BILL FRISELL — Beautiful Dreamers (2010) FLAC (tracks+.cue), lossless

Beautiful Dreamers is Bill Frisell's debut for Savoy Jazz. He left longstanding label Nonesuch in 2009, claiming he needed to release more than one record per year in order to to document his various bands, film score commitments, and commissions. This set features the guitarist in the company of violist Eyvind Kang and drummer Rudy Royston on a program of ten originals and six covers. While this trio is well known for using various effects in concert to expand its sonic palette, and jamming on various tunes for long periods of time, here the musicians are virtually a mirror image of that incarnation, playing with restraint, brevity, and melodic sensitivity. Frisell's originals range between speculative, atmospherically mysterious numbers such as "Love Sick" and more rhythmically pronounced exercises that engage in contrapuntal play between the guitarist and Kang, as on "Winslow Homer," which also flirts with bluegrass while Royston lays down breaks inside hip-hop drums. "Better Than a Machine" is dedicated to the late Vic Chesnutt, and employs two of his themes in a perky, rockist tribute with some nice dissonance from Kang and power chords from Frisell. But they also underscore the covers, which are typical of Frisell; they reflect his wide interest in American music and his sense of humor. There's a parlor-room reading of Stephen Foster's "Beautiful Dreamer," an elegant version of "Goin' Out of My Head" that features killer pizzicato playing from Kang (and refers more to the original hit version by Little Anthony & the Imperials than the version by Sergio Mendes), the forlorn, wary blues of Blind Willie Johnson's "It's Nobody's Fault But Mine" stretched to the breaking point, and a swinging read of "Benny's Bugle." The blues also appears on "Worried Woman," with a direct quote from John Lennon's "I Found Out" and great rhythmic and harmonic interplay between all members of the trio. There's a sparkling cover of A.P. Carter's "Keep on the Sunny Side" that underscores Frisell's well-documented love of Americana and country music. At an hour in length, this can seem like an overly long exercise at times -- "Tea for Two" feels like an eternity and some of Frisell's originals are a tad amorphous, like cues left off film scores -- but these are minor complaints. Ultimately, Beautiful Dreamers is a wonderfully balanced trio exercise.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1.    Love Sick  1:03
 Bill Frisell
2.    Winslow Homer 3:32
 Bill Frisell
3.    Beautiful Dreamer (for Karle Seydel)  3:02
Stephen Foster
4.    A Worthy Endeavor (for Cajori) 5:24
 Bill Frisell
5.    It's Nobody's Fault But My Own 4:34
 Blind Willie Johnson
6.    Baby Cry 6:21
 Bill Frisell
7.    Benny's Bugle 3:31
 Benny Goodman
8.    Tea For Two   4:28
 Vincent Youmans
9.    No Time To Cry 1:36
 Bill Frisell
10.    Better Than A Machine (for Vic Chestnut) 2:49
 Bill Frisell
11.    Goin' Out Of My Head 2:46
 Bobby Weinstein, Teddy Randazzo
12.    Worried Woman  4:44
 Bill Frisell
13.    Keep On The Sunny Side 2:26
 A.P. Carter
14.    Sweetie 4;28
 Bill Frisell
15.    All We Can Do 6:16
 Bill Frisell
16.    Who Was That Girl? 6:14
 Bill Frisell
Credits :
Bill Frisell - Guitar
Eyvind Kang - Viola
Rudy Royston - Drums

RUDRESH MAHANTHAPPA — Bird Calls (2015) FLAC (tracks+.cue), lossless

Inspired by his love of the music of legendary jazz saxophonist Charlie "Bird" Parker, Rudresh Mahanthappa pays homage to the late bebop innovator on 2015's Bird Calls. It was purportedly while breaking down Parker's performance on "Donna Lee" to help a student learn the infamously difficult song that saxophonist Mahanthappa came up with the concept of a different way to interpret Parker's music. Taken in small, easily digestible bites, Mahanthappa began to hear Parker's architectural bop motifs less as swinging, blues-based jazz and more as modern classical or even avant-garde music. Combining his own creative approach to jazz with Indian raga, funk, post-bop, and other eclectic stylistic elements, Mahanthappa wrote pieces loosely based on Parker's songs or parts of solos. For example, "Both Hands" reworks Parker's "Dexterity" into a roiling, machine-gun stream of sound, and "Talin Is Thinking" turns Parker's classic bluesy ballad "Parker's Mood" into a frenetic spiritual jazz workout. Furthermore, just as Parker was often backed by a quintet featuring a trumpeter like the great Dizzy Gillespie, Mahanthappa takes the same approach, bringing with him 2014 Thelonious Monk International Jazz Trumpet Competition third-place winner Adam O'Farrill along with pianist Matt Mitchell, bassist François Moutin, and drummer Rudy Royston. Only 20 years old at the time of recording, O'Farrill (the son of pianist Arturo O'Farrill and the grandson of legendary Cuban percussionist, and Parker associate, Chico O'Farrill) is an immensely gifted trumpeter with a robust, rounded tone and lithe improvisational style. Joining with the other members of Mahanthappa's quintet, he brings an intensity and buoyant creativity to Bird Calls that effectively updates the classic Parker/Gillespie partnership. For his end, Mahanthappa, a brilliantly capable improviser blessed with a fluid, harmonically engaging approach to jazz, blazes his way through these songs, which are at once accessible yet boundlessly inventive. Ultimately, with Bird Calls, Mahanthappa has crafted an exuberant, expressive album that's as fresh and surprising as the music Parker originally recorded. Matt Collar

A contemporary perspective on one of the founding fathers of modern jazz: Charlie "Bird" Parker. In an intelligent and multifaceted way, Mahanthappa uses influences from Parker's work as a foundation for his compositions and improvisations. ACT
Tracklist :
1    Bird Calls #1    2:50
2    On The DL    8:01
3    Bird Calls #2    1:09
4    Chillin'    8:03
5    Bird Calls #3    2:14
6    Talin Is Thinking    6:53
7    Both Hands    4:47
8    Bird Calls #4    2:12
9    Gopuram    7:37
10    Maybe Later    7:02
11    Bird Calls #5    1:39
12    Sure Why Not?    7:49
13    Man, Thanks For Coming    1:38
Credits:
Rudresh Mahanthappa - Alto Saxophone
Adam O'Farrill - Trumpet
Matt Mitchell - Piano
François Moutin - Acoustic Bass
Rudy Royston - Drums