CHARLES LLOYD | MARIA FARANTOURI - Athens Concert (2011) 2xCD | FLAC (tracks+.cue), lossless

No one, save for perhaps Charles Lloyd, could have predicted that when he resumed his recording career in 1989 with ECM, he would scale such artistic heights as a player, a mentor, and a bandleader. Lloyd has taken part in many fascinating musical experiments: with the late Billy Higgins in Sangam with drummer Eric Harland and Indian master percussionist Zakir Hussain, as well as on his many quartet recordings. The latest version, with bassist Reuben Rodgers, Harland, and pianist Jason Moran, has been together just over four years. It should come as no surprise then, that The Athens Concert, a double disc with the truly legendary Greek contralto Maria Farantouri, is as full of the exploratory wonder and delight as his other dates for the label. Farantouri is regarded in her own country as Edith Piaf was in France. Lloyd's band and Farantouri are assisted by Socratis Sinopoulos on lyra. "Kratissa Toi Zoi Mou (I Kept a Hold of My Life)," is a tune by Mikis Theodorakis set to a poem by George Seferis. Versions of Lloyd's "Dream Weaver" and "Prayer" are the only real instrumental tracks, and his song "Blow Wind" contains lyrics sung in English by Farantouri. The tune "Requiem" is a jazz number with lyrics by the famed writer/lyricist Agathi Dimitrouka. The three-part, 15-song Greek Suite takes up the lion's share of the performance. It is comprised of tunes that range from a Byzantine-era hymn to traditional songs from various regions of Greece, two more Theodorakis tunes, and one by composer Eleni Karaindrou (also an ECM artist) entitled "Voyage to Cythera." The suite was arranged by Takis Farazis, who also plays an additional piano on set-closer "Yanni Mou," and with Sinopoulos, bridges the two traditions. There isn't anything to really describe this music other than to say it is equally out of historical time and simultaneously concurrent within its stream. The two musical traditions -- post-millennial jazz and those of Greece's various eras and regions -- are made seamless, creating an entirely new and singular work that is dramatic, subtle, completely soulful, and full of startling musicianship. Indeed, the quartet plays this music as if it were part of their standard repertoire for a very special occasion. Improvisation, harmonic invention, and Lloyd's singular sense of leadership don't demand fine performances from his players; they are given freely. In turn, he offers his finest to Farantouri, who brings the collective bounty to the listening audience. The Athens Concert is truly inspirational and quite a watermark in a career full of them for Lloyd.
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Tracklist 1 :
1    Kratissa Ti Zoi Mou (I Kept Hold Of My Life) 5'59
Lyrics By [Poem By] – George Seferis
Music By – Mikis Theodorakis
2    Dream Weaver (Hyfantis Oneiron) 8'10
Music By – Charles Lloyd
3    Blow Wind (Fyssa Ayeri) 5'34
Lyrics By, Music By – Charles Lloyd
4    Requiem 5'57
Lyrics By – Agathi Dimitrouka
Music By – Charles Lloyd
Greek Suite, Part I    
5    Hymnos Stin Ayia Triada (Hymn To The Holy Trinity) 4'03
[Early Byzantine Hymn] – Traditional
6    Epano Sto Xero Homa (In The Dry Soil) 2'52
Lyrics By, Music By – Mikis Theodorakis
7    Messa Stous Paradissious Kipous (In The Paradise Gardens) 4'49
Lyrics By, Music By – Mikis Theodorakis
8    Taxidi Sta Kythera (Voyage To Cythera) 4'35
Lyrics By, Music By – Eleni Karaindrou
Tracklist 2 :
1    Prayer (Prosethi) 7'58
Music By – Charles Lloyd
Greek Suite, Part II    
2    Vlefaro Mou (Oh Eyelid) 3'32
Lyrics By – Lina Nikolakopoulou
Music By – Nikos Kypourgos
3    Margaritarenia 1'29
Traditional From Smyrna
4    Thalassaki Mou (My Little Sea) 2'57
Composed By – Traditional From Dodecanese Islands
Greek Suite, Part III    
5    Epirotiko Meroloi (Lament From Epirus Region) 6'28
[Lament From Epirus Region] – Traditional
6    Kægomæ Kæ Sigoliano (I Burn And Slowly Melt) 5'00
Traditional From Epirus Region
7    Mori Kontoula Lemonia (Little Lemon Tree) 2'40
Traditional From Epirus Region
8    Alismono Kæ Hæromæ (I Forget And I Am Glad) 3'08
Composed By – Traditional From Epirus Region
9    Tou Hel' To Kastron (The Castle Of The Sun) 4'28
Traditional From The Black Sea
10    Yanni Mou (My Yanni) 7'27
Composed By – Traditional From Epirus Region
Piano [Additional Piano] – Takis Farazis
Credits :
Double Bass – Reuben Rogers
Drums – Eric Harland
Lyre [Lyra] – Socratis Sinopoulos
Piano – Jason Moran
Piano [Additional Piano], Arranged By [Arrangements Of The Greek Suite] – Takis Farazis (pistas: 1-5 to 1-7, 2-2 to 2-9)
Producer – Dorothy Darr, Manfred Eicher
Saxophone, Flute, Tárogató [Tarogato] – Charles Lloyd
Voice – Maria Farantouri

