Mostrando postagens com marcador Phil Urso. Mostrar todas as postagens
Mostrando postagens com marcador Phil Urso. Mostrar todas as postagens

6.6.23

OSCAR PETTIFORD – 1951-1954 | The Classics Chronological Series – 1409 (2005) FLAC (tracks), lossless

In 2006. a survey of recordings made during the years 1951-1954 by groups under the leadership of bassist, cellist, and composer Oscar Pettiford was released as part of the Classics Chronological Series. During this period, Pettiford was making history as one of the very first improvising cellists in jazz. Swingin' ‘Til the Girls Come Home and "Bei Mir Bist du Schon" were recorded under the supervision of Leonard Feather on April 28, 1951 for Mercer Records, the label named for Duke Ellington's son. The sextet, billed as Oscar Pettiford, His Cello and Orkette, included trumpeter Howard McGhee, vibraphonist Joe Roland (whose other specialty was scoring bop charts for string ensembles à la Charlie Parker with Strings); pianist Kenny Drew, bassist Tommy Potter, and drummer Art Taylor. Arrangements were provided by Quincy Jones. During the summer of 1951, Pettiford worked with bands led by Jimmy Mundy, Wynton Kelly, and Budd Johnson. In the autumn he assembled a six-piece unit for a series of USO shows (this was during the Korean War) in New Jersey, New York, Japan, Korea, and various islands in the Pacific. In late 1951/early 1952, the group was recorded live in Guam. Those recordings, which include interpretations of older traditional standards played by the young boppers, were subsequently released under Howard McGhee's name, and are not included here. On February 21, 1952 Pettiford recorded again with his cello, now backed by bassist Charles Mingus, pianist Billy Taylor, and drummer Charlie Smith. As if to signal that this was not Pettiford's maiden voyage using the violoncello, one of the pieces was titled "Cello Again." Over the next several months, Pettiford would operate as a member of the Beryl Booker Trio, the Miles Davis Sextet, the Billy Taylor Quartet, and a unit led by pianist George Wallington. He also engaged in collective improvisations with Mary Lou Williams and Kenny Clarke at the Downbeat, where nobody recorded what must have been a series of remarkable experiments in early modern jazz.


In February 1953, Pettiford joined the Duke Ellington orchestra, replacing Charles Mingus, who was fired after tussling with valve trombonist Juan Tizol in front of a live audience. While swiftly becoming an important ingredient in Duke's ensemble, Pettiford sat in with Bud Powell and Roy Haynes at Birdland. After playing the Apollo Theater with Duke, he toured with the Ellington orchestra to Albuquerque and Pasadena. While in Los Angeles in June of 1953, he recorded his masterpiece "Blues in the Closet" and three other numbers with his All-Stars, a quintet which featured himself and Harry Babasin on celli. After gigging with Wardell Gray in August and September, Pettiford joined a Norman Granz package tour with Ellington. On December 29, 1953 the New Oscar Pettiford Sextet cut five tracks for the Mingus/Roach-owned and operated Debut label, again featuring the leader on cello, with Julius Watkins blowing French horn, Phil Urso on tenor sax, and a rhythm section of Walter Bishop, Charles Mingus, and Percy Brice. Quincy Jones wrote the arrangements for "Tamalpais Love Song" (later shortened to "Tamalpais") which featured Pettiford on the bass, and Quincy's own "Stockholm Sweetnin'." Pettiford began the year 1954 sitting in with a small band led by Illinois Jacquet's big brother, trumpeter Russell Jacquet. On March 21, Pettiford, the trailblazing jazz cellist, recorded six titles (four of which are included here) for the Vogue label with tenor saxophonist Al Cohn, trombonist Kai Winding, guitarist Tal Farlow, bassist Henri Renaud, and drummer Max Roach. The producers of the Classics Chronological Series are to be commended for having assembled these cello-centered recordings of Oscar Pettiford on one album for all to enjoy and learn from.. arwulf arwulf
Tracklist + Credits :


13.9.21

CHET BAKER & ART PEPPER - Playboys (1956-2012) FLAC (tracks+.cue), lossless

These 1956 Pacific Jazz sides appeared in 1961 under the title Playboys. Myth and rumor persist that, under legal advice from the publisher of a similarly named magazine, the collection would have to be retitled. It was renamed Picture of Heath, as more than half of the tracks are Jimmy Heath compositions. Regardless, the music is the absolute same. These are the third sessions to feature the dynamic duo of Art Pepper (alto sax) and Chet Baker (trumpet). Their other two meetings had produced unequivocal successes. The first was during a brief July 1956 session at the Forum Theater in L.A. Baker joined forces with Pepper's sextet, ultimately netting material for the Route LP. Exactly three months to the day later, Pepper and Baker reconvened to record tracks for the Chet Baker Big Band album. The quartet supporting Baker and Pepper on Playboys includes Curtis Counce (bass), Phil Urso (tenor sax), Carl Perkins (piano), and Larance Marable (drums). Baker and Pepper have an instinctual rapport that yields outstanding interplay. The harmony constant throughout the practically inseparable lines that Baker weaves with Pepper drives the bop throughout the slinky "For Minors Only." The soloists take subtle cues directly from each other, with considerable contributions from Perkins, Counce, and Marable. With the notorious track record both Baker and Pepper had regarding other decidedly less successful duets, it is unfortunate that more recordings do not exist that captured their special bond. These thoroughly enjoyable and often high-energy sides are perfect for bop connoisseurs as well as mainstream jazz listeners. by Lindsay Planer   
Tracklist :
 1    For Minors Only 3:59    
Jimmy Heath
2    Minor Yours 6:40    
Art Pepper
3    Resonant Emotions 5:41    
Jimmy Heath
4    Tynan Tyme 5:31    
Art Pepper
5    Picture of Heath 6:43    
Jimmy Heath
6    For Miles and Miles 6:24    
Jimmy Heath
7    C.T.A. 5:14
Written-By – Jimmy Heath
8    Tynan Time 6:19
Written-By – Art Pepper
9    Little Girl 4:17
Written-By – Henry, Hyde
10    Minor Yours 7:14
Written-By – Art Pepper
11    Sonny Boy 3:57
Written-By – Jolson, De Sylva, Brown, Henderson
12    The Route 5:04
Written-By – Pepper, Baker, Kamuca
Credits :
Alto Saxophone – Art Pepper
Arranged By – Art Pepper (faixas: 2,4,8,10), Jimmy Heath (faixas: 1,3, 5-7), Johnny Mandel (faixas: 9,11)
Bass – Curtis Counce (faixas: 1 to 7), Leroy Vinnegar (faixas: 8 to 12)
Drums – Lawrence Marable (faixas: 1 to 7), Stan Levey (faixas: 8 to 12)
Piano – Carl Perkins (faixas: 1 to 7), Pete Jolly (faixas: 8 to 12)
Tenor Saxophone – Phil Urso (faixas: 1 to 7), Richie Kamuca (faixas: 8 to 12)
Trumpet – Chet Baker

KNUT REIERSRUD | ALE MÖLLER | ERIC BIBB | ALY BAIN | FRASER FIFIELD | TUVA SYVERTSEN | OLLE LINDER — Celtic Roots (2016) Serie : Jazz at Berlin Philharmonic — VI (2016) FLAC (tracks+.cue), lossless

An exploration of the traces left by Celtic music on its journey from European music into jazz. In "Jazz at Berlin Philharmonic," ...