Produced by Bob Thiele and recorded at Electric Lady studios with engineer Eddie Kramer, Barefoot Boy is one of Larry Coryell's finest recordings as a leader. "Gypsy Queen" was recorded prior to bassist Mervin Bronson's arrival at the studio, and features the percussion section locking into a groove over which Coryell lays down a riff and Steve Marcus cuts loose with a fiery soprano sax solo. When it's his turn to solo on this opening number, Coryell turns up the heat, sounding like a cross between Jimi Hendrix and Sonny Sharrock. (Coryell played with Sharrock on Herbie Mann's Memphis Underground.) "The Great Escape" finds Coryell cooking over a bass and percussion groove, with Marcus on tenor sax. "Call to the Higher Consciousness" is a side-long 20-minute jam in which all the players take a ride, with Marcus once again cooking on the soprano sax. Roy Haynes is superb throughout, working in tandem with the percussionists to keep the music moving. This recording is a noteworthy example of the possibilities inherent in the early days of fusion, blending the electrifying energy of rock with the improvisational excitement of jazz. Jim Newsom
Tracklist :
1. These Are Odd Times ( 7:54 )
Written-By – Larry Coryell, Steve Smith, Tom Coster
2. Plankton ( 4:34 )
Written-By – Larry Coryell, Steve Smith, Tom Coster
3. Wrong Is Right ( 7:16 )
Written-By – Larry Coryell
4. Bubba ( 6:02 )
Written-By – Larry Coryell
5. Cause & Effect ( 0:49 )
Written-By – Steve Smith, Tom Coster
6. Night Visitors ( 8:08 )
Written-By – Larry Coryell, Steve Smith, Tom Coster
7. Miss Guided Missile ( 8:37 )
Written-By – Larry Coryell, Steve Smith, Tom Coster
8. First Things First ( 7:51 )
Written-By – Larry Coryell
9. Night Visitors Revisited ( 2:19 )
Written-By – Steve Smith, Tom Coster
10. Finale Wes & Jimmy ( 11:13 )
Written-By – Larry Coryell, Steve Smith, Tom Coster
Personnel :
Bass – Benny Rietveld (tracks: 2, 6, 10), Victor Wooten (tracks: 1)
Drums, Producer – Steve Smith
Guitar, Co-producer – Larry Coryell
Keyboards, Co-producer – Tom Coster
Mostrando postagens com marcador Steve Smith. Mostrar todas as postagens
Mostrando postagens com marcador Steve Smith. Mostrar todas as postagens
22.3.24
STEVE SMITH | TOM COSTER | LARRY CORYELL — Cause And Effect (1998) FLAC (image+.cue), lossless
21.4.17
LARRY CORYELL | STEVE SMITH | STEVE MARKUS | KAI ECKHARDT – Count's Jam Band Reunion (2001) FLAC (tracks+.cue), lossless
First some background: Before fusion became popular in the early '70s, there was a community of musicians in NYC experimenting with jazz-rock in the mid- to late '60s. Two of the leaders of this movement were guitarist Coryell and a saxophonist known as Steve "The Count" Marcus. They documented these radical new ideas on two classic recordings made in 1967 and 1968 using the name Count's Rock Band. The two also collaborated on many of Coryell's later projects. They met up again in 1999, and decided to go at it again with drummer Steve Smith and bassist Kai Eckhardt. The music's not so radical anymore, since everyone's been through the fusion days, but the playing is incredible and as spirited as ever (musicians never seem to age, do they?). "Scotland" features a furious flurry of a melody testing the racing skills of Coryell and Marcus in tandem. "Reunion" features an off-meter percussion pattern and a push-and-pull interaction between Marcus' percussive soprano lines and Coryell's acoustic swirls. "Rhapsody in Blues" pays homage to Gershwin in a unique way, with the tandem jumping to and fro and overlapping each other and Smith banging away; they break for a lively piano solo by pianist Jeff Chimenti. "Blues for Yoshiro Hattori" shows off Marcus' wistful soprano skills, but is even more notable for its pulsing rhythm section. "Jammin' With the Count" is a crazy free for all that's best enjoyed by fans of these guys. Some of the other stuff will attract fusion curiosity seekers, but to get the full pleasure, you should know the history or be fans of the players in question. Jonathan Widran
Tracklist :
1. Scotland (6:33)
Larry Coryell
2. Reunion (9:55)
Kai Eckhardt
3. Rhapsody & Blues (11:14)
Larry Coryell
4. Pedals and Suspensions (5:52)
Larry Coryell
5. Foreplay (8:09)
Larry Coryell
6. Blues For Yoshihiro Hattori (6:48)
Larry Coryell
7. Tomorrow Never Knows (12:45)
John Lennon, Paul McCartney
8. Ballad For Guitar And Soprano (5:37)
Larry Coryell
9. Jammin' With The Count (5:45)
Steve Marcus, Steve Smith, Kai Eckhardt
(Total Time 73:01)
Larry Coryell : Guitars
Steve Smith : Ddrums
Steve Marcus : Soprano Ssaxophone
Kai Eckhardt : Bass
Jeff Chimenti : Piano (on 1,3,6,7)
1. Scotland (6:33)
Larry Coryell
2. Reunion (9:55)
Kai Eckhardt
3. Rhapsody & Blues (11:14)
Larry Coryell
4. Pedals and Suspensions (5:52)
Larry Coryell
5. Foreplay (8:09)
Larry Coryell
6. Blues For Yoshihiro Hattori (6:48)
Larry Coryell
7. Tomorrow Never Knows (12:45)
John Lennon, Paul McCartney
8. Ballad For Guitar And Soprano (5:37)
Larry Coryell
9. Jammin' With The Count (5:45)
Steve Marcus, Steve Smith, Kai Eckhardt
(Total Time 73:01)
Larry Coryell : Guitars
Steve Smith : Ddrums
Steve Marcus : Soprano Ssaxophone
Kai Eckhardt : Bass
Jeff Chimenti : Piano (on 1,3,6,7)
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KNUT REIERSRUD | ALE MÖLLER | ERIC BIBB | ALY BAIN | FRASER FIFIELD | TUVA SYVERTSEN | OLLE LINDER — Celtic Roots (2016) Serie : Jazz at Berlin Philharmonic — VI (2016) FLAC (tracks+.cue), lossless
An exploration of the traces left by Celtic music on its journey from European music into jazz. In "Jazz at Berlin Philharmonic," ...