For one of the last CDs in the Book of Angels series Zorn has put together an astonishing all-star piano trio featuring three of the most powerful and respected musicians in the jazz/new music scene: Craig Taborn, Christian McBride and Tyshawn Sorey. Diving into eight tunes from Zorn’s mystical Masada project they take off in flights of melodic, rhythmic and harmonic fancy that will make your head spin. Visceral and virtuosic, Flaga is one of the most spontaneous and exciting installments in the Masada catalog. TZADIK 
Tracklist :
1 Machnia 7:59
2 Peliel 4:34
3 Katzfiel 4:18
4 Talmai Take 1 4:43
5 Shoftiel 10:42
6 Agbas 4:08
7 Rogziel 2:38
8 Harbonah 4:10
9 Talmai Take 2 5:41
Credits :
Bass, Arranged By – Christian McBride
Drums, Arranged By – Tyshawn Sorey
Executive-Producer, Producer, Composed By, Arranged By – John Zorn
Piano, Arranged By – Craig Taborn
A fabulous CD of music for piano trio featuring the incredible Stephen Gosling performing an exactly notated virtuosic piano part that pushes the envelope of what is possible with a piano, and the dynamic rhythm section of longtime Zorn associate Greg Cohen and the exhilarating percussionist Tyshawn Sorey.
This is music that is breathtaking from start to finish and is one of Zorn’s most successful projects blending classical and jazz. Intense, lyrical and ever surprising, this is yet another new world in sound from the limitless imagination of Downtown alchemist John Zorn. TZADIK
Tracklist :
1 Epode 5:47
2 Maldoror 10:08
3 Tender Buttons 4:51
4 In Lovely Blueness 11:01
5 Illuminations 12:09
6 Nightwood 4:49
Credits :
Bass – Greg Cohen
Composed By [All Music Composed By], Producer – John Zorn
Drums – Tyshawn Sorey
Piano – Stephen Gosling
Legendary improviser Roscoe Mitchell teamed up with multi-instrumentalist and modern composer Tyshawn Sorey, with occasional assistance from fellow Art Ensemble of Chicago member Hugh Ragin, to create this 11-track album of meditative improvisations and slow-moving explorations of sound and space. Playing spare percussion as well as a bevy of saxophones, flutes, and woodwinds, Mitchell joins in with his collaborators to create a patient, fragmented sonic environment, full of floating and curious sounds. Occasional bursts of energetic sound are more playful than aggressive, though even the more brash and outgoing sounds have a particularly insular feel to them. by Fred Thomas
Tracklist :
1 The Horn 2:03
R. Mitchell
2 The Way Home 7:15
R. Mitchell / T. Sorey
3 Bells in the Air 11:17
R. Mitchell / H. Ragin / T. Sorey
4 Out There 4:02
R. Mitchell
5 Scrunch 8:44
R. Mitchell / H. Ragin / T. Sorey
6 A Cactus and a Rose 4:16
R. Mitchell
7 Chant 8:56
R. Mitchell
8 Meadows 2:06
R. Mitchell
9 A Game of Catch 7:25
R. Mitchell / T. Sorey
10 Waves 8:19
R. Mitchell / H. Ragin / T. Sorey
11 Windows with a View 2:13
R. Mitchell
Credits :
Performer [Performed By] – Hugh Ragin (faixas: 3, 5, 7, 10, 11), Roscoe Mitchell, Tyshawn Sorey (faixas: 2, 3, 5 to 7, 9 to 11) 
For more than 50 years, Roscoe Mitchell has blurred relationships between sound and silence, scripted composition and improvisation, jazz, classical, and even R&B musics as a soloist, bandleader, member of the Art Ensemble of Chicago, and composer. In 2015, Chicago's Museum of Contemporary Art presented a 50th anniversary exhibition devoted to the Association for Advancement of Creative Musicians (or AACM), an organization Mitchell co-founded, in an exhibit called The Freedom Principle. The music on the double-length Bells for the South Side was recorded during the exhibit with four of Mitchell's trios -- James Fei and William Winant; Hugh Ragin and Tyshawn Sorey; Craig Taborn and Kikanju Baku; Jaribu Shahid and Tani Tabbal -- playing separately and in combinations.
