Licence to Funk is the eighth album by the Nils Landgren Funk Unit, and again, the Swedish trombonist reconfigures the band's personnel to keep things fresh. He keeps the rhythm section of German drummer Wolfgang Haffner and bassist Magnum Coltrane Price and adds reedman Magnus Lindgren, keyboardist and vocalist Ida Sand, and -- the biggest surprise here -- Detroit guitarist Ray Parker, Jr., author of the hit single "Ghostbusters," who had retired from music in the early '90s and then reappeared on Landgren's collaboration with pianist Joe Sample, Creole Love Call, in 2005. After the previous record's experimentation with ABBA tunes (Funky ABBA), Licence to Funk is basically an homage to various types of old-school '70s funk: the dry, hard-edged funk of James Brown's famous rhythm section is celebrated in an energetic cover of Fred Wesley's "House Party," another cover brings back the bouncy disco-funk of the Ashford & Simpson/Quincy Jones classic "Stuff Like That," and there are several nods toward the smooth soul-funk of the Crusaders -- for example, Landgren's own composition "24Hours," with its soft electric piano, relaxed background vocals, and sweet flute melody, or his near-instrumental "Capetown Shuffle" (not to mention a cover of Crusaders bassist Wilton Felder's "Brazos River Breakdown"). Despite the three cover tunes and the large number of comparisons the music brings to mind, Licence to Funk is neither a full retro album nor a slavish imitation of all those acts -- the Funk Unit is in top form, with tightly locked grooves and inspired soloing, and the record is an excellent showcase for a band that knows how to use a funk rhythm as a springboard to exciting interplay. While all of the musicians are great (and all, except for Lindgren, contribute original songs), Ray Parker, Jr.'s presence is what gives the group that something extra: listening to his opening guitar licks on "Freak U" and the bluesy "Secret" alone makes you glad he's back. The two songs he's written are among the album's highlights: the gritty, driving rhythm of "SampleRayT" inspires some soulful soloing by saxman Magnus Lindgren, and Parker even sings in his instantly recognizable voice on "For Those Who Like to Party." If the Nils Landgren Funk Unit continue to record albums this good, their title-giving licence will never be revoked. Christian Genzel
"With a top-class band, every track becomes fiery party music for jazz-rock fans." - AUDIO ACT
Tracklist :
1 House Party 5:05
Written-By – Fred Wesley
2 Freak U 4:35
Written-By – Magnum Coltrane Price
3 24Hours 4:30
Written-By – Nils Landgren
4 Stuff Like That 5:39
Written-By – Nick Ashford, Valerie Simpson, Quincy Jones
5 Slowfoot 5:49
Written-By – Wolfgang Haffner
6 Capetown Shuffle 5:52
Written-By – Nils Landgren
7 At Home 5:22
Written-By – Magnum Coltrane Price, Wolfgang Haffner
8 Secret 4:40
Written-By – Ida Sandlund
9 SampleRayT 5:41
Written-By – Ray Parker Jr.
10 For Those Who Like To Party 4:25
Written-By – Ray Parker Jr.
11 Brazos River Breakdown 5:10
Written-By – Wilton Felder
12 Tomomis Tune 6:57
Written-By – Magnum Coltrane Price
Credits:
Bass, Vocals – Magnum Coltrane Price
Drums, Vocals – Wolfgang Haffner
Guitar, Vocals – Ray Parker Jr.
Keyboards, Vocals – Ida Sand
Trombone, Vocals – Nils Landgren
Woodwind, Vocals – Magnus Lindgren
24.10.24
NILS LANDGREN FUNK UNIT — Licence To Funk (2007) FLAC (image+.cue) lossless
20.1.24
NILS LANDGREN & JOE SAMPLE — Creole Love Call (2006) FLAC (tracks+.cue), lossless
Swedish trombonist and vocalist Nils Landgren joins forces with Joe Sample and friends in New Orleans for this studio session, which mixes up a hot gumbo of R&B, jazz, and Crescent City down-home fun. The play list draws from many styles, including works by local legend Allen Toussaint, Ray Charles, rocker Stephen Stills, and even Willie Nelson, as was as originals by Sample and one from jazz master Duke Ellington. The duet tracks are the most fun as Landgren shares the vocals with Ray Parker, Jr. ("Sittin' on the Dock of the Bay") and Charmaine Neville (on the funky "With You in Mind"). The guitar and percussion-heavy take of "Love the One You're With" leans more toward Stills' original conception than the Isley Brothers' overdone interpretation, though Sample's playful licks keep things loose and the heavy overdubs of the composer are missing in this version. The only dull track is the monotonous "I Can't Get Enough of Your Love," which wears out its welcome quickly. "Creole Love Call" adds the Piety Street Brass Band for a slightly modern twist on an early jazz favorite from the 1920s. When he's not singing, Landgren plays a mean trombone. Fortunately, this CD was completed several months before the unwelcome arrival of Hurricane Katrina. Ken Dryden Tracklist & Credits :
RANDY CRAWFORD & JOE SAMPLE — Feeling Good (2006) FLAC (tracks+.cue), lossless
After a quarter of a century in the Warner Bros. camp and five years on the recording sidelines, Randy Crawford drew a circle back to the beginning, reuniting with keyboardist Joe Sample. In turn, the old Crusader put together a genuinely distinguished rhythm section, bassist Christian McBride and drummer Steve Gadd, and called upon Tommy LiPuma to produce the disc. That combination ought to guarantee a certain floor of competence from the get-go -- and it's great to report that this disc always rises above it, sometimes considerably above it. By this time, both Crawford and Sample were established veterans -- and the music they make here seems to come so easily from within, with only minimal backing and nothing getting in their way. Gadd puts out a propulsive beat on brushes that pushes the title track along just fine -- and his work on "See Line Woman" and "Last Night at Danceland" generates something resembling the irresistible Crusaders groove, giving Sample something to trip lightly and soulfully through. Every track seems to change style with a smooth movement of the clutch -- the slinky R&B funk of "Lovetown," the gentle Latin beat of "Rio de Janeiro Blue," the pure mainstream piano trio jazz of "But Beautiful," the heavy blues atmosphere of "Tell Me More and More and Then Some," a trip back to the 1960s' Top 40 with "Everybody's Talking" (dig Randy's fervent high note that Harry Nilsson once hit in falsetto). A very gratifying release -- considering how tempting it would have been to crank this out on autopilot. Richard S. Ginell
Tracklist & Credits :
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