Although he made his recording debut during the 1960s, it wasn't until 1971 that pianist Tete Montoliu began to record prolifically for European labels, often releasing several albums a year until his death in 1997. This 1971 live date comes from a Munich nightclub, with a respectfully audience that saves its raucous applause until the conclusion of each number. With bassist George Mraz and drummer Joe Nay along for the ride, Montoliu opens with a thunderous take of "Sweet Georgia Fame," followed by an introspective treatment of the sentimental ballad "Old Folks." He's also a convincing blues player, as heard in his up-tempo "Blues," though the rhythm section is put to the test to keep up with his furious pace. Montoliu is at his most lyrical during his unaccompanied introduction to "A Nightingale Sang in Berkeley Square," even if he adds a bit of Art Tatum-like flashiness. A brisk rendition of "Body and Soul" and warm performance of J.J. Johnson's "Lament" round out this highly recommended CD. by Ken Dryden
24.3.20
TETE MONTOLIU TRIO - Body & Soul (1971-1983) FLAC (tracks+.cue), lossless
Although he made his recording debut during the 1960s, it wasn't until 1971 that pianist Tete Montoliu began to record prolifically for European labels, often releasing several albums a year until his death in 1997. This 1971 live date comes from a Munich nightclub, with a respectfully audience that saves its raucous applause until the conclusion of each number. With bassist George Mraz and drummer Joe Nay along for the ride, Montoliu opens with a thunderous take of "Sweet Georgia Fame," followed by an introspective treatment of the sentimental ballad "Old Folks." He's also a convincing blues player, as heard in his up-tempo "Blues," though the rhythm section is put to the test to keep up with his furious pace. Montoliu is at his most lyrical during his unaccompanied introduction to "A Nightingale Sang in Berkeley Square," even if he adds a bit of Art Tatum-like flashiness. A brisk rendition of "Body and Soul" and warm performance of J.J. Johnson's "Lament" round out this highly recommended CD. by Ken Dryden
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