Although only 20 years old, trumpeter Jabbo Smith cut virtually all of
his finest recordings in 1929, when he was touted as a competitor to
Louis Armstrong. Smith's 19 sides with his Rhythm Aces (all of which are
on this essential CD) are some of the most exciting recordings of the
era. Often teamed in a quintet with Omer Simeon (on clarinet and alto),
pianist Cassino Simpson, banjoist Ikey Robinson, and the tuba of Hayes
Alvis (subs appear on a few numbers), Jabbo's reckless and explorative
trumpet flights are often thrilling. Highlights include "Jazz Battle,"
"Till Times Get Better," "Ace of Rhythm," and "Band Box Stomp," but all
of the performances (including Smith's trombone solo on "Lina Blues" and
his occasional and effective vocals) are well worth hearing. The CD
concludes with Jabbo Smith's four-song 1938 session, which is
disappointingly tame. Strange as it seems, Smith was past his prime by
1930 when he was only 21. Except for some early sideman appearances and
forgettable efforts in later years (plus one previously unissued Rhythm
Ace side from 1929 that was unearthed in the mid-'90s by the Retrieval
label), this CD essentially contains Jabbo Smith's entire legacy,
although he would live until 1991. Scott Yanow
Tracklist :
1 Jazz Battle 2:40
Jabbo Smith
2 Little Willie Blues 3:24
Jabbo Smith
3 Sleepy Time Blues 3:27
Jabbo Smith
4 Take Your Time 2:48
Jabbo Smith
5 Sweet and Low Blues 3:21
Jabbo Smith
6 Take Me to the River 2:51
Jabbo Smith
7 Ace of Rhythm 2:55
Jabbo Smith
8 Let's Get Together 3:30
Jabbo Smith
9 Sau Sha Stomp 3:06
Jabbo Smith
10 Michigander Blues 3:22
Jabbo Smith
11 Decatur Street Tutti 2:48
Jabbo Smith
12 Till Times Get Better 3:09
Jabbo Smith
13 Lina Blues 3:32
Jabbo Smith
14 Weird and Blue 3:03
Jabbo Smith
15 Croonin' the Blues 3:13
Jabbo Smith
16 I Got the Stinger 3:20
Jabbo Smith
17 Boston Skuffle 2:52
Jabbo Smith
18 Tanguay Blues 2:48
Jabbo Smith
19 Band Box Stomp 3:02
Jabbo Smith
20 Moanful Blues 3:00
Jabbo Smith
21 Rhythm in Spain 2:44
Jabbo Smith
22 Absolutely 3:00
Jabbo Smith / M. Williams
23 More Rain, More Rest 2:46
Jabbo Smith / M. Williams
24 How Can Cupid Be So Stupid? 3:10
Jabbo Smith
13.4.23
JABBO SMITH'S RHYTHM ACES – 1929-1938 (2006) The Classics Chronological Series – 669 | FLAC (tracks+.cue), lossless
11.4.23
AL COOPER'S SAVOY SULTANS – 1938-1941 (1993) The Classics Chronological Series – 728 | FLAC (tracks+.cue), lossless
Trombonist Dicky Wells once said that Al Cooper's Savoy Sultans were "...a living headache to everyone. They could swing and make most bands happy to play 'Home Sweet Home.' When a band like that's on your tail, the night seems to never end. They didn't seem to know the meaning of letting up." As the house band at Harlem's Savoy Ballroom, this group undoubtedly knew how to keep a large crowd entertained with music for dancing purposes. In person they must have been tight and right in order to warrant such praise from other musicians and to hold down their gig at the Savoy for nine years. On record the excitement only comes through on about half of their recordings. This is by no means unusual -- Coleman Hawkins always insisted that Fletcher Henderson's orchestra sounded terrible in the studio compared to what they could do in person. The Savoy Sultans, according to Dicky Wells, succeeded with their live audiences because they