PEETIE WHEATSTRAW — Complete Recorded Works In Chronological Order Volume 6 · 1938- 1940 | DOCD-5246 (1994) RM | FLAC (tracks+.cue), lossless

Vol. 6 in the complete works of Peetie Wheatstraw as reissued by Document covers a timeline from October 1938 to April 1940, opening with the last three recordings on which he ever played piano and following his progress through a fine swing-inflected session that took place in New York with pianist Sammy Price, guitarist Teddy Bunn, and drummer O'Neil Spencer; a real Chicago blues outing with guitarist Lonnie Johnson and harmonica handler Rhythm Willie Hood, and the first five titles from a phenomenally satisfying date featuring three of New York's greatest jazz musicians: trumpeter Jonah Jones, pianist Lil Hardin Armstrong, and drummer Big Sid Catlett. While Peetie had previously made records that ventured into jazz territory (see "Throw Me in the Alley" with trombonist Ike Rodgers on Vol. 2), interacting with musicians of this caliber was a fresh development and hearing him in this company is a treat not to be missed. Note that Sam Price dutifully played Wheatstraw's signature intro on the first version of "Possum Den Blues," then abandoned it on take two and never looked back. Why did Peetie cease playing piano for keeps on his own records in 1939? According to an informed theory advanced by his biographer Paul Garon, Peetie's relations with the musicians' union might have deteriorated to the point where he was permitted to sing in a recording studio but not to play any instruments. In any case, what you get here is an excellent sampler of Peetie Wheatstraw's later work that taps into four decidedly different sessions, including the only date he ever shared with a jazz trumpeter. "I Want Some Sea Food" was partly inspired by Fats Waller's recording of "Hold Tight (Want Some Seafood Mama)," which was cut about nine months earlier. Peetie's tune references vaginal pungency even more directly than his 1936 recording (see Vol. 3) of "The First Shall Be Last and the Last Shall Be First," which contains a reference to limburger cheese. arwulf arwulf
Tracklist :
1.    Black Horse Blues 3:08
Drums – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Peetie Wheatstraw
2.    Sugar Mama 3:06
Drums – Unknown Artist
Guitar – Lonnie Johnson
Vocals, Piano – Peetie Wheatstraw
3.    Me No Lika You 3:04
Drums – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Peetie Wheatstraw
4.    Possum Den Blues (take A) 2:50
Drums – O'Neil Spencer
Piano – Sam Price
Vocals – Peetie Wheatstraw
5.    Possum Den Blues (take B) 2:54
Drums – O'Neil Spencer
Guitar [Uncredited] – Teddy Bunn
Piano – Sam Price
Vocals – Peetie Wheatstraw
6.    Little Low Mellow Mama 2:56
Drums – O'Neil Spencer
Guitar – Teddy Bunn
Piano – Sam Price
Vocals – Peetie Wheatstraw
7.    A Working Man's Blues 2:54
Drums – O'Neil Spencer
Guitar – Teddy Bunn
Piano – Sam Price
Vocals – Peetie Wheatstraw
8.    One To Twelve (Just As Show) 3:06
Drums – O'Neil Spencer
Guitar – Teddy Bunn
Piano – Sam Price
Vocals – Peetie Wheatstraw
9.    Let's Talk Things Over 2:48
Drums – O'Neil Spencer
Guitar – Teddy Bunn
Piano – Sam Price
Vocals – Peetie Wheatstraw
10.    Sinking Sun Blues 2:52
Drums – O'Neil Spencer
Guitar – Teddy Bunn
Piano – Sam Price
Vocals – Peetie Wheatstraw
11.    Easy Way Blues 2:48
Drums – O'Neil Spencer
Guitar – Teddy Bunn
Piano – Sam Price
Vocals – Peetie Wheatstraw
12.    Machine Gun Blues 2:46
Drums – O'Neil Spencer
Guitar – Teddy Bunn
Piano – Sam Price
Vocals – Peetie Wheatstraw
13.    Beer Tavern 2:30
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Piano [Poss.] – Lee Brown
Vocals – Peetie Wheatstraw
14.    You Can't Stop Me From Drinking 2:31
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Harmonica [Prob.] – Rhythm Willie