The music here glances back to the many places Mitchell has visited, but this is no mere retrospective: most of this is bracing new music that looks forward to further exploratory musical landscapes. The set opens with "Spatial Aspects of the Sound," a chamber piece with Baku using wrist bells, Winant's various percussion instruments, and Taborn's and Sorey's pianos. At 12-plus minutes, it unhurriedly allows tones and clusters, movement and stillness, to articulate a range of carefully controlled articulations. On "Panoply," sputtering sopranino, squawking tenor, kit drums, and various percussion instruments engage in aggressive, inspired free interplay. "Prelude to a Rose" contrasts Sorey's trombone, Ragin's trumpets, and Mitchell's reeds in elongated, dovetailing tones through a slowly unfolding melody. "EP 7849" is another combinatory exercise with electronics, electric guitar, cowbell, hand drums, and bowed double bass that offers futurist dissonance and complex, fascinating engagement. "Dancing in the Canyon" is a canny, propulsive, and extremely active free-for-all with Taborn and Baku. On the title track, disc one's closer, the Art Ensemble's army of percussion instruments is utilized. Sorey plays Mitchell’s percussion cage, and Tabbal and Baku the percussion instruments of Don Moye and Malachi Favors, with Winant on Lester Bowie's bass drum. Ragin’s trumpet offers sounds in all registers, while Mitchell digs extremely low-end sounds from his bass sax. It's certainly mysterious, but also utterly lovely. Disc two's "Prelude to the Card Game, Cards for Drums, and the Final Hand" features Mitchell, Tabbal, and Shahid in an intuitive, equaniminous improvisation one would expect from players whose relationship dates back 40 years. Likewise, the extended smearing and droning of Mitchell's and Fei's reeds on "Six Gongs and Two Woodblocks" amid Winant's percussion and Fei's electronics are simultaneously spectral and inquisitive. The closing medley, "Red Moon in the Sky/Odwalla," juxtaposes a new work (the former) with a reading of an Art Ensemble staple, with all players in open, bleating improvisation before a tight, bluesy, modal post-bop sums it all up, displaying the myriad faces of Mitchell's approach to both function and extension in the relentless creation of a poetics in sound. Bells for the South Side is indeed massive, but its depth, breadth, and inspired performances border on the profound.
(This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa')
Tracklist 1 :
1 Spatial Aspects of the Sound 12:14
Roscoe Mitchell
2 Panoply 7:36
Roscoe Mitchell
3 Prelude to a Rose 12:44
Roscoe Mitchell
4 Dancing in the Canyon 10:23
Kikanju Baku / Roscoe Mitchell / Craig Taborn
5 EP 7849 8:13
Roscoe Mitchell
6 Bells for the South Side 12:35
Roscoe Mitchell
Tracklist 2 :
6 Bells for the South Side 12:35
Roscoe Mitchell
Tracklist 2 :
1 Prelude to the Card Game, Cards for Drums, and the Final Hand 16:03
Roscoe Mitchell
2 The Last Chord 12:26
3 Six Gongs & Two Woodblocks 7:50
Roscoe Mitchell
4 R509A Twenty B 1:34
Roscoe Mitchell
5 Red Moon in the Sky/Odwalla 25:49
Roscoe Mitchell
Credits:
Roscoe Mitchell : Sopranino, Soprano, Alto and Bass Saxophone, Flute, Piccolo, Bass Recorder, Percussion
James Fei : Sopranino and Alto Saxophone, Contra Alto Clarinet, Electronics
Hugh Ragin: Trumpet, Piccolo Trumpet
Tyshawn Sorey : Trombone, Piano, Drums, Percussion
Craig Taborn : Piano, Organ, Electronics
Jaribu Shahid: Double Bass, Bass Guitar, Percussion
Tani Tabbal : Drums, Percussion
Kikanju Baku : Drums, Percussion
William Winant : Percussion, Tubular Bells, Glockenspiel, Vibraphone, Marimba, Roto Toms, Cymbals, Bass Drum, Woodblocks, Timpani 
Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...
