DAVID BINNEY — South (2001) FLAC (image+.cue), lossless

"A brilliant debut" - (STEREOPLAY) "CD of the Month, February 2001" ACT
Tracklist :
1    Out Beyond Ideas    5:23
2    Moment In Memory    8:58
3    The Global Soul    5:12
4    Leaving The Sea    12:07
5    Von Joshua    5:18
6    Traveler    5:51
7    New York Nature    8:32
8    Southpaw    6:27
9    The Global Soul (Reprise)    1:57
10    Tangles Outcome 3:44
Composed By – Rogers, Potter, Binney, Black, Colley, Caine
11    South    6:54
Credits :
Alto Saxophone, Soprano Saxophone, Sampler, Composed By, Producer – David Binney
Bass – Scott Colley
Design – Peter Krüll
Drums – Brian Blade, Jim Black (tracks: 5, 10)
Guitar – Adam Rogers
Piano – Uri Caine
Tenor Saxophone – Chris Potter

DAVID BINNEY — Balance (2002) FLAC (tracks+.cue), lossless

Alto saxophonist David Binney's follow-up to his extraordinary CD South offers a different approach overall while retaining the fresh contemporary style that underlines his status as an innovator and unique voice. Pianist Uri Caine is retained, drummer Jim Black takes over for Brian Blade, tenor saxophonist Donny McCaslin teams with Binney on two tracks, Tim LeFebvre is a new addition on electric bass guitar, and Wayne Krantz is in for Adam Rogers on electric guitar. To Binney, balance is an elusive commodity, and nearly impossible to maintain. His love for the fusion and funk music of the '70s is translated into modern terms and gradations. On the high-end level of complexity, the title track displays repeat themes in varying modes and shifting accented tempos, mixed meters, and a funky underpinning completely slowing on the bridge. The chase is on during "Speedy's 9 Is 10" with Binney and McCaslin in hot pursuit, interrupted by the steel guitar of Rogers during his lone cameo appearance on the CD with bassist Fima Ephron. A wild dissected funk delivered by Black during "Fidene" is shaded by creature-feature and groping electronic sounds. There are a few soul ballads that frame Binney's tart alto better than the larger group pieces, and Caine's pretty piano is also showcased in "We Always Cried" and "Perenne." An expanded ensemble with guest Peck Almond elicits clarion calls in 10/8 time during the short "Midnight Sevilla," and there are two takes of the fun and funky "Arlmyn Trangent," again with the wonderful McCaslin. Black is a constant source of rhythmic drive and inventiveness, giving Binney a large palette to paint broad color strokes. While not as vital as South, Balance is a worthy addition to the discography of one of the top performers in modern progressive jazz. Michael G. Nastos

"A jazz that doesn't need a remix because it already is one. It doesn't get more exciting than this" - (AZ München) ACT
Tracklist :
1    Balance    6:36
2    Marvin Gaye    4:56
3    Arimyn Trangent    6:48
4    I'll Finally Answer    7:48
5    Midnight Sevilla    1:34
6    Speedy's 9 Is 10    5:40
7    We Always Cried    5:25
8    Lurker    4:15
9    Rincon    4:45
10    Fidene    4:16
11    Arimyn Trangent Reliv    3:03
12    Perenne    4:55
Credits :
David Binney - Written, Alto & Tenor Saxophone
Wayne Krantz - Guitar
Uri Caine - Piano, Synth
Tim Lefebvre – Bass
Jim Black - Drums
Artwork – Peter Krüll

Guests:
Adam Rogers - Guitar on 6, 11
Fima Ephron - Bass on 6, 11
Donny McCaslin - Tenor Saxophone on 1, 3, 6, 8, 9
Tanya Henri - Vocals
Peck Almond - Brass
Kenny Wollesen - Broom on 12
Jon Haffner - Alto Saxophone on intro, 1

SATOKO FUJII 藤井郷子 — Kitsune-bi (1999) Serie New Japan | FLAC (tracks+.cue), lossless

Pianist Satoko Fujii leads a beautiful date featuring solo pieces, duets with soprano saxophonist Sachi Hayasaka, and trio numbers with eminent bassist Mark Dresser and ingenious percussionist Jim Black. Kitsune-Bi sounds great the first time through, and becomes more wildly impressive with each listen, revealing multi-layered depths. The pieces are all originals (except Jimmy Giuffre's "Moonlight"). The album opens with "Hizumi," a trio tune that begins with the musicians feeling each other out. They gel within the first minute, and Dresser soon starts performing double duty, moving around rhythmically with Black while simultaneously interacting with Fujii. The clincher is Dresser's ability to mimic all the sounds of the piano theme; it's mind-boggling that he can create these sounds with a bass. "Sound of Stone" is a solo piano piece that Fujii opens by musically chalking out the boundaries. A dark chord signals the end of the sketching, and she proceeds to fill the piece with dramatic runs and stalls, momentous build-up and thinning-out contrasts, and clusters that move up the scale followed by single notes that tinkle back down. This excellent melodic piece showcases her ability without turning into a show of empty virtuosity. "Zauzy" is a duet between piano and soprano saxophone; Fujii and Hayasaka play foil to each other, giving the impression of notes flying from a large, spinning music wheel. About 18 minutes into the trio piece "Past of Life," the group recalls the groove and interaction of Tim Berne's Bloodcount. Altogether, Kitsune-Bi is a stunning album filled with amazing interplay and stellar compositions. The astonishing skill and distinctive style on display here is somewhat surprising, considering that this is only Satoko Fujii's second U.S. release. Kitsune-Bi is an achievement of constantly flowing brilliance and creativity. Joslyn Layne
Tracklist :
1    Hizumi    6:26
 Composed By – Satoko Fujii
2    Sound Of Stone    4:56
 Composed By – Satoko Fujii
3    Zauzy    2:08
 Composed By – Satoko Fujii
4    Past Of Life    6:34
 Composed By – Satoko Fujii
5    Bal-lad    3:02 |
 Composed By – Satoko Fujii
6    Drops    7:09
 Composed By – Satoko Fujii
7a    Moonlight    9:00
 Composed By – Jimmy Giuffre
7b    Sola
 Composed By – Satoko Fujii
8    Kitsune-bi    8:10
 Composed By – Satoko Fujii
9    This Is The Thing That I Have Forgotten    4:32
 Composed By – Satoko Fujii
Credits :
Design – Ikue Mori
Double Bass – Mark Dresser
Drums – Jim Black
Executive-Producer – John Zorn
Painting [Cover] – Ichiji Tamura
Piano – Satoko Fujii
Soprano Saxophone [Soprano Sax] – Sachi Hayasaka (tracks: 3, 5, 8)