Piano [Poss.] – Lee Brown
Vocals – Peetie Wheatstraw
15.    I Want Some Sea Food 2:32
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Harmonica [Prob.] – Rhythm Willie
Piano [Poss.] – Lee Brown
Vocals – Peetie Wheatstraw
16.    Rolling Chair 2:30
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Harmonica [Prob.] – Rhythm Willie
Piano [Poss.] – Lee Brown
Vocals – Peetie Wheatstraw
17.    Love Bug Blues 2:37
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson
Harmonica [Prob.] – Rhythm Willie
Piano [Poss.] – Lee Brown
Vocals – Peetie Wheatstraw
18.    Confidence Man 2:23
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Harmonica [Prob.] – Rhythm Willie
Piano [Poss.] – Lee Brown
Vocals – Peetie Wheatstraw
19.    Big Apple Blues 2:55
Drums – Sid Catlett
Piano – Lil Armstrong
Trumpet – Jonah Jones
Vocals – Peetie Wheatstraw
20.    Big Money Blues 2:52
Drums – Sid Catlett
Piano – Lil Armstrong
Trumpet – Jonah Jones
Vocals – Peetie Wheatstraw
21.    Chicago Mill Blues 2:45
Drums – Sid Catlett
Piano – Lil Armstrong
Trumpet – Jonah Jones
Vocals – Peetie Wheatstraw
22.    Five Minutes Blues 2:49
Drums – Sid Catlett
Piano – Lil Armstrong
Trumpet – Jonah Jones
Vocals – Peetie Wheatstraw
23.    Two Time Mama 3:02
Drums – Sid Catlett
Piano – Lil Armstrong
Trumpet – Jonah Jones
Vocals – Peetie Wheatstraw 

PEETIE WHEATSTRAW — Complete Recorded Works In Chronological Order Volume 7 · 1940- 1941 | DOCD-5247 (1994) RM | FLAC (tracks+.cue), lossless

Volume seven in Document's complete Peetie Wheatstraw chronology contains his last 23 recordings which were made in New York and Chicago during the years 1940 and 1941. Instrumentally, this album is similar to volume six in that Wheatstraw is backed by blues and jazz musicians who deliver a more varied series of performances, breaking what some may regard as the textural and melodic predictability of his many previous recordings. Peetie's accompanists include pianists Lil Hardin Armstrong and Jack Dupree, trumpeter Jonah Jones, drummer O'Neil Spencer, blues harpist Robert Lee McCoy, and an unidentified tenor saxophonist on the "Old Organ Blues," the eerily titled "Hearse Man Blues," and "Bring Me Flowers While I'm Living." Jones' trumpet obligato is at times arrestingly beautiful, and these laid-back recordings hint at where Peetie was headed as an artist. He could have done very well in the postwar era, easing into what the industry began calling rhythm & blues, and very likely becoming a hero of early rock & roll. His sudden death, brought on by reckless driving and the legalized liquor he so emphatically prized over prohibition hooch, was a terrible tragedy for his family, his friends, and posterity. Peetie and his wife lived at 468A North Third Street in East St. Louis. Horrifically, the car crash that took his life occurred less than a block away from home, and his wife witnessed the accident without at first realizing that he had been in the car. It was Sunday, December 21, 1941, and Peetie was celebrating his 39th birthday. Intending to track down some good liquor, he piled into a Buick for a joyride with his friends Will Rainey, Ronnie Self, and Big Joe Williams, after inviting Teddy Darby along for the ride with the words "C'mon, let's go blow this Buick out." Darby declined the offer and they drove off in search of booze. A little later, Joe (who according to his own recollection was inebriated and getting "evil") stumbled out of the Buick to catch a streetcar to his home in St. Louis. Glancing through the window of the Buick he saw Peetie sitting in the back seat, smiling and strumming his guitar. What happened next is a tragically over-the-top drunk driving story. It was 11:30 A.M. and the rolling party was heading back home. Attempting at high speed to