Mostrando postagens com marcador Victor Paz. Mostrar todas as postagens
Mostrando postagens com marcador Victor Paz. Mostrar todas as postagens

5.4.24

BILL EVANS – Symbiosis (1974-1994) RM | FLAC (tracks+.cue), lossless

Legendary jazz pianist Bill Evans is most often thought of as a "trio" player, as most of his albums have been piano/bass/drums, with the occasional solo or duo album. But he did record a select few albums with orchestras, and that's what makes SYMBIOSIS a special and unique entry in Evans' hugh catalog. Recorded in 1974, it was released in 1994 on CD for the first time. Further, this albums contains no standards or Evans originals--the title piece is a multi-part suite composed, arranged and conducted by Claus Ogerman (who also collaborated with Stan Getz and Frank Sinatra, among many others).

The album runs the stylistic gamut: there are moments of Philip Glass-like minimalism (!), samba-flavored big-band passages, echoes of the early 20th century Russian composers, Third Stream jazz, lush yet slightly ominous string arrangements and '70s film music. Throughout, Evans, alternating between acoustic and electric pianos, shimmers and entrances with his inventively lyrical solos. Not your "typical" Bill Evans album--but that's what makes SYMBIOSIS such a fine, gently challenging listen. AllMusic
Tracklist  :
1st Movement (Moderato, Various Tempi)
1. (a) (7:55)
2. (b) (5:18)
3. (c) (11:55)
2nd Movement (Largo, Andante, Maestoso, Largo)
4. (a) (9:14)
5. (b) (6:47)

The Bill Evans Trio
Bill Evans - Steinway grand piano, Fender Rhodes electric piano
Eddie Gomez - Bass
Marty Morell - Drums

Orchestra conducted by Claus Ogerman
Phil Woods, Jerry Dodgion, Walt Levinsky, Harvey Estrin - Alto Saxophone
Bill Slapin, Don Hammond, Hubert Laws - Flute
George Marge, Phil Bodner - Oboe
Danny Bank, Ron Janelly - Clarinet, Bass Clarinet
Wally Kane - Bassoon
Don MacCourt - Contra Bassoon
Brooks Tillotson, James Buffington, Earl Chapin, Ray Alonge, Al Richmond, Pete Gordon - French Horn
Marvin Stamm, John Frosk, Bernie Glow, Marky Markowitz, Victor Paz, Mel Davis - Trumpet
Urbie Green - Tenor Trombone
Paul Faulise, Tommy Mitchell - Bass Trombone
Don Butterfield - Tuba
George Devens, Dave Carey, Doug Allen - Percussion
Ralph McDonald - Congas
David Nadien - Concertmaster

29.2.24

DEODATO — Deodato 2 (1973-1988) RM | Bonus Tracks | Serie The Original CTI Recordings Digitally Remastered For Compact Disc | FLAC (tracks+.cue), lossless

Deodato's debut for CTI, Prelude, earned him a genuine reputation for funky fusion with its groove-tight cover of "Thus Spake Zarathustra," the theme from Stanley Kubrick's 2001: A Space Odyssey. The rest of the album isn't quite as memorable, but it fit the bill and got nice reviews for its innovative read of Borodin and Debussy's "Prelude to the Afternoon of a Faun." On 2, the Brazilian composer and arranger dips into the funked-up fusion tank once again, and comes out with a more consistent disc than its predecessor. Arranged, conducted, and keyboarded by Deodato himself instead of CTI house arrangers Don Sebesky or Bob James, the maestro enlisted a fusion who's who of sidemen including drummer Billy Cobham, bassist Stanley Clarke, and flutist Hubert Laws, as well as rockers like John Tropea on guitar. The larger ensemble that provides brass, woodwind, and string support includes trumpeter Jon Faddis and Jim Buffington. "Super Strut" kicks it off. Deep-grooved lines of accented angular riffing and rim-shot syncopation by Cobham turn this simply notated four-stepper into a burning ball of greasy rock and souled-out jazz. This is followed by a wildly campy but nonetheless wondrous read of "Rhapsody in Blue" done Stevie Wonder-style. Deodato's keyboard work never lets the groove drop; he pulls the rhythm section down around him and hunkers his phrasing to punch up the long, sweeping horns and string lines. Less successful is a read of "Nights in White Satin," with its overwrought strings, and a "Pavane for a Dead Princess" that's a snore. The album officially closes with "Skyscrapers," another jazz-rock rave-up that blasts holes in the sonic sky with its dueling keyboard and guitar lines.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1. Super Strut 9:29
2. Rhapsody In Blue 8:43
3. Nights In White Satin 6:01
4. Pavane For A Dead Princess 4:24
5. Skyscrapers 7:00
6. Latin Flute 4:19
– BONUS TRACKS –
7. Venus 3:28
8. Do It Again 5:30
Credits :
Eumir Deodato - keyboards
Stanley Clarke, John Giulino - Bass
Billy Cobham, Rick Marotta - Drums
Rubens Bassini, Gilmore Degap - Percussion, Congas
John Tropea - Guitar
Hubert Laws, Jerry Gordon, Romeo Penque, George Marge - Flute
Jon Faddis, Burt Collins, Victor Paz, Alan Rubin, Marvin Stamm - Trumpet, Flugelhorn
Garnet Brown, Wayne Andre - Trombone
Tony Studd - Bass Trombone
Jim Buffington - French Horn
Joe Temperley - Baritone Sax
String Section - Violins, Violas, Cellos

KNUT REIERSRUD | ALE MÖLLER | ERIC BIBB | ALY BAIN | FRASER FIFIELD | TUVA SYVERTSEN | OLLE LINDER — Celtic Roots (2016) Serie : Jazz at Berlin Philharmonic — VI (2016) FLAC (tracks+.cue), lossless

An exploration of the traces left by Celtic music on its journey from European music into jazz. In "Jazz at Berlin Philharmonic," ...