Tracklist :
1 Morena 4:47
2 A Virgen Mui Groriosa 5:24
3 Nassam Alaina Lhawa 4:40
Lyrics By [Uncredited] – Rahbani Brothers
Music By [Uncredited] – Rahbani Brothers
4 Pandero 3:34
5 De Santa María 9:20
6 Chamsse Lachia 4:47
7 La Galana Y El Mar 5:12
8 Gran Dereit 6:14
9 Atiny Naya - Solo Iman 2:28
Lyrics By [Uncredited] – Khalil Gibran
Music By [Uncredited] – Najeeb Hankash
10 Lluna 5:39
11 Arracha Lfatan 4:47
12 Las Suegras De Ahora 5:15
Credits :
Baglama [Saz], Oud, Fiddle, Producer, Mixed By – Michael Popp
Hurdy Gurdy, Nyckelharpa – Ernst Schwindl
Kanun – Aziz Samsaoui
Percussion – Sascha Gotowtschikow
Voice – Iman Kandoussi, Mara Aranda
Voice, Flute – Sigrid Hausen
10.3.25
AL ANDALUZ PROJECT — Deus et Diabolus (2007) FLAC (tracks+.cue), lossless
9.3.25
JENNY SCHEINMAN With NELS CLINE | JIM BLACK | TODD SICKAFOOSE – Mischief & Mayhem (2012) FLAC (tracks+.cue), lossless
Anyone who has seen Jenny Scheinman perform either as a headliner or backing another artist has witnessed the absolute physical delight she exhibits in playing and improvising. Mischief & Mayhem, the title of her self-released album -- after recordings on Avant, Tzadik, Koch/E1, and Cryptogramophone -- is the very first to aurally display this trait. With a star-studded cast -- drummer Jim Black, bassist Todd Sickafoose, and guitarist Nels Cline -- Scheinman offers her canny compositional wisdom, a wicked sense of instrumental humor, and the ability to symbiotically engage in deep, communicative dialogue in improvisation. As a composer, her balance of dynamic, melody, dissonance, and texture are equally remarkable parts of these eight tunes. Opener "A Ride with Polly Jean" commences with Sickafoose playing a repetitive pattern joined by brushed snare and a plucked violin. Scheinman quickly asserts a melody line that actually feels like travel. Cline's guitar playing and effects enter the middle and fill it out, making that scenario complete. "Sand Dipper" begins in the ether and really gets moving about halfway through; it features some wooly soloing by Scheinman and kinetic, almost drum'n'bass-styled drumming from Black. "Blues for the Double Vee" begins as a rock tune but quickly establishes itself as something else entirely without losing the feel. The album's longest track, "Devil's Ink," is also its most haunting and abstract -- for its initial two-thirds. It eventually establishes a fractured groove that's so gnarly and knotty it feels like the Mahavishnu Orchestra with Jean-Luc Ponty. "Ali Farka Touche" finds Cline emulating the Malian guitar giant's phrasing and tone for a bit, but between Sickafoose's and Black's interlocking groove and Scheinman's aggressive soloing, it becomes a driving rock tune. The set closes with the hairy, ever shifting, prog rock-cum-avant-jazz rock number "The Mite." It's the set's most humorous track and has moments of Cline utterly unhinged. These tunes are really small compositional wonders with lots of kinetic space for interplay woven in. Mischief & Mayhem is the most physically attractive album in Scheinman's career thus far, because you can actually feel the collective's delight in each of these performances. It's marvelous, sly, sensual, and rugged from top to bottom.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1 A Ride With Polly Jean 6:21
2 Sand Dipper 4:23
3 Blues For The Double Vee 3:56
4 Devil's Ink 7:41
5 The Audit 3:46
6 Ali Farka Touché 4:31
7 July Tenth In Three Four 6:18
8 The Mite 6:37
Line-up / Musicians
Bass – Todd Sickafoose
Drums – Jim Black
Guitar [s] – Nels Cline
Producer, Presenter, Violin, Written-By [Songs By] – Jenny Scheinman.jpg)
TONY SCOTT — Music For Zen Meditation And Other Joys (1964-1984) FLAC (tracks+.cue), lossless
After stints at Juilliard and in the Army during the '40s, clarinetist Tony Scott rose to prominence in the '50s as a respected jazz soloist. His resumé at the time included work with Sarah Vaughan, Ben Webster, Dizzy Gillespie, Bill Evans, Billie Holiday, and Claude Thornhill, among many others. In addition to these sidemen dates, Scott also cut several solo albums. His subtle phrasing eventually found a perfect niche in the smattering of meditation and yoga dates he cut in the mid-'60s for Verve. Fueled by his burgeoning interest in Far Eastern culture, Scott hooked up with two Japanese master instrumentalists for this classic 1964 date. And while Scott, koto player Shinichi Yuize, and shakuhachi player Hozan Yamamoto produce nine cuts that sound classically Japanese and really nothing like jazz, they do actually improvise pretty much throughout the entire set. If you'd like to levitate to music with some unexpected twists, then Scott's Music for Zen Meditation is for you. Stephen Cook
Tracklist :
