JOHN ABERCROMBIE — The First Quartet (2015) RM | 3CD-SET | Old & New Masters Edition Series | FLAC (tracks+.cue), lossless

As part of ECM's Old & New Masters series of box sets, John Abercrombie's The First Quartet collects three albums recorded for the label between 1978 and 1980. Two titles, 1979's Abercrombie Quartet and 1981's M, have been unavailable for decades. By the guitarist's own admission, this band represents the guitarist's first time as a "proper" bandleader. His earlier dates on ECM had been co-led sessions (Timeless, Gateway, Sargasso Sea), a solo album (Characters), and sideman gigs (Jack DeJohnette's New Directions, David Liebman's Lookout Farm, etc.). These three dates also represent an important foundation for Abercrombie as a composer. Arcade's title track is an energetic post-bop number that borders on jazz-rock, with keen interactions between the front-line players and the rhythm section. Another aspect of the band's conversational ability can be heard on Richie Beirach's gentle "Nightlake." Their lyrical interplay on the ballad "Paramour" is almost luxurious. The long journey on the pianist's "Alchemy" spends its first half as a ballad, but eventually moves into higher gear with almost euphoric group improvisation. Abercrombie Quartet's most inspiring moments include the syncopated cooking on "Blue Wolf," the moody yet focused "Dear Rain," and the more rockist groove that drives "Riddles." It gets more ponderous on "Stray" (where the piano solo jumps from the tune's nearly washed-out body as a genuine surprise) and on the closing "Foolish Dog" -- despite a fine mandolin-guitar break and woody, fluent solo from George Mraz. "Boat Song," the opening track on M, showcases a deeper collective confidence all around. The tune emerges rather than begins. The foundation is a repetitive six-note pattern by Beirach. Abercrombie catches and builds on it, seemingly one extra note at a time, until he's sliding through one series of fluid harmonic inventions to the next during his solo. The shimmering cymbal and snare work by Peter Donald adds a swinging waltz feel to the bottom. "What Are the Rules" is a canny open improvisation that works exceptionally well. "Flashback" haltingly follows suit before transforming itself into a funky groover. Closer "Pebbles," written by the bassist, seems to circle back to "Boat Song," but it's more elliptical until his bassline grounds the more atmospheric interplay of the front line and Donald becomes the bridge to communication. While none of these recordings is perfect, they are all necessary parts of Abercrombie's catalog. What's more, they remain thoroughly engaging after all these decades. The simple fact that the quartet form remains one of this guitarist's favorite ways of working well into the 21st century can be attributed to the creative fire and enduring merit of what is found here. 
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Arcade (1979)
1. Arcade 9:43 
Composed By – John Abercrombie
2. Nightlake 5:35 
Composed By – Richie Beirach
3. Paramour 5:09 
Composed By – John Abercrombie
4. Neptune 7:34 
Composed By – Richie Beirach
5. Alchemy 11:33 
Composed By – Richie Beirach 
Abercrombie Quartet (1980)
1. Blue Wolf 8:33 
Composed By – John Abercrombie
2. Dear Rain 6:54 
Composed By – John Abercrombie
3. Stray 6:36 
Composed By – Richie Beirach
4. Madagascar 9:05 
Composed By – Richie Beirach
5. Riddles 8:12 
Composed By – Richie Beirach
6. Foolish Dog 6:18 
Composed By – John Abercrombie 
M (1981)
1. Boat Song 9:57 
Composed By – John Abercrombie
2. M 6:19 
Composed By – John Abercrombie
3. What Are the Rules 7:33 
Composed By – Richie Beirach
4. Flashback 6:17 
Composed By – Richie Beirach
5. To Be 5:17 
Composed By – John Abercrombie
6. Veils 5:44 
Composed By – Richie Beirach
7. Pebbles 4:45
Composed By – George Mraz
Credits :
Double Bass – George Mraz
Drums – Peter Donald
Guitar, Mandoguitar [Mandolin Guitar] – John Abercrombie
Piano – Richie Beirach

JOHN SCOFIELD / JOHN ABERCROMBIE - Solar (1984-1996) APE (image+.cue), lossless

Guitarists John Abercrombie and John Scofield join forces for these early-'80s sessions, mostly duets while occasionally adding bassist George Mraz and drummer Peter Donald. They delve into the jazz canon with an intricate duet of "Solar," a driving, Latin-fused take of "Four on Six" (in which Abercrombie overdubs an electric mandolin), and a dreamy duo interpretation of "If You Could See Me Now." The sole standard, "I Should Care," fares just as well in their hands, which settles into a relaxed exchange between the two players as if they are playing for themselves alone. Scofield's "Small Wonder" is scored for the quartet, a bristling post-bop vehicle with a feature for Mraz as well. Abercrombie's introspective "Sing Song" best contrasts the styles of the two leaders, with the composer a bit more melodic and Scofield with a more brittle attack. This is an enjoyable CD that has stood the test of time very well. by Ken Dryden
Tracklist  
1 Solar 4:03
Written By – Miles Davis
2 Even Steven 6:52
Written By – John Abercrombie
3 Four On Six 6:22
Written By – Wes Montgomery
4 Sing Song 6:19
Written By – John Abercrombie
5 Small Wonder 6:23
Written By – John Scofield
6 I Should Care 6:37
Written By – Axel Stordahl, Paul Weston, Sammy Cahn
7 If You Could See Me Now 5:59
Written By – Tadd Dameron
Credits
Bass – George Mraz
Drums – Peter Donald
Guitar – John Abercrombie, John Scofield
Mandolin [Electric] – John Abercrombie