Mostrando postagens com marcador Wild Bill Moore. Mostrar todas as postagens
Mostrando postagens com marcador Wild Bill Moore. Mostrar todas as postagens

4.7.23

HELEN HUMES – 1927-1945 | The Classics Chronological Series – 892 (1996) FLAC (tracks+.cue), lossless

When she was just 13 and 14 years old, Helen Humes made her recording debut, cutting ten risque, double entendre-filled blues, naughty tunes that she later claimed to understand at the time. Until the release of this Classics CD in 1996, those numbers (which have backup in various settings by either De Loise Searcy or J.C. Johnson on piano, and Lonnie Johnson or the guitar duo team of Sylvester Weaver and Walter Beasley) had never been reissued on the same set before. Humes sounds fairly mature on the enjoyable blues sides. Her next session as a leader would not take place until 15 years later, when she was 28 and a veteran of Count Basie's Orchestra. The singer is heard here with groups in 1942 and 1944-1945, performing three numbers with altoist Pete Brown's sextet (a band including trumpeter Dizzy Gillespie, who unfortunately does not solo), Leonard Feather's Hiptet (which has some rare solos from trumpeter Bobby Stark), and Bill Doggett's spirited octet. The latter date is highlighted by classic renditions of "He May Be Your Man" and "Be-Baba-Leba." Highly recommended. Scott Yanow
Tracklist + Credits :

2.5.23

SLIM GAILLARD – 1945 | The Classics Chronological Series – 864 (1996) FLAC (tracks+.cue), lossless

These 23 different selections recorded in Los Angeles for the Queen, 20th Century, Bee Bee, and Four Star labels feature Gaillard with partner/bassist/vocalist Bam Brown and a variety of different bands, from the Boogiereeners with Fletcher Smith or a quartet with Dodo Marmarosa on piano. A horn section with saxophonists Teddy Edwards, Wild Bill Moore, and Lucky Thompson and trumpeters Howard McGhee and Karl George back the band on four cuts. Gaillard is heard to good effect whether goofing off, playing boogie harpsichord, singing standards, or jamming hard and swinging steadily. The Smith-Gaillard (on harpsichord) combine gets eight shots. There's the wistful scat of the midtempo "Sighing Blues"; the upbeat, Smith-led "Queen's Boogie" and "Nightmare Boogie"; or the slower, occasionally shouted "Voot Boogie. "Sightseeing Boogie," a mellow song with a spoken-word reference to "Gates" aka Lionel Hampton; a straight instrumental, "Central Avenue Boogie"; a more interactive, Queen-rejected "Boogie"; and a more patient instrumental, "Slim's Cement Boogie," all speak to the center of Gaillard's unique approach. With the horns loading up on background charts and solos, Thompson cuts loose on both "Slim Gaillard's Boogie" and "Harlem Hunch," and Edwards gets the spotlight on the rootsy "Tutti Frutti." "Travelin' Blues" is the undisputed highlight, as Gaillard, in a hilarious, narcoleptic stupor, tries to decide at which "mellow" train stop to land: his ex-Detroit home, Cleveland, or Toledo, influenced by Moore and Thompson's solos. Two other cuts with trombonist Vic Dickenson and two unidentified horns are a slowed "Voot Orenee" and the standard postwar ballad "Please Wait for Me." Nine selections with the Marmarosa-Gaillard-Brown-Zutty Singleton (drums) tandem has the leader on guitar, vibes (for the hot yet soft instrumental "Ding Dong Orenee"), and piano. Well-known hits are here, such as "Laguna" ("lyin' in the sun and havin' fun"); "Laguna Orenee" (different key, rejected by Bee Bee); the static, food-referenced swinger "Dunkin' Bagel"; and dueling vocals and some crooning from Gaillard on the easy swinger "Buck Dance Rhythm." Dual pianos crop up on the instrumental "Boogin' at Berg's"; Gaillard sings the standard torch song "Don't Blame Me"; "Carne" is done in Gaillard's "Spanglish" dialect; and "Ya Ha Ha" is the ultimate fun tune. This CD is a companion to Classics label issues 1937-1938, 1939-1940, and 1940-1942. Because this is the latter period's music and is better recorded, it's perhaps Gaillard at his zenith and shows his most developed musical powers. Highly recommended. Michael G. Nastos  
Tracklist :
1    Slim Gaillard And His Boogiereeners–    Voot Orenee    3:01
2    Slim Gaillard And His Boogiereeners–    Please Wait For Me    2:30
3    Slim Gaillard And His Boogiereeners–    Sighing Boogie    2:52
4    Slim Gaillard And His Boogiereeners–    Queen's Boogie    2:51
5    Slim Gaillard And His Boogiereeners–    Voot Boogie    2:52
6    Slim Gaillard And His Boogiereeners–    Nightmare Boogie    2:47
7    Slim Gaillard And His Boogiereeners–    Slim Gaillard's Boogie    2:43
8    Slim Gaillard And His Boogiereeners–    Harlem Hunch    2:40
9    Slim Gaillard And His Boogiereeners–    Tutti Frutti    2:44
10    Slim Gaillard And His Boogiereeners–    Travelin' Blues    3:03
11    Slim Gaillard And His Boogiereeners–    Sightseeing Boogie    2:44
12    Slim Gaillard And His Boogiereeners–    Central Avenue Boogie    2:40
13    Slim Gaillard And His Boogiereeners–    Boogie    2:52
14    Slim Gaillard And His Boogiereeners–    Slim's Cement Boogie    2:40
15    Slim Gaillard Quartet–    Laguna    2:42
16    Slim Gaillard Quartet–    Dunkin' Bagel    2:47
17    Slim Gaillard Quartet–    Boogin' At Berg's    2:49
18    Slim Gaillard Quartet–    Don't Blame Me    3:05
19    Slim Gaillard Quartet–    Laguna Oroonee    2:35
20    Slim Gaillard Trio–    Ya Ha Ha    3:11
21    Slim Gaillard Trio–    Carne    2:49
22    Slim Gaillard Trio–    Ding Dong Oreeney    2:51
23    Slim Gaillard Trio–    Buck Dance Rhythm    3:10
Credits :    
Bass – Thomas "Bam" Brown (tracks: 1 to 23)
Drums – Leo Watson (tracks: 1, 2, 7 to 14), Zutty Singleton (tracks: 15 to 23)
Guitar – Slim Gaillard (tracks: 1, 2, 7 to 23)
Harpsichord – Slim Gaillard (tracks: 3)
Piano – Dodo Marmarosa (tracks: 15, 17 to 23), Fletcher Smith (tracks: 1 to 14), Slim Gaillard (tracks: 16)
Tenor Saxophone – Lucky Thompson (tracks: 7, 8, 10 to 14), Teddy Edwards (tracks: 9, 11 to 14), Wild Bill Moore (tracks: 10 to 14)
Trombone, Alto Saxophone – Vic Dickenson (tracks: 1, 2)
Trumpet – Howard McGhee (tracks: 7 to 14), Karl George (tracks: 7 to 14), Unknown Artist (tracks: 1, 2)
Vocals – Slim Gaillard, Thomas "Bam" Brown (tracks: 15 to 23