round a curve in Third Street near Illinois Avenue, whoever was behind the wheel lost control as the Buick careened up an embankment and smack into the back end of an immobile Louisville & Nashville Railroad freight train with such force that ten cars moved 25 feet. All three men were thrown from the car, Rainey and Ronnie were killed instantly, and Peetie died in a hospital nearly five hours later. This story differs from the widely circulated legend of a daredevil racing to beat a locomotive at a crossing, but the results were the same. At the time of his death, Wheatstraw was one of Decca's best-selling blues artists, still considered worthy competition for Bluebird's star, singing pianist Walter Davis. The range of Peetie's influence was profound and included Robert Johnson, Muddy Waters, Big Joe Williams, Georgia Slim, B.B. King, and most emphatically, James Sherrill, aka Peanut the Kidnapper. Artists whose billing included references to Wheatstraw were Floyd "Dipper Boy" Council ("The Devil's Daddy-In-Law"); Jimmie Gordon ("Peetie Wheatstraw's Brother"); Robert Lee McCoy ("Peetie's Boy"), and Harmon Ray, billed either as Herman "Peetie Wheatstraw" Ray or "Peetie Wheatstraw's Buddy." The Wheatstraw legend refuses to die, and as his records continue to be reissued, no label has come close to honoring this artist so thoroughly as Document has with its seven-volume set of his complete recorded works in chronological order. arwulf arwulf
Tracklist :
1.    Jaybird Blues    3:01
2.    Suicide Blues    2:57
3.    Pocket Knife Blues    3:05
4.    Gangster's Blues    2:44
5.    Cuttin' 'Em Slow    2:57
6.    Look Out For Yourself    2:55
7.    No 'Count Woman    3:21
8.    What's That?    3:10
9.    I Don't Feel Sleepy    2:35
10.    My Little Bit    2:36
11.    Seeing Is Believing    2:44
12.    The Good Lawd's Children    2:55
13.    You Got To Tell Me Something    2:51
14.    Love Me With Attention    2:42
15.    I'm A Little Piece Of Leather    2:50
16.    Don't Put Yourself On The Spot    2:34
17.    Old Organ Blues    2:24
18.    Hearse Man Blues    2:28
19.    Bring Me Flowers While I'm Living    2:28
20.    Pawn Broker Blues    2:24
21.    Southern Girl Blues    2:25
22.    Mister Livingood    2:22
23.    Separation Day Blues    2:29
Credits : 
Bass – Unknown Artist (tracks: 16 to 23)
Compilation Producer – Johnny Parth
Drums – Sid Catlett (tracks: 1 to 8)
Harmonica [Poss.] – Robert Lee McCoy (tracks: 9 to 15)
Liner Notes – Paul Garon
Piano – Lil Armstrong (tracks: 1 to 8)
Piano [Poss.] – Lil Armstrong (tracks: 9 to 23)
Remastered By – Gerhard Wessely
Tenor Saxophone [Almost Certainly] – Chu Berry (tracks: 16 to 19)
Trumpet – Jonah Jones (tracks: 1 to 8)
Vocals – Peetie Wheatstraw 

GEORGIA WHITE — Complete Recorded Works In Chronological Order Volume 1 · 1930-1936 (1994) DOCD-5301 | RM | FLAC (tracks), lossless

The first inkling that most people in the late 20th century had about Georgia White was an LP of reissued titles that appeared in the 1970s on the Rosetta label. Some of her party-oriented songs also resurfaced on various Stash collections, linking her in the minds of many listeners with that jolly substance abuse anthem "The Stuff Is Here." During the 1990s, Blues Collection issued a 25-track sampler and Document Records reissued every recording known to have been made by her during the 1930s and early '40s. The first of four volumes dedicated to this fine vocalist focuses mainly upon the earliest records released under her name. Her first recording was made in Chicago in May 1930 with New Orleans clarinetist Jimmie Noone and his Apex Club Orchestra. Having this tidbit at the beginning of her complete recorded works on Document constitutes a sweet treat, especially as the song she sings is a staple of