kept their arrangements relatively simple. This is evident on those tracks that cook in a solid groove but also seems to be the root of the problem with certain stodgy performances. A brief discussion of the band's better moments seems in order. "The Thing" is most memorable for an extended bowed bass solo by Grachan Moncur, father of modern jazz trombonist Grachan Moncur III. At the beginning of his solo the bassist even hums a little in the style of Slam Stewart. This is by far Moncur's longest solo on record. "Looney" has a clarinet solo by Cooper, who also played alto and baritone saxophones. "Gettin' in the Groove" is a solid strut and the Sultans were wise to present "Rhythm Doctor Man" as an instrumental. "Jeep's Blues" is a plausible emulation of the Duke Ellington sound even though Rudy Rutherford was no Johnny Hodges. "Stitches" and the rock-solid "Jumpin' the Blues" (no relation to the Jay McShann/Charlie Parker tune) are good examples of why Wells considered this band to be such formidable competition. "Jumpin' at the Savoy," however, doesn't jump and is not exciting. "Frenzy" and "Norfolk Ferry" are solid swing numbers that really cook. Al Cooper's wonderfully titled "Second Balcony Jump" is completely different from the famous Gerald Valentine/Earl Hines tune and predates it by a little more than a year. arwulf arwulf
Tracklist
1 Jump Steady 2:56
Jack Chapman
2 The Thing 3:13
Al Cooper
3 Looney 3:08
Al Cooper
4 Rhythm Doctor Man 2:46
Al Cooper
5 Gettin' In The Groove 2:54
Al Cooper
6 Someone Outside Is Taking Your Mind Off Me 3:16
Unknown
Vocals – Helen Proctor
7 Jeep's Blues 3:10
Duke Ellington / Johnny Hodges
8 You Never Miss The Water 'Til The Well Runs Dry 2:42
Hunt
Vocals – Helen Proctor
9 Stitches 2:52
Al Cooper
10 Jumpin' At The Savoy 2:46
Jack Chapman
11 We'd Rather Jump Than Swing 2:47
Jenkins
Vocals – Pat Jenkins
12 Draggin' My Heart Around 2:39
Alex Hill
Vocals – Evelyn White
13 Little Sally Water 2:28
Al Cooper
14 Jumpin' The Blues 2:38
Jack Chapman
15 Love Gave Me You 2:42
Jack Chapman
Vocals – Paul Chapman
16 When I Grow Too Old To Dream 2:28
Oscar Hammerstein II / Sigmund Romberg
Vocals – Evelyn White
17 Frenzy 2:58
Al Cooper
18 (If You Don't Know What You're Doing) Stop! And Ask Somebody 2:53
Jack Chapman
Vocals – Paul Chapman
19 Wishing And Crying For You 2:57
Al Cooper / Diggs
Vocals – Evelyn White
20 Sophisticated Jump 3:08
Haynes
21 Norfolk Ferry 2:55
Erskine Hawkins
22 Second Balcony Jump 2:47
Al Cooper
23 See What I Mean! 3:01
Jack Chapman
24 Jackie Boy 3:07
Jack Chapman
Credits :
Acoustic Guitar – Paul Chapman (faixas: 9 to 16, 21 to 24)
Alto Saxophone – Rudy Williams
Bass – Grachan Moncur
Drums – Alex "Razz" Mitchell
Leader – Al Cooper
Piano – Cyril Haynes (faixas: 9 to 16, 21 to 24), Oliver Richardson (faixas: 1 to 8)
Tenor Saxophone – Ed McNeil (faixas: 1 to 8), George Kelley (faixas: 21 to 24), Irving "Skinny" Brown (faixas: 17 to 20), Sam Simmons (faixas: 9 to 16, 21 to 24)
Trumpet – Pat Jenkins, Sam Massenberg
+ last month
KNUT REIERSRUD | ALE MÖLLER | ERIC BIBB | ALY BAIN | FRASER FIFIELD | TUVA SYVERTSEN | OLLE LINDER — Celtic Roots (2016) Serie : Jazz at Berlin Philharmonic — VI (2016) FLAC (tracks+.cue), lossless
An exploration of the traces left by Celtic music on its journey from European music into jazz. In "Jazz at Berlin Philharmonic," ...