15.5.21

JOE TURNER – 1946-1947 | The Classics Chronological Series – 1034 (1998) FLAC (tracks+.cue), lossless

This fine collection captures Turner in his early prime, out on the West Coast and cutting some of the tightest jump blues of the '40s. Part of Classics' chronological series, the disc features such fine support players as pianists Pete Johnson and Albert Ammons, guitarist Teddy Bunn, and alto saxophonist Tab Smith. Among the 23 tracks are fine remakes of earlier Turner gems like "Roll 'em Pete," "Nobody in Mind," and "Ice Man Blues." Other highlights include Turner's initial R&B chart topper "My Gal's a Jockey" and the salaciously swingin' "Around the Clock Blues." A solid bet for fans of vintage jump blues. Stephen Cook
Tracklist :
1     My Gal's a Jockey
Joe Turner
2     I'm Still in the Dark 3:20
Joe Turner
3     I Got Love for Sale 2:32
Joe Turner
4     Sunday Morning Blues 2:52
Big Joe Turner
5     Mad Blues 2:25
Joe Turner
6     It's a Low Down Dirty Shame 2:38
Joe Turner
7     I'm Still in the Dark 3:04
Joe Turner
8     Miss Brown Blues 2:52
Joe Turner
9     Sally Zu-Zazz 2:53
Big Joe Turner
10     Rock O' Gibralter 2:36
Joe Turner
11     Milk and Butter Blues 3:06
Joe Turner
12     That's What Really Hurts 2:48
Joe Turner
13     I'm in Sharp When I Hit the Coast 2:54
Joe Turner
14     New Ooh Wee Baby Blues 3:03
Joe Turner
15     Around the Clock Blues, Pt. 1 1:46
Wynonie Harris
16     Around the Clock Blues, Pt. 2 1:39
Wynonie Harris
17     Morning Glory 2:29
Traditional
18     Nobody in Mind 3:09
Big Joe Turner
19     Low Down Dog 2:31
Leroy Carr / Big Joe Turner
20     Back Breaking Blues 3:04
Joe Turner
21     Empty Pocket Blues 2:40
Joe Turner
22     Roll 'Em Pete 2:51
Pete Johnson / Big Joe Turner
23     Ice Man Blues 2:31
Louis Jordan

ANDREW CYRILLE | WADADA LEO SMITH | BILL FRISELL — Lebroba (2018) FLAC (tracks+.cue), lossless

Lebroba, Andrew Cyrille's second leader date for ECM, finds the septuagenarian rhythm explorer trading in all but guitarist Bill Frisell...