Composed
in 1981, the year Feldman wrote the vast Triadic Memories for solo
piano, Patterns in a Chromatic Field shares that work's expansiveness
and some of its subdued coloration, but goes beyond it in terms of
rhythmic activity and variety of combinations. Feldman's small,
interlocking gestures -- inspired by designs in Asian carpets -- are
spun out through a convoluted process of repetition, layering, and
alternation with contrasting sonorities and shapes, and these juxtaposed
figures cycle over 80 minutes to mesmerizing effect. This 2004 release
features cellist Charles Curtis and pianist Aleck Karis, who follow the
score as precisely as possible (in light of Feldman's puzzling
microtonal notation), and they sustain the work's air of mystery with
expectant, hushed playing. Instead of conventional liner notes, the
booklet provides insightful quotations from Feldman on his work and the
sources of his inspiration, a valuable aid because his explanations of
his concepts are pertinent and revealing. Tzadik's sound is fine, but a
little close to the musicians, so this CD should be played at a moderate
volume for best enjoyment Blair Sanderson MORTON FELDMAN (1926-1987)
1. Patterns In A Chromatic Field (1981) 1:20:44
Cello – Charles Curtis
Piano – Aleck Karis

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