LOUIS PRIMA AND HIS ORCHESTRA – 1940-1944 | The Chronogical Classics – 1201 (2001) FLAC (tracks+.cue), lossless

During 1940-1941, Louis Prima led a medium-size (ten-piece) combo, which by 1944 had expanded to a full big band. Although a popular figure during this era, Prima was not quite a star and his big band never really caught on. The 23 numbers on this good-natured CD include a couple instrumentals ("To You, Sweetheart, Aloha" and the swinging "Look Out"), novelties, vocal numbers for Lily Ann Carroll, and the debut versions of "Robin Hood," "Angelina," and "Oh Marie" (which hints at Prima's 1950s rendition). The leader is the main star throughout the historic release. Scott Yanow
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HARRY JAMES AND HIS ORCHESTRA – 1942-1944 | The Chronogical Classics – 1227 (2002) FLAC (tracks), lossless

This is an unusual Harry James reissue in that, after the first four selections (which are from July 31, 1942), the remainder of the disc consists of James' V-discs of 1942-1944. The Musicians Union's recording strike stopped all recording for at least 16 months and, in the case of James' label Columbia, nearly two-and-a-half years. The trumpeter's last studio date of 1942 resulted in the final of three Helen Forrest hits, "I've Heard That Song Before." His wartime band is heard on V-disc versions of such songs as "Two O'Clock Jump"; "Back Beat Boogie"; "Blue Lou"; "Charmaine" (which has particularly inventive writing for the string section); "I'll Walk Alone" (Kitty Kallen's first vocal with the band); and "I'm Beginning to See the Light," the latter cut a month before the commercially released hit version. This formerly rare material is taken from a period when Harry James led the most popular swing band in the world, and it will be of strong interest to swing fans. Scott Yanow  
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BENNY GOODMAN AND HIS ORCHESTRA – 1945 | The Classics Chronological Series – 1355 (2004) FLAC (tracks), lossless

It's easy to understand why Benny Goodman's recordings were so popular during the 1940s. The music was uplifting, the orchestra ran like a top, the leader was an exceptionally fine clarinetist, and he regularly employed pop vocalists with varying degrees of jazz ability, represented here by Jane Harvey, Bob Hayden, Kay Penton, and Dottie Reid. From the jazz head's point of view, this segment of the Goodman chronology is greatly enhanced by the presence of trombonist Trummy Young on all of the big-band tracks. Furthermore, Fletcher Henderson wrote the arrangements for "It's Only a Paper Moon" and "You Brought a New Kind of Love to Me." On the initial recording of Sunny Skylar's swanky "Gotta Be This or That," Goodman shared the vocal with Jane Harvey. The well-known two-part master take was sung by Goodman alone with a Red Norvo vibe solo and a brief episode for bowed bass and voice by Slam Stewart, whose every passage was mimicked vocally by Kay Penton and members of the band. A previously unreleased take, featuring a trombone solo and smooth vocal by Trummy Young, swings for five frowsy minutes and tapers off suddenly as the engineer runs out of room on the record. There are five excellent instrumental tracks on this compilation. Two sides played by the Sextet feature Teddy Wilson, Slam Stewart, and Red Norvo. Entrusted with the tasks of composing and arranging for the large ensemble, Mel Powell devised an intricate feature for Goodman's clarinet and called it "Clarinade"; this package contains a V-Disc version and the familiar Columbia take. The other big-band instrumental is a gorgeous rendition of "Love Walked In" arranged by Eddie Sauter. arwulf arwulf  
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