CHARLES LLOYD - Wild Man Dance (2015) Digipack | FLAC (tracks+.cue), lossless

Wild Man Dance marks Charles Lloyd's return to Blue Note after nearly 30 years. The work, a six-part suite, was commissioned by the Jazztopad Festival in Wrocĺaw, Poland in 2013 and premiered and was recorded there. The composer is accompanied by an international cast. The American rhythm section -- pianist Gerald Clayton, bassist Joe Sanders, and longtime drummer Eric Harland -- are appended by Greek lyra player Sokratis Sinopoulos and Hungarian Miklos Lukacs on cimbalom. The music here seamlessly melds creative, modally influenced jazz and folk forms, a near classical sense of dynamics, and adventurous improvisation. The long opener "Flying Over the Odra Valley" opens with mysterious interplay between cimbalom and lyra before the bass, drum, and Clayton's elliptical piano enter in a collective rhythmic improvisation on folk drones. Lloyd begins his solo a little over three minutes in. He finds a melody from the heart of the droning center and begins to elaborate upon it as the other instruments gradually rise to meet him. Harland's gently rolling tom-toms, kick drum, and whispering cymbals accent Sanders, who takes a woody solo. It is framed by gently dissonant piano chords that erect themselves into a labyrinthine solo flight. When Lloyd re-enters, it is to re-establish the melodic modal center before Sinopoulos takes it out and helps to introduce "Gardner." Throughout the suite, Lloyd juxtaposes jazz with vanguard textures and the ghosts of sounds and musics from antiquity. Clayton introduces "Lark" with a solo that recalls the meditative yet expressive questioning of Olivier Messiaen's bird songs before bowed bass, lyra, and cimbalom lushly illustrate it without sacrificing the tune's spectral quality. "River" contains a gentle intro, which becomes the vehicle for knotty, swinging post-bop, and later, pulsing free group improvisation highlighted by killer playing by Clayton, Harland, and Lukacs. And while the title track closer also begins slowly, with gorgeous Webster-esque ballad playing from Lloyd, it winds out into a kinetic, freewheeling exploration of tone, timbre, and color and a wonderful solo by Sinopoulos. Wild Man Dance is a success on virtually every level. Its vision is vast, but never indulgent; Lloyd's music is relatable and communicative throughout. It spreads farther than ever before to embrace other musical forms without forsaking jazz. Though Wild Man Dance is on Blue Note, it nonetheless reflects the spiritual and aesthetic qualities nurtured during Lloyd's 16-album tenure at Manfred Eicher's ECM, and extends them with musical restlessness and fearless willingness. This inspiring suite is a landmark in an already extensive creative journey that readily
|> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <|
Tracklist :
1    I. Flying Over The Odra Valley    11:00
2    II. Gardner    8:12
3    III. Lark    13:21
4    IV. River    16:08
5    V. Invitation    10:34
6    VI. Wild Man Dance    15:15
Credits :
Bass – Joe Sanders
Cimbalom [Cymbalom] – Miklos Lucaks
Drums – Gerald Cleaver
Lyre [Lyra] – Sokratis Sinopoulos
Piano – Gerald Clayton
Producer [Produced By], Management, Design, Photography By – Dorothy Darr
Producer [Produced By], Tenor Saxophone, Composed By – Charles Lloyd