Mostrando postagens com marcador Riley Hampton. Mostrar todas as postagens
Mostrando postagens com marcador Riley Hampton. Mostrar todas as postagens

6.4.23

ALBERT AMMONS – 1946-1948 (2000) The Classics Chronological Series – 1100 | FLAC (tracks), lossless

Here's vibrant proof that virtually any melody could be heated up and hammered out into an enjoyable boogie-woogie stomp. "Deep in the Heart of Texas," "Margie," "Roses of Picardy," "You Are My Sunshine," "Sheik of Araby," "When You And I Were Young, Maggie," and "Twelfth Street Rag" were all fair game for Albert Ammons' eight-to-the-bar gyrations. The twangy electrified guitar of Ike Perkins maintained rhythmic velocity with well-timed kicks and struts. On August 6, 1947, Ammons' Rhythm Kings quartet was fortified by the presence of Albert's son -- tenor saxophonist Gene Ammons -- and trumpeter Marvin Randolph. The pianist sounds deliberately old-fashioned during the introduction to W.C. Handy's hit of 1914, "St. Louis Blues." When the horns chime in during the bridge, everyone's rolling in a solid groove. Then Gene takes over, sounding majestically hip. This mood is continued and expanded on the flip side, "Shufflin' the Boogie," which is a rocker. "S.P. Blues" cooks just a bit hotter, and Gene wails up a storm. "Hiroshima" is this band's version of "Nagasaki," another goofy 1930s pop song turned jazz jam standard. Given what had happened to both cities in August of 1945, the retitling seems grimly playful. This session is perfectly symmetrical, with two steamy up-to-date boogies sandwiched between old standards. The Albert-and-Gene father-and-son combination is very exciting, and should be better known than it seems to be, even among seasoned jazz heads. "In a Little Spanish Town" sounds like a premonition of Professor Longhair's own Louisiana approach to the boogie-woogie, and compares well with Lester Young's version recorded in March of 1951. "Tuxedo Boogie" begins with a guitar lick that would eventually surface as "Shake Your Money Maker." Israel Crosby plays his upright bass on all six sessions, and the final date introduces a fine alto sax player by the name of Riley Hampton. These are the final sessions of Albert Ammons, preserved for posterity on Mercury Records. He passed away in Chicago on December 2, 1949, at the age of 42. arwulf arwulf  
Tracklist :
1     Kilroy Boogie 2:44
Hattie Young
2     Deep in the Heart of Texas Boogie 2:58
June Hershey / Don Swander
3     Sweet Patootie Boogie 2:57
Hattie Young
4     Twelfth Street Boogie 2:48
Euday L. Bowman / Andy Razaf
5     St. Louis Blues 2:57
W.C. Handy
6     Shufflin' the Boogie 3:04
Hattie Young
7     S.P. Blues 2:36
Hattie Young
8     Hiroshima 2:46
Hattie Young
9     Roses of Picardy 2:56
Frederick Edward Weatherly / Hayden Wood
10     Sheik of Araby 2:47
Harry Beasley Smith / Ted Snyder / Francis Wheeler
11     You Are My Sunshine 2:50
Jimmie Davis / Charles Mitchell
12     In a Little Spanish Town 2:49
Sam M. Lewis / Mabel Wayne / Joe Young
13     Margie 2:38
Con Conrad / Benny Davis / J. Russel Robinson
14     Tuxedo Boogie 2:43
Hattie Young
15     Mr. Bell Boogie 2:58
Hattie Young
16     Bear Den Boogie 2:21
Hattie Young
17     Rhythm Boogie 3:04
Albert Ammons
18     Ammons Stomp 2:56
Albert Ammons
19     Baltimore Breakdown 3:04
Hattie Young
20     When You and I Were Young, Maggie 3:07
James Austin Butterfield / George Washington Johnson
21     The Clipper 3:02
Hattie Young
Credits :
Alto Saxophone – Riley Hampton (faixas: 18 to 21)
Bass – Israel Crosby
Drums – Alvin Burroughs (faixas: 5 to 8), Armand "Jump" Jackson (faixas: 13 to 21), Jack Cooley (faixas: 1 to 4), Unknown Artist (faixas: 9 to 12)
Guitar – Ike Perkins (faixas: 1 to 13)
Piano – Albert Ammons
Tenor Saxophone – Gene Ammons (faixas: 5 to 8)
Trumpet – Marvin Randolph (faixas: 5 to 8)

15.5.21

JOE TURNER – 1947-1948 | The Classics Chronological Series – 1094 (1999) FLAC (tracks+.cue), lossless

Big Joe Turner went through record companies like some people go through cigarettes, one after another, cutting sides for anybody who waved a dollar in his face. This installment of the Big Joe story focuses on an eight-month period that found him recording for National, Savoy, EmArcy, RPM, and Downbeat, usually in the company of longtime piano-playing partner Pete Johnson. A mixture of live and studio tracks, it's the usual blend of blues and boogie, with Big Joe hammering the notes flat by the sheer strength of his voice alone. Another excellent entry in this series. Cub Koda
Tracklist :
1     Nobody in Mind 2:27
Big Joe Turner
2     Lucille, Lucille 3:00
Joe Turner
3     Rocks in My Bed 2:41
Duke Ellington
4     Careless Love 2:53
W.C. Handy / Martha E. Koenig / Spencer Williams
5     Last Goodbye Blues 3:03
Big Joe Turner
6     Whistle Stop Blues 2:53
Joe Turner
7     Hollwood Bed (Cherry Red Blues) 2:46
Joe Turner
8     Howlin' Winds 2:31
Joe Turner
9     Roll 'Em Pete 0:58
Pete Johnson / Big Joe Turner
10     Kansas City Blues 2:35
Pete Johnson / Big Joe Turner
11     Riding Blues (Jockey Blues) 3:13
Joe Turner
12     Playful Baby 2:15
Wynonie Harris
13     Radar Blues 2:42
14     Trouble Blues 2:35
Joe Turner
15     Wine-O-Baby Boogie 2:32
Joe Turner
16     B & O Blues 2:15
Pete Johnson / Joe Turner
17     Christmas Date Boogie 2:34
Joe Turner
18     Tell Me Pretty Baby (Howdy 'Ya Want Your Rollin' Done) 2:45
Joe Turner
19     Old Piney Brown's Gone 2:37
Joe Turner
20     Baby, Won't You Marry Me 2:37
Joe Turner
Credits :
James Adams - Drums
Harry Babasin - Bass
Robert Brady - Drums
Addison Farmer - Bass
Art Farmer - Guest Artist
Otis Finch - Sax (Tenor)
Charles Grey - Trumpet
Pete Johnson - Composer, Guest Artist, Piano, Primary Artist, Vocals
Barney Kessel - Guitar
Don Lamond - Drums
Ellsworth Liggett - Bass
Robert Moore - Bass
Milburn Newman - Baritone
Ike Perkins - Guitar
Pete Peterson - Sax (Tenor)
Big Joe Turner - Composer, Primary Artist, Vocals

KNUT REIERSRUD | ALE MÖLLER | ERIC BIBB | ALY BAIN | FRASER FIFIELD | TUVA SYVERTSEN | OLLE LINDER — Celtic Roots (2016) Serie : Jazz at Berlin Philharmonic — VI (2016) FLAC (tracks+.cue), lossless

An exploration of the traces left by Celtic music on its journey from European music into jazz. In "Jazz at Berlin Philharmonic," ...