Das Cabinet des Dr. Caligari | a.k.a. O Gabinete do Dr. Caligari (1920, Dir. Robert Wiene) VIDEO (ISO)

  The Cabinet of Dr. Caligari is a 1920 German silent horror film directed by Robert Wiene and written by Hans Janowitz and Carl Mayer. The quintessential work of early German Expressionist cinema, it tells the story of an insane hypnotist who uses a brainwashed somnambulist to commit murders. The film features a dark, twisted visual style, with sharp-pointed forms; oblique, curving lines; structures and landscapes that lean and twist in unusual angles; and shadows and streaks of light painted directly onto the sets. wiki

Francis (Friedrich Feher) e o amigo Alan (Hans Heinrich von Twardowski) visitam o gabinete do Doutor Caligari (Werner Krauss), onde conhecem Cesare (Conrad Veidt), um homem sonâmbulo que diz a Alan que ele morrerá. Assim acontece e Alan acorda morto no dia seguinte, o que faz com que Francis suspeite de Cesare. Francis então começa a espionar o que o sonâmbulo faz com a ajuda da polícia. Para descobrir todos os mistérios, Francis acredita só haver uma solução: adentrar no misterioso gabinete do Doutor Caligari.

 

Direção: Robert Wiene

Elenco: Werner Krauss, Conrad Veidt, Lil Dagover mais

Gêneros Drama, Suspense, Fantasia

Pais : Alemanha  (1h 17min)

Título original:  Das Cabinet des Dr. Caligari (1920)

Card Idiomas Alemão /Cor Preto & Branco

Notes

O primeiro do gênero

É por muitos considerado o primeiro filme de horror da história.

Fritz Lang cotado como diretor

O produtor Erich Pommer queria que Fritz Lang fosse o diretor. Lang até ficou interessado, mas decidiu trabalhar em outro filme.

Outra atriz no lugar da namorada de Hans

Hans Janowitz escreveu o papel feminino principal para a sua namorada Gilda Langer, uma atriz de teatro em Berlim, mas foi Lil Dagover que ficou com o papel.

Um filme feito de papel e tinta

As locações foram feitas de papel, e as sombras pintadas nas paredes.

Você tem que se tornar Caligari!

Semanas antes do lançamento do filme, posters com a inscrição "Você tem que se tornar Caligari!" foram colocados em Berlim sem a menor pista de que se tratava da publicidade de um filme

 

PHIL WOODS · GENE QUILL · JACKIE McLEAN · JOHN JENKINS · HAL McKUSICK — Bird Feathers (1957-2013) RM | MONO | SHM-CD | New Jazz Chronicle Series | FLAC (tracks+.cue), lossless

Bird Feathers features Woods with the McLean/Jenkins/McKusick lineup in a high-flying blowing/jam session from the '50s. Ron Wynn

Tracklist :
1    Solar    5:49
 Miles Davis
2    Bird Feathers    10:22
 Charlie Parker
3    Interim    5:48
 Hal McKusick
4    Airegin    6:23
 Sonny Rollins
5    Don't Worry 'Bout Me    8:06
 Rube Bloom / Ted Koehler
6    Con Alma    7:40
 Dizzy Gillespie
Credits :
(tracks: 1, 4)
Phil Woods, Gene Quill – Alto Saxophone  
George Syran - Piano
Teddy Kotick - Bass
Nick Stabulas Drums

(tracks: 2)
Jackie McLean, John Jenkins – Alto Saxophone
Wade Legge - Piano
Doug Watkins - Bass
Art Taylor - Drums

(tracks: 3, 5, 6),
Hal McKusick – Alto Saxophone  
Billy Byers - Trombone
Paul Chambers - Bass
Charlie Persip - Drums
Eddie Costa - Piano

MORGANA KING — A Taste Of Honey (1964-1993) FLAC (tracks+.cue), lossless

Tracklist :
1    A Taste Of Honey 5:13
Written-By – B Scott, R Marlowe
2    Fascinating Rhytm 2:33
Written-By – G & I Gershwin
3    Prelude To A Kiss 3:39
Written-By – D Ellington, I Gordon, I Mills
4    Easy Living 3:36
Written-By – L Robin, R Rainger
5    All Blues 3:39
Written-By – M Davis, O Brown
6    Bluesette 2:42
Written-By – N Gimbel, J Thielemans
7    Easy To Love 2:40
Written-By – C Porter
8    The Night Has A Thousand Eyes 3:02
Written-By – B Bernier, J Brianin
9    The Lady Is A Tramp 2:17
Written-By – R Rodgers/L Hart
10    Try to Remember 2:36
Written-By – H Schmidt, T Jones
11    Meditation 3:48
Written-By – Jobim, Mendonca, Gimbel
12    I'll Follow You 4:38
Written-By – F Ahlert, R Turk
13    Sometimes I Feel Like a Motherless Child     3:21
Credits :
Arranged and conducted by - Torrie Zito
ft. Clark Terry, Joe Wilder, Dave McKenna, Barry Galbraith, Mel Lewis, Mundell Lowe, Phil Woods, Hank Jones, Don Butterfield ...
Vocals - Morgana King

