Three Voices for Joan La Barbara is something of an avant-garde love fest. The poet Frank O'Hara wrote a poem called "Wind," which he dedicated to composer Morton Feldman. Feldman in turn wrote Three Voices, based on the text of "Wind," which he dedicated to vocalist/composer Joan La Barbara, who performs the work in this recording. The end result of all this mutual goodwill is a riveting piece of music. The three voices in question perform a cappella, beginning with a wordless vocal pattern that gradually articulates itself into fragments of the O'Hara poem. Like most of Morton Feldman's mature work, Three Voices for Joan La Barbara rewards the attentive listener with an astonishing range of rhythms, textures, and emotions.
Performed by the artist for whom it was written and produced to New Albion's meticulous standards, this can safely be regarded as the definitive record of one of late 20th century composition's small gems. Peter Nappi
MORTON FELDMAN (1926-1987)
1-10. Three Voices (49:48)
Credits :
Lyrics By – Frank O'Hara
Voice – Joan La Barbara
Notas :
"Three Voices" composed for Joan La Barbara and completed April 15, 1982, uses delicate repeating patterns of precise pitches and rhythms and is indicated to be sung very softly (ppp). It is a setting of fragments from the poem, "Wind", by Frank O'Hara (dedicated to Morton Feldman). The composition is sung in vocalise until just before the midpoint of the piece when the text appears. It was first performed in March 1983 at the California Institute of the Arts in Valencia.
21.11.25
MORTON FELDMAN : Three Voices (For Joan La Barbara) (2019) Two Version | APE + FLAC (image+.tracks+.cue), lossless
MORTON FELDMAN : Rothko Chapel · Why Patterns? (1994) FLAC (tracks+.cue), lossless
MORTON FELDMAN (1926-1987)
1-5. Rothko Chapel (24:01)
6. Why Patterns? (29:26)
Flute – Dorothy Stone
Glockenspiel – Arthur Jarvinen
Performer – The California EAR Unit*
Piano – Gaylord Mowrey*
Producer – Foster Reed, Joan La Barbara
Producer [Assisting] – Mike Wilpizeski, Phyllis Oyama, Tricia Skennion
All Credits :
16.1.23
ANTHONY BRAXTON - 19 [Solo] Compositions, 1988 (1989) FLAC (tracks+.cue), lossless
These live concerts feature Anthony Braxton on 19 selections (16 originals plus "You Go To My Head," "'Round Midnight" and "Half Nelson"), each of which explore a different idea or mood. Some of the one or two-word descriptions are "ballade," "relationship," "triplet diatonic," "Multiphonic," and "quarter." Although free in spots, Braxton's performances also have their own logic and are quite concise with the longest piece ("Half Nelson") clocking in at just 5:06. Scott Yanow
Tracklist :
1 138A (Ballade) 2:57
Composed By – Anthony Braxton
2 106D (Relationship) 3:25
Composed By – Anthony Braxton
3 118F (Buzz Logic) 2:46
Composed By – Anthony Braxton
4 138B (African Violets) 2:26
Composed By – Anthony Braxton
5 77G (Whole) 3:14
Composed By – Anthony Braxton
6 118A (Intervallic) 3:17
Composed By – Anthony Braxton
7 138C (Long) 2:25
Composed By – Anthony Braxton
8 106J (Pointillistic) 2:40
Composed By – Anthony Braxton
9 77C (Triplet Diatonic) 3:05
Composed By – Anthony Braxton
10 26F (104/M Kelvin) 1:50
Composed By – Anthony Braxton
11 You Go To My Head 4:17
Written-By – Gillespie, Coots
12 119I (+99E) (Medium Dance) 1:47
Composed By – Anthony Braxton
13 119G (Multiphonic) 1:58
Composed By – Anthony Braxton
14 Round 'Bout Midnight 2:44
Written-By – Monk
15 99B (Line) 3:47
Composed By – Anthony Braxton
16 106A (Quarter) 2:56
Composed By – Anthony Braxton
17 138D (Ballade) 2:17
Composed By – Anthony Braxton
18 Half Nelson 5:10
Written-By – Miles Davis
19 106C (Triadic Spiral) 3:04
Composed By – Anthony Braxton
Credits :
Alto Saxophone – Anthony Braxton
14.1.23
ANTHONY BRAXTON — Composition No. 165 [for 18 Instruments] (1992) FLAC (tracks), lossless
The liner notes for this piece are written by Braxton and contain the amusing, instructive story about Ben and Johnathan who stare at clouds and attempt to imagine the music made from them. Wonderful acoustic music that winds its way through many textures and energy levels, not reducible to a simple description. Enjoyable, as well as music of a grand vision. "Blue" Gene Tyranny
Tracklist :
1 Composition No. 165 49:35
Anthony Braxton
Credits :
Alto Saxophone, Clarinet – Graham Kessler
Alto Saxophone, Clarinet, Saxophone [Slide] – Paul Martin Zonn
Baritone Saxophone, Bass Clarinet – Mark Barone
Bass – Adam Davis
Composed By, Conductor, Liner Notes – Anthony Braxton
Guitar – Mark Zanter
Percussion – Justin Kramer, Tom Sherwood
Piano – Tom Paynter
Synthesizer – Drew Krause
Tenor Saxophone, Bassoon, Clarinet – Kevin Engel
Tenor Saxophone, Flute – Andrew Mitroff
Trombone – Douglass Farwell, Erik Lund, Keith Moore
Trumpet – Jeff Helgesen, Judd G. Danby, Thomas Tait
Tuba – Jesse Seifert-Gram
+ last month
MORTON FELDMAN : Durations I-V · Coptic Light (Ensemble Avantgarde · Deutsches Symphonie-Orchester Berlin · Michael Morgan) (1996) FLAC (tracks+.cue), lossless
Performed by the Ensemble Avantgarde, and the Deutsches Symphonie-Orchester Berlin conducted by Michael Morgan, this is a very sensitive and...