Depression-era pop music at its most auto-suggestive; "When You're Smiling, the Whole World Smiles with You" is usually associated with vaudevillian Ted Lewis, Louis Armstrong when he sang in front of a big band in the early '30s, or that great interpreter of Tin Pan Alley love songs, Billie Holiday. When she began recording regularly for Decca in 1935, Georgia White distinguished herself with a refreshingly honest delivery that combined elements of blues, barrelhouse, and swing in a manner that was earthier, lustier, and less mainstream than had been possible or permissible with the confectionary "get happy" melody she sang with Noone in 1930. Throughout most of the performances reproduced here, White is heard accompanying herself on the piano and singing her own compositions with occasional covers like Victoria Spivey's "You Done Lost Your Good Thing Now" and the punchy "There Ain't Gonna Be No Doggone Afterwhile," a friction-inducing number attributed to Charlie Burse of the Memphis Jug Band and soon to be covered by Decca's Fats Waller emulator Bob Howard. The last four tracks of White's first volume on Document introduce three men who would stick around and accompany her for the next couple of years: pianist and composer Richard M. Jones and bassist John Lindsay (both of New Orleans, LA) and guitarist "Banjo" Ikey Robinson of Dublin, VA. To inaugurate their first session together, White chose to revisit her own "Dupree Blues" and Lil Johnson's "Hot Nuts," to premiere her own Fats Waller-like swing tune "It Must Be Love," and to grind out "Daddy Let Me Lay It on You" to the tune of "Baby Don't You Tear My Clothes." arwulf arwulf
Tracklist :
1.    When You're Smiling, The Whole World Smiles With You 2:47
Alto Saxophone, Baritone Saxophone – Eddie Pollack
Band – Jimmie Noone's Apex Club Orchestra
Banjo, Guitar – Wilbur Gorham
Brass Bass – Bill Newton 
Clarinet – Jimmie Noone
Drums – Johnny Wells
Piano – Zinky Cohn
Vocals – Georgia White
2.    Dupree Blues 2:59
Guitar [Poss.] – Ikey Robinson
Vocals, Piano [Prob.] – Georgia White
3.    Dallas Man (Lost Lover Blues) 3:12
Guitar [Poss.] – Ikey Robinson
Vocals, Piano [Prob.] – Georgia White
4.    Your Worries Ain't Like Mine 2:45
Guitar [Poss.] – Ikey Robinson
Vocals, Piano [Prob.] – Georgia White
5.    You Done Lost Your Good Thing Now 3:06
Guitar [Poss.] – Ikey Robinson
Vocals, Piano [Prob.] – Georgia White
6.    Honey Dripper Blues 2:58
Guitar [Poss.] – Willie Bee (James)
Vocals, Piano [Prob.] – Georgia White
7.    Freddie Blues 2:35
Guitar [Poss.] – Willie Bee (James)
Vocals, Piano [Prob.] – Georgia White
8.    Easy Rider Blues 2:46
Guitar [Poss.] – Willie Bee (James)
Vocals, Piano [Prob.] – Georgia White
9.    Graveyard Blues 2:33
Guitar [Poss.] – Willie Bee (James)
Vocals, Piano [Prob.] – Georgia White
10.    Your Worries Ain't Like Mine - No. 2 2:47
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
11.    You Done Lost Your Good Thing Now - No. 2 2:59
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
12.    Can't Read, Can't Write 2:53
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
13.    Tell Me Baby 2:45
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
14.    There Ain't Gonna Be No Doggone Afterwhile 2:57
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
15.    Someday, Sweetheart 3:07
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
16.    River Blues 2:43
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
17.    If You Can't Get Five, Take Two (Take A) 2:55
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
18.    If You Can't Get Five, Take Two (Take B) 2:51
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
19.    Rattlesnakin' Daddy 2:28
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
20.    Get 'Em From The Peanut Man (Hot Nuts) 2:43
