman
Written-By – Coleman
6 Alix Combelle Et Son Orchestre– Avalon 1:52
Double Bass [String Bass] – Wilson Myers
Drums – Jerry Mengo
Guitar – Roger Chaput
Piano – David Martin Ray
Tenor Saxophone – Alix Combelle
Written-By – Jolson, Rose
7 Alix Combelle Et Son Orchestre– I Can't Give You Anything But Love 2:13
Clarinet, Tenor Saxophone – Alix Combelle
Double Bass [String Bass] – Wilson Myers
Drums – Jerry Mengo
Guitar – Roger Chaput
Piano – David Martin
Trumpet – Bill Coleman
Written-By – McHugh
8 Alix Combelle's Hot Four– When You're Smiling 2:58
Cornet – Philippe Brun
Double Bass [String Bass] – Louis Vola
Guitar – Joseph Reinhardt
Tenor Saxophone – Alix Combelle
Written-By – Goodwin, Shay, Fisher
9 Alix Combelle's Hot Four– If I Had You 2:51
Cornet – Philippe Brun
Double Bass [String Bass] – Louis Vola
Guitar – Joseph Reinhardt
Tenor Saxophone – Alix Combelle
Written-By – Shapiro
10 Alix Combelle– Al's Idea 2:34
Drums – Pierre Fouad
Piano – Ray Stokes
Tenor Saxophone – Alix Combelle
Written-By – Combelle
11 Alix Combelle– Don't Get Tired 2:39
Drums – Pierre Fouad
Piano – Ray Stokes
Tenor Saxophone – Alix Combelle
Written-By – Combelle
12 The Hot Club Swing Stars– Morning Feeling 2:35
Alto Saxophone – Max Blanc
Clarinet – Danny Polo
Double Bass [String Bass] – Louis Vola
Drums – Pierre Fouad
Guitar – Roger Chaput
Piano – Louis Richardet
Tenor Saxophone – Alix Combelle, Noël Chiboust
Trumpet – Maurice Moufflard, Philippe Brun, Pierre Allier
Written-By – Combelle
13 The Hot Club Swing Stars– Daphné 2:45
Alto Saxophone – Max Blanc
Clarinet – Danny Polo
Double Bass [String Bass] – Louis Vola
Drums – Pierre Fouad
Guitar – Roger Chaput
Piano – Louis Richardet
Tenor Saxophone – Alix Combelle, Noël Chiboust
Trumpet – Maurice Moufflard, Philippe Brun, Pierre Allier
Written-By – Reinhardt
14 The Hot Club Swing Stars– Swinging At The Sugar Bowl 2:02
Alto Saxophone – Max Blanc
Clarinet – Danny Polo
Double Bass [String Bass] – Louis Vola
Drums – Pierre Fouad
Guitar – Roger Chaput
Piano – Louis Richardet
Tenor Saxophone – Alix Combelle, Noël Chiboust
Trumpet – Maurice Moufflard, Philippe Brun, Pierre Allier
Written-By – Crosby, Haggart, Rodin, Lamare
15 The Hot Club Swing Stars– Every Tub 3:08
Alto Saxophone – Max Blanc
Clarinet – Danny Polo
Double Bass [String Bass] – Louis Vola
Drums – Pierre Fouad
Guitar – Roger Chaput
Piano – Louis Richardet
Tenor Saxophone – Alix Combelle, Noël Chiboust
Trumpet – Maurice Moufflard, Philippe Brun, Pierre Allier
Written-By – Clayton, Basie
16 Alix Combelle And His Swing Band– Jumpin' At The Woodside 2:54
Double Bass [String Bass] – Marceau Sarbib
Drums – H.P. Chadel (Charles Delaunay)
Guitar – Django Reinhardt, Joseph Reinhardt
Piano – Charlie Lewis
Tenor Saxophone – Alix Combelle
Trombone – Guy Paquinet
Trumpet – Al Piguillem, Alex Renard, Philippe Brun, Pierre Allier