FRIPP & ENO — The Equatorial Stars (2004) FLAC (tracks+.cue), lossless

Almost 30 years on since Evening Star, Robert Fripp and Brian Eno resume their collaboration, and remarkably, they seem to have picked up right where they left off. Remarkably, because Fripp's more recent soundscaping has had a different quality than either his collaborations with Eno or his proper "Frippertronics" albums like Let the Power Fall or the solo side of God Save the Queen/Under Heavy Manners. Surely they're not back to using the old Revox tape machine setup, but having Eno in the producer's chair (not to mention making his own musical contributions) seems to add a warmth that's been missing from albums like 1999. But much like Evening Star showed a progression from No Pussyfooting, The Equatorial Stars is another step forward while retaining all the same elements as their previous work together. On "Meissa," there's just a bit of glitch periodically applied to the background keyboards and guitar harmonics with Fripp soloing softly over the top. "Lyra" is even prettier, and you can really hear Fripp's guitar lines trailing off into the distance. His tone here is less saturated than on the earlier albums, but there's just as much sustain and his playing is beautiful and lyrical. "Ankaa" bears the strongest resemblance to the material on Evening Star, with that classic "Frippertronics" guitar tone. And just as their previous efforts were mostly, but not entirely, placid, The Equatorial Stars takes on a slightly more aggressive tone (if you can call it that) toward the end. "Lupus" adds the pulse of a heartbeat and a bit of sonic scuzz to the mix, and "Terebellum" takes on a slightly more ominous tone. Most surprising is "Altair," which almost gets funky with a bit of bass and some chicken scratch rhythm guitar work. While Fripp is nominally at the forefront on The Equatorial Stars, Eno's contributions and excellent production are just as important. There seems to be a genuine synergy when these two work together, and The Equatorial Stars is a worthy successor to their earlier brilliant albums together. Sean Westergaard   
Tracklist :
1 Meissa 8:08
2 Lyra 7:45
3 Tarazed 5:03
4 Lupus 5:09
5 Ankaa 7:01
6 Altair 5:11
7 Terebellum 9:40
Credits :
Performer [Music Performed By], Composed By – Brian Eno, Robert Fripp
Producer [Produced], Design [Cover Design] By – Brian Eno

BUCK CLAYTON — Goin' to Kansas City (1960-1990) RM | Original Jazz Classics Limited Edition Series | FLAC (tracks+.cue), lossless

Although trumpeter Buck Clayton gets top billing, this CD reissue actually features Tommy Gwaltney's Kansas City Nine, an unusual group sporting arrangements by Gwaltney and tenor-saxophonist Tommy Newsom (who decades later became famous for his work on The Tonight Show). The group has an unusual combination of major names (Clayton, trombonist Dickie Wells, guitarist Charlie Byrd, pianist John Bunch, bassist Whitey Mitchell and drummer Buddy Schutz) along with Gwaltney (who doubles on reeds and vibes), Newsom and Bobby Zottola (playing second trumpet and peck horn). Although the nonet performs a variety of songs associated with Kansas City Jazz of the swing era, the arrangements are modern and unpredictable. Scott Yanow
Tracklist :
1    Hello Babe 3:00
Written-By – Dickie Wells
2    An Old Manuscript 3:26
Written-By – Razaf, Redman
3    Kansas City Ballad 3:06
Written-By – Tommy Newsom
4    The Jumping Blues 4:07
Written-By – Jay McShann
5    Walter Page 4:27
Written-By – Tommy Gwaltney
6    Midnight Mama 4:39
Written-By – Jelly Roll Morton
7    John's Idea 3:09
Written-By – Count Basie
8    Steppin' Pretty 3:12
Written-By – Mary Lou Williams
9    Dedicated To You 3:34
Written-By – Zaret, Cahn, Chaplin
10    The New Tulsa Blues 4:37
Written-By – Bennie Moten
Credits :
Alto Saxophone, Clarinet, Vibraphone, Xylophone – Tommy Gwaltney
Arranged By – Tommy Gwaltney (tracks: 2, 5, 7), Tommy Newsom (tracks: 1, 3, 4, 6, 8, 9, 10)
Bass – Whitey Mitchell
Drums – Buddy Schutz
Guitar – Charlie Byrd
Piano – John Bunch
Tenor Saxophone, Clarinet – Tommy Newson
Trombone – Dickie Wells
Trumpet – Buck Clayton
Trumpet, Alto Horn [Peck Horn] – Bobby Zottola