Double Bass – Unknown Artist
Guitar – Unknown Artist
Vocals, Piano [Prob.] – Georgia White
21.    New Dupree Blues 3:01
Double Bass – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
22.    Daddy Let Me Lay It On You 2:41
Double Bass – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
23.    New Hot Nuts 2:52
Double Bass – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
24.    It Must Be Love 2:34
Double Bass – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
 

GEORGIA WHITE — Complete Recorded Works In Chronological Order Volume 2 · 1936-1937 (1994) DOCD-5302 | RM | FLAC (tracks), lossless

Georgia White was one of Chicago's very best barrelhouse blues singers during the 1930s and early '40s. The second volume of her complete recorded works as compiled by Document in the '90s contains 23 sides recorded in 1936 and 1937 with rhythm accompaniment by pianist Richard M. Jones, guitarist Ikey Robinson, and bassist John Lindsay. Hopefully the second edition of this disc, which came out in 2005, opens with a cleaner sounding copy of "I Just Want Your Stingaree." The 78 rpm platter used for this 1996 edition is slightly marred by a rough start, with the needle sounding like it had trouble getting squarely settled in the groove. This is a pity, as "Stingaree" is one of White's charmingly smutty originals. Other delights in this category are "I'll Keep Sittin' on It" (which was successfully revived years later by Ruth Brown) and a cheerful, naughty bounce with the refrain: "Was I drunk? Was he handsome? Did my mama give me hell?" Cutting loose and partying down were staple themes in White's working repertoire. She clearly enjoyed handling material like Ma Rainey's "Moonshine Blues" and the rocking "Little Red Wagon," which was popularized by Count Basie as "Your Red Wagon." Richard M. Jones was an excellent accompanist, and several of his compositions appear on this collection. They are "Black Rider," "Walking the Street," "When My Love Comes Down," and "Trouble in Mind" which appears thrice as "Trouble in Mind," "New Trouble in Mind," and the upbeat "Trouble in Mind Swing." arwulf arwulf
Tracklist :
1.        I Just Want Your Stingaree    2:34
2.        Black Rider    2:24
3.        I'll Keep Sittin' On It    2:54
4.        Pigmeat Blues    2:37
5.        Trouble In Mind    2:31
6.        Was I Drunk?    2:48
7.        No Second Hand Woman    2:41
8.        Sinking Sun Blues    2:33
9.        Little Red Wagon    2:37
10.        Dan The Back Door Man    2:48
11.        Your Hellish Ways    2:29
12.        Marble Stone Blues    2:32
13.        You Don't Know My Mind    2:50
14.        When My Love Comes Down    2:53
15.        Walking The Street    2:30
16.        Grandpa And Grandma    2:27
17.        I'm So Glad I'm 21 Today    2:30
18.        Toothache Blues    2:42
19.        Mistreated Blues    3:08
20.        New Trouble In Mind    2:58
21.        Trouble In Mind Swing    2:35
22.        Moonshine Blues    2:49
23.        Biscuit Roller    2:41
Credits : 
Compiled By, Producer – Johnny Parth
Double Bass – John Lindsay
Guitar [Prob.] – Charlie McCoy (tracks: 6 to 8), Ikey Robinson (tracks: 1 to 5, 9 to 23)
Liner Notes – Colin J. Bray
Piano – Richard M. Jones
Remastered By – Gerhard Wessely
Vocals – Georgia White

GEORGIA WHITE — Complete Recorded Works In Chronological Order Volume 3 · 1937-1939 (1994) DOCD-5303 | RM | FLAC (tracks), lossless

