Mieczysław Weinberg was familiar with the clarinet from his youth, given its prominent place in klezmer bands and theatre ensembles, and he wrote three works specifically for the instrument. In the Clarinet Concerto he draws a wide range of textures from the accompanying strings, over which the soloist explores the clarinet’s extremes of register in virtuosic fashion. Despite having been written when Weinberg was still in his mid-twenties, the Clarinet Sonata is a mature work with Romantic and folkloric elements. His last completed work was the Chamber Symphony No. 4, an impassioned piece with a wrenching chorale theme and role for obbligato clarinet. Naxos
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1-3 Clarinet Concerto, Op. 104 (1970) (29:26)
4-6 Clarinet Sonata, Op. 28 (1945) (20:11)
7-10 Chamber Symphony No. 4, Op. 153 For Clarinet, Triangle And String Orchestra (1992) (33:07)
Cello – Friedwart Dittmann
Clarinet – Robert Oberaigner
Conductor – Michail Jurowski
Cover – Gustav Klimt
Ensemble – Dresden Chamber Soloists (pistas: 1-3, 7-10)
Piano – Michael Schöch (pistas: 4-6)
Violin – Federico Kasik (pistas: 7-10)
Mostrando postagens com marcador Robert Oberaigner. Mostrar todas as postagens
Mostrando postagens com marcador Robert Oberaigner. Mostrar todas as postagens
19.3.22
WEINBERG : Clarinet Concerto • Clarinet Sonata • Chamber Symphony No. 4 (Oberaigner, Schöch, Michail Jurowski) 24bits-96hz / FLAC (tracks), lossless
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