1. Is Not All One?
Tom Scott / Hozan Yamamoto / Shinichi Yuize
2. The Murmuring Of The Mountain Stream
Tom Scott / Shinichi Yuize
3. A Quivering Leaf, Ask The Winds
Hozan Yamamoto
4. After The Snow, The Fragrance
Tom Scott / Shinichi Yuize
5. To Drift Like Clouds
Hozan Yamamoto / Shinichi Yuize
6. Ze-zen (Meditation)
Tom Scott / Hozan Yamamoto
7. Prajna-Paramita-Hridaya Sutra (Sutra Chant)
Tom Scott / Shinichi Yuize
8. San-zen (Moment Of Truth)
Tom Scott / Shinichi Yuize
9. Satori (Enlightenment)
Tom Scott / Shinichi Yuize
Line-up / Musicians
Shinichi Yuize - Koto
Hozan Tamamoto - Shakuhachi.
Tony Scott - Clarinete
ANN HAMPTON CALLAWAY — Easy Living (1999-2005) APE (tracks+.cue), lossless
This is Ann Hampton Callaway's seventh recording, Easy Living, is one of her very best. It's a program of well-known standards and fairly stock arrangements, but in the middle is her pristine, well-defined, flexible voice. She retains a lower-end range in her style that suggests only one singer: Sarah Vaughan. She's joined by several different rhythm sections and soloists, including pianists Benny Green (six cuts), Bill Charlap (five), and Kenny Barron (two); bassists Peter Washington or Neal Miner; drummers Clarence "Tootsie" Bean and Lewis Nash; percussionist Jim Saporito; saxophonists Andy Farber, Nelson Rangell, and Gerry Niewood; and on three selections, trumpeter Wynton Marsalis. A collection of love songs sung convincingly and with no frills, Callaway shows great depth in ballad singing. Hard evidence is presented in her takes of "Skylark" and "The Very Thought of You," with Charlap's glistening piano tones ringing bells for the singer and Farber's tenor sax replies. "'Round Midnight" is the penultimate interp with Barron's wistful piano and Marsalis' spare trumpet offering advice on ol' midnight. Callaway can swing well when she chooses; "Easy to Love" brings home her lower dulcet tones, while Farber's tenor cops a Stan Getz-Joe Henderson type plea bargain. Green's intro to "Nice Work If You Can Get It" has a "Giant Steps" quote before the singer digs into this lyric. She scats a little during the middle of the program, on the melody line, and the coda, of "Bluesette," and more in the improvised bridge during "It Had to Be You." Bossa nova is always a sidebar for singers, and Callaway uses this Brazilian rhythm on an interesting arrangement of "You Don't Know What Love Is" spiked with high drama, Saporito's Latin percussion, Barron's deft piano, and Niewood's flavorful tenor. The lone composition of the vocalist "Come Take My Hand" is also bossa, with Rangell's flute chirping on this definitive love anthem. Marsalis is also bolder on the stark ballad title track and a nice version of "In a Sentimental Mood," while it's the singer getting brash and daring in a lower tone than normal for perhaps the highlight "All of You," Green's piano matching the depths of Callaway's yearnings. It's not hyperbole to understand this is the perfect singer with a perfect voice that sounds so effortless, mature, and flowing. Though the others six recordings are just fine, this one really hits the spot, especially instrumentally. Callaway proves up to the challenge with every measure, phrase, and inflection. Michael G. Nastos