Written-By – Basie
17 Alix Combelle And His Swing Band– Weekend Stomp 2:47
Double Bass [String Bass] – Marceau Sarbib
Drums – H.P. Chadel (Charles Delaunay)
Guitar – Django Reinhardt, Joseph Reinhardt
Piano – Charlie Lewis
Tenor Saxophone – Alix Combelle
Trombone – Guy Paquinet
Trumpet – Al Piguillem, Alex Renard, Philippe Brun, Pierre Allier
Written-By – Combelle
18 Alix Combelle And His Swing Band– Nerves And Fever 3:15
Double Bass [String Bass] – Marceau Sarbib
Drums – H.P. Chadel (Charles Delaunay)
Guitar – Django Reinhardt, Joseph Reinhardt
Piano – Charlie Lewis
Tenor Saxophone – Alix Combelle
Trombone – Guy Paquinet
Trumpet – Al Piguillem, Alex Renard, Philippe Brun, Pierre Allier
Written By – Gaudin
19 Alix Combelle And His Swing Band– Fast, Slow, Medium Tempo 3:00
Double Bass [String Bass] – Marceau Sarbib
Drums – H.P. Chadel (Charles Delaunay)
Guitar – Django Reinhardt, Joseph Reinhardt
Piano – Charlie Lewis
Tenor Saxophone – Alix Combelle
Trombone – Guy Paquinet
Trumpet – Al Piguillem, Alex Renard, Philippe Brun, Pierre Allier
Written-By – Brun
20 Alix Combelle And His Swing Band– Panassié Stomp 3:02
Double Bass [String Bass] – Marceau Sarbib
Drums – H.P. Chadel (Charles Delaunay)
Guitar – Django Reinhardt, Joseph Reinhardt
Piano – Charlie Lewis
Tenor Saxophone – Alix Combelle
Trombone – Guy Paquinet
Trumpet – Al Piguillem, Alex Renard, Philippe Brun, Pierre Allier
Written-By – Basie
21 Alix Combelle And His Swing Band– Rock-A-Bye Basie 2:47
Double Bass [String Bass] – Marceau Sarbib
Drums – H.P. Chadel (Charles Delaunay)
Guitar – Django Reinhardt, Joseph Reinhardt
Piano – Charlie Lewis
Tenor Saxophone – Alix Combelle
Trombone – Guy Paquinet
Trumpet – Al Piguillem, Alex Renard, Philippe Brun, Pierre Allier
Written-By – Basie, Young, Collins
22 Alix Combelle And His Swing Band– Tel Quel (En Plein Sur Le Nez) 3:07
Alto Saxophone – Marcel Coestier, Max Blanc
Double Bass [String Bass] – Francis Lucas
Drums – Pierre Fouad
Guitar – Django Reinhardt
Piano – Raymond Wraskoff
Tenor Saxophone – Alix Combelle, Noël Chiboust
Trombone – Eugène d'Hellemmes
Trumpet – Aimé Barelli, Christian Bellest, Séverin Luino
Written-By – Combelle
23 Alix Combelle And His Swing Band– Deux Pieds Gauches 2:48
Alto Saxophone – Marcel Coestier, Max Blanc
Double Bass [String Bass] – Francis Lucas
Drums – Pierre Fouad
Guitar – Django Reinhardt
Piano – Raymond Wraskoff
Tenor Saxophone – Alix Combelle, Noël Chiboust
Trombone – Eugène d'Hellemmes
Trumpet – Aimé Barelli, Christian Bellest, Séverin Luino
Written-By – Gordon
+ last month
JOACHIM KÜHN — Europeana : Jazzphony No. 1 (Michael Gibbs) (1995) FLAC (image+.cue), lossless
Europeana won the Annual German Record Critics' Award upon its initial CD release in 1995. ACT Tracklist : 1 Castle In Heaven 4:16 Fr...