This Classics Russell collection and the label's later 1929-1934 disc round up the entire output by the Panamanian bandleader. And while some know them better for the fact they eventually morphed into Louis Armstrong's first big band in the early '30s, Russell's outfit originally cut some of the best sides to surface during the music's transition from early jazz to big band music. The cream of the tracks were recorded between 1929-1930, when the group included such top soloists as trumpeter Henry Allen, trombonist J.C. Higginbotham, saxophonists Charlie Holmes and Albert Nicholas, bassist Pops Foster, and drummer Paul Barbarin. The majority of the collection spotlights this period, with such standouts as "Jersey Lightning," "The New Call of the Freaks," and "African Jungle." Starting things off, though, are eight numbers from Russell's first sessions as a leader (this was while he was still with King Oliver). Featuring Victoria Spivey on vocals and two Jell Roll Morton alums in Kid Ory and George Mitchell, the Chicago-cut sides, while not on par with the later large-band tracks, still impress with their mix of New Orleans and Chicago styles. A quality disc that's best left to completists; newcomers should first consider JSP's superior-sounding Savoy Shout collection as a starting point. Stephen Cook
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6.8.23
LUIS RUSSELL AND HIS ORCHESTRA – 1926-1929 | The Chronogical Classics – 588 (1991) FLAC (tracks+.cue), lossless
24.7.23
FATS WALLER – 1942-1943 | The Classics Chronological Series – 1097 (1999) FLAC (tracks+.cue), lossless
These are the last recordings in the Fats Waller legacy. The 22 tracks are drawn from sessions recorded in March and July of 1942 and January and September of 1943. Featuring the last recordings with his rhythm, a version of "That Ain't Right" with Ada Brown on vocals and V-disc recordings made for soldiers overseas during World War II. It is the V-disc material that proved Waller wasn't just a jovial clown, which he makes obvious on his version of "Sometimes I Feel Like a Motherless Child" performed on organ. Anyone only familiar with the Waller hits like "Ain't Misbehavin'" (included here in two separate versions) should hear this to gain perspective on his career. Al Campbell
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ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless
Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...