Tracklist :
1 Easy To Love 3:48
Cole Porter
2 'Round Midnight 5:56
Bernie Hanighen / Thelonious Monk / Cootie Williams
3 Come Take My Hand 3:32
Ann Hampton Callaway
4 Easy Living 5:44
Ralph Rainger / Leo Robin
5 All Of You 3:22
Cole Porter
6 Blusette 3:41
Norman Gimbel / Toots Thielemans
7 It Had To Be You 3:27
Isham Jones / Gus Kahn
8 In A Sentimental Mood 5:22
Duke Ellington / Manny Kurtz / Irving Mills
9 You Don't Know What Love 4:00
Gene DePaul / Don Raye
10 Come Rain Or Come Shine 4:11
Hoagy Carmichael / Johnny Mercer
11 Skylark 5:47
Hoagy Carmichael / Johnny Mercer
12 Nice Work If You Can Get It 2:32
George Gershwin / Ira Gershwin
13 The Very Thought Of You 5:48
Ray Noble / Roy Noble
Line-up / Musicians
Alto Saxophone, Flute – Nelson Rangel
Bass – Neal Miner, Peter Washington
Drums – Clarence "Tootsie" Bean, Lewis Nash
Percussion – Jim Saporito
Piano – Benny Green, Bill Charlap, Kenny Barron
Tenor Saxophone – Andy Farber, Gerry Niewood
Trumpet – Wynton Marsalis
Vocals – Ann Hampton Callaway
DENNIS CHAMBERS — Planet Earth (2005) FLAC (tracks+.cue), lossless
Tracklist:
1.Planet Earth (4:40)
Sun Ra / Arranged By – Jim Beard
2.Dance Music For Borneo Horns # 13 (2:24)
Composed By, Arranged By – Lenny Pickett
3.Amos Ignored (4:40)
Composed By, Arranged By – Lenny Pickett
4.Elroy (6:05)
Composed By – Adam Rogers
5.El Is The Sound Of Joy (5:03)
Sun Ra / Arranged By – Lenny Pickett
6.Camel Hump (6:08)
Composed By – Dean Brown
7.Dance Music For Borneo Horns #6 (4:19)
Composed By, Arranged By – Lenny Pickett
8.Overtones Of China (10:14)
Sun Ra / Arranged By – Lenny Pickett
9.Giphini's Song (2:32)
Composed By – Lenny Pickett
10.Ant (4:34)
Composed By – Adam Rogers
11.Loose Bloose (6:20)
Composed By – Bill Evans
12.Dance Music For Borneo Horns #4 (3:13)
Composed By, Arranged By – Lenny Pickett
Line-up / Musicians
Drums - Dennis Chambers
Keyboards - Jim Beard
Guitar - Dean Brown, 1/3/5/6/8/9, Adam Rogers, 4/10/11
Bass - Anthony Jackson, 4/10/11 / Will Lee, 1/3/5/6/8/9
Alto Sax - Kenny Garrett, 3/8/11
Tenor Sax, Alto Sax, Baritone Sax, Flute - Bob Malach, 1/3/5/6/8/9
Trumpet - Jim Hynes, 3/5
Trombone - Mike Davis, 3/5
The Borneo Horns:
- Lenny Pickett / Tenor Sax, 2/7/12
- Stan Harrison / Alto Sax, 2/7/12
- Steve Elson / Baritone Sax, 2/7/12
+ last month
ARTHUR BLYTHE — Blythe Byte (2001) FLAC (tracks), lossless
In 2001 Savant Records brought out Blythe Byte, an album by alto saxophonist Arthur Blythe. For his second Savant release and sequel to the ...

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