Throughout the late 1930s Georgia White made a whole lot of swinging blues records for the Decca label with instrumental accompaniments by pianists Richard M. Jones and Sammy Price, guitarists Lonnie Johnson, and Teddy Bunn and bassist John Lindsay. Volume three in her complete recorded works on Document provides access to 22 titles cut between October 1937 and May 1939. White was keenly aware of the tradition within which she was operating, and chose her material wisely, reviving old favorites like W.C. Handy's "Careless Love," Porter Grainger's "'Tain't Nobody's Bizness If I Do," and Perry Bradford's "Crazy Blues" and "Fare Thee Honey Fare Thee Well" which were both premiered in 1920 by Mamie Smith. What you get on this disc constitutes some of White's very best performances on record. Her backup musicians swing hard with a boogie-woogie beat whenever necessary, and she expresses herself powerfully on "Strewin' Your Mess," "Holding My Own," "The Blues Ain't Nothin' But...???," and "The Stuff Is Here," a lively tea pad tune that has been reissued on a brimming handful of party blues collections ever since its rediscovery during the '70s by the producers of the Stash record label. The relaxed and very sensual "Rock Me Daddy" has a beautiful solo by an unidentified alto saxophonist, while "Alley Boogie" (attributed to both White and her contemporary, Lucille Bogan) cooks to a jelly like there's no tomorrow. arwulf arwulf
Tracklist :
1.    Georgia Man 2:41
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
2.    All Night Blues 3:03
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
3.    Away All The Time 2:42
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
4.    The Stuff Is Here 2:51
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
5.    Strewin' Your Mess 2:35
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
6.    Fare Thee Honey Fare Thee Well 2:43
Bass [String Bass] – John Lindsay
Guitar [Prob.] – Ikey Robinson
Piano – Richard M. Jones
Vocals – Georgia White
7.    Careless Love 3:07
Alto Saxophone [Prob.] – Edgar Saucier
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Piano – Richard M. Jones
Vocals – Georgia White
8.    Rock Me Daddy 3:06
Alto Saxophone [Prob.] – Edgar Saucier
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Piano – Richard M. Jones
Vocals – Georgia White
9.    Red Cap Porter 2:38
Alto Saxophone [Prob.] – Edgar Saucier
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Piano – Richard M. Jones
Vocals – Georgia White
10.    Alley Boogie 2:31
Drums – Unknown Artist
Guitar [Prob.] – Lonnie Johnson 
Piano – Richard M. Jones
Vocals – Georgia White
11.    I'm Blue And Lonesome 2:36
Bass [String Bass] – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Georgia White
12.    Almost Afraid To Love 2:59
Bass [String Bass] – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Georgia White
13.    Too Much Trouble 2:29
Bass [String Bass] – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Georgia White
14.    Crazy Blues 2:38
Bass [String Bass], Drums – Unknown Artist
Guitar – Lonnie Johnson
Vocals, Piano – Georgia White
15.    'Tain't Nobody's Business If I Do 2:41
Bass [String Bass], Drums – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Georgia White
16.    Holding My Own 2:57
Bass [String Bass], Drums – Unknown Artist
Guitar – Lonnie Johnson 
Vocals, Piano – Georgia White
17.    The Blues Ain't Nothin' But...??? 2:35
Bass [String Bass] – John Lindsay
Electric Guitar – Lonnie Johnson 
Vocals – Georgia White
18.    Dead Man's Blues 2:43
Bass [String Bass] – John Lindsay
Electric Guitar – Lonnie Johnson 
Vocals – Georgia White
19.    Love Sick Blues 2:58
Bass [String Bass] – John Lindsay
Electric Guitar – Lonnie Johnson 
Vocals – Georgia White
20.    My Worried Mind Blues 2:42
Bass [String Bass] – John Lindsay
Electric Guitar – Lonnie Johnson 
Vocals – Georgia White
21.    The Way I'm Feelin' 3:11
Bass [String Bass] – John Lindsay
Guitar – Teddy Bunn
Piano – Sammy Price
Vocals – Georgia White
22.    Married Woman Blues 3:14
Bass [String Bass] – John Lindsay
Guitar – Teddy Bunn
Piano – Sammy Price
Vocals – Georgia White