With her previous three albums, Barb Jungr had already proved herself
one of Britain's most engrossing cabaret singers and one of the most
adroit song interpreters in modern vocal pop, and Waterloo Sunset does
nothing to alter or diminish that assessment. It does feel like a small
step backward in terms of content after the all-Bob Dylan program of
Every Grain of Sand, but it is certainly not a step down in quality and
intelligence of performance. In fact, it is a return to the interpretive
eclecticism of Bare, with its dramatic overhauls of pop tunes (in
effect, similar to her contemporary Cassandra Wilson, if not in style)
by the Everly Brothers, Leon Russell, and Richard Thompson (a masterful,
almost art song "The Great Valerio"), among others, intermingled with a
few of Jungr's own delightful originals. It might even be thought of as
a dressed-up version of that album, nowhere more evident than in the
Ray Davies-penned title tune. The stripped-down take from Bare is
damaged, lonely, movingly reflective; the reimagined version of
"Waterloo Sunset" is wistful, sure, but also bluesy, impregnable,
rounding the corner toward sanguinity. That this Brit Invasion song
sounds perfectly fluent and fluid coming after the Tin Pan Alley jazz
chestnut "Laugh Clowns Laugh" says much about the caliber of the
writing, of course, but also about how Jungr is able to locate and
explore the je ne sais quoi of a composition, what is both ageless and
new, unknown, what connects even as it perplexes. The album sustains
this inquisitive mood, plowing into emotions that lurk beneath façades,
like the enigmatic clowns and jesters that dance through the lyrics, and
finally bubbling over on the marvelous concluding rehabilitation of
Steve Miller's "The Joker," in which a crass come-on is transformed into
an effusive flirtation. It's something to behold. Jungr had not quite
gotten Mr. Zimmerman out of her blood either, so fans of Every Grain of
Sand have a couple more Dylan treats in store with versions of the
classic "Like a Rolling Stone" and the more recent Love and Theft track
"High Water (For Charley Patton)." Calum Malcolm again produces
beautifully, employing a carnival of colors and textures; the entirely
new backing band is crackerjack throughout, breezing through music hall,
cocktail jazz, bossa nova, and Western swing with the equal panache. Stanton Swihart
Tracklist :
1 Do You Play Guitar? 3:53
Barb Jungr / Adrian York
2 High Water 5:49
Bob Dylan
3 Cathy's Clown 3:35
The Everly Brothers
4 This Masquerade 5:09
Leon Russell
5 The Great Valerio 3:49
Richard Thompson
6 When Do the Bells Ring for Me? 2:54
Charles DeForest
7 Written in the Dark Again 5:26
Christine Collister / Barb Jungr
8 Like a Rolling Stone 6:03
Bob Dylan
9 Lipstick Lips Lament 4:22
Barb Jungr
10 Laugh, Clown, Laugh 3:30
Sam M. Lewis / Joe Young
11 Waterloo Sunset 4:32
Ray Davies
12 The Joker 5:35
Eddie Curtis / Ahmet Ertegun / Steve Miller
Credits :
Acoustic Bass – Geoff Gascoyne
Drums, Percussion – Nic France
Guitar – Matt Backer
Piano – Adrian York
Violin – Stuart Hall (faixas: 5)
Vocals – Barb Jungr
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