RAHSAAN ROLAND KIRK - Blacknuss (1971-2002) FLAC (tracks+.cue), lossless

From its opening bars, with Bill Salter's bass and Rahsaan's flute passionately playing Bill Withers' "Ain't No Sunshine," you know this isn't an ordinary Kirk album (were any of them?). As the string section, electric piano, percussion, and Cornel Dupree's guitar slip in the back door, one can feel the deep soul groove Kirk is bringing to the jazz fore here. As the tune fades just two and a half minutes later, the scream of Kirk's tenor comes wailing through the intro of Marvin Gaye's "What's Goin' On," with a funk backdrop and no wink in the corner -- he's serious. With Richard Tee's drums kicking it, the strings developing into a wall of tension in the backing mix, and Charles McGhee's trumpet hurling the long line back at Kirk, all bets are off -- especially when they medley the mother into "Mercy Mercy Me." By the time they reach the end of the Isleys' "I Love You, Yes I Do," with the whistles, gongs, shouting, soul crooning, deep groove hustling, and greasy funk dripping from every sweet-assed note, the record could be over because the world has already turned over and surrendered -- and the album is only ten minutes old! Blacknuss, like The Inflated Tear, Volunteered Slavery, Rip, Rig and Panic, and I Talk to the Spirits, is Kirk at his most visionary. He took the pop out of pop and made it Great Black Music. He took the jazz world down a peg to make it feel its roots in the people's music, and consequently made great jazz from pop tunes in the same way his forbears did with Broadway show tunes. While the entire album shines like a big black sun, the other standouts include a deeply moving read of "My Girl" and a version of "The Old Rugged Cross" that takes it back forever from those white fundamentalists who took all the blood and sweat from its grain and replaced them with cheap tin and collection plates. On Kirk's version, grace doesn't come cheap, though you can certainly be a poor person to receive it. Ladies and gents, Blacknuss is as deep as a soul record can be and as hot as a jazz record has any right to call itself. A work of sheer blacknuss!
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1     Ain't No Sunshine 2'26
Renaldo Benson / Al Cleveland / Marvin Gaye / Bill Withers
2     What's Goin' On/Mercy Mercy Me (The Ecology) 3'47
Renaldo Benson / Al Cleveland / Marvin Gaye
3     I Love You, Yes I Do 2'49
Chris Allen / Johnny Cameron / Rahsaan Roland Kirk
4     Take Me Girl, I'm Ready 3'18
Johnny Bristol / Pam Sawyer / LaVerne Ware
5     My Girl 3'06
Smokey Robinson / William Robinson / Ronald White
6     Which Way Is It Going 2'26
Rahsaan Roland Kirk
7     One Nation 3'41
Princess Patience Burton
8     Never Can Say Goodbye 4'02
Clifton Davis
9     Old Rugged Cross 7'15
Traditional
10     Make It with You 4'50
David Gates
11     Blacknuss 5'12
Rahsaan Roland Kirk
Credits :
Bass – Henry Pearson (pistas: 1, 8, 11), Bill Salter (pistas: 2 to 7, 9, 10)
Congas – Richard Landrum (pistas: 1, 8, 11)
Congas, Percussion [Cabassa] – Arthur Jenkins (pistas: 2 to 7, 9, 10)
Drums – Bernard Purdie (pistas: 2 to 7, 9, 10), Khalil Mhdri (pistas: 1, 8, 11)
Flute, Tenor Saxophone, Saxophone [Manzello, Stritch], Gong, Whistle [Police Whistle], Arranged By – Rahsaan Roland Kirk
Guitar – Billy Butler (pistas: 1, 8, 11), Cornell Dupree (pistas: 2 to 7, 9, 10), Keith Loving (pistas: 2 to 7, 9, 10)
Organ – Mickey Tucker (pistas: 2 to 7, 9, 10)
Percussion – Joe Habad Texidor
Piano – Richard Tee (pistas: 2 to 7, 9, 10), Sonelius Smith (pistas: 1, 8, 11)
Trombone – Dick Griffin (pistas: 2 to 7, 9, 10)
Trumpet – Charles McGhee (pistas: 2 to 7, 9, 10)
Vocals – Rahsaan Roland Kirk (pistas: 1, 5, 8, 11)

ARCHIE SHEPP - Tray of Silver (1989) FLAC (tracks+.cue), lossless

Tracklist :
1     No Smokin' 7'21
Horace Silver
2     If You Could See Me Now 13'20
Tadd Dameron / Carl Sigman
3     Nica's Dream 12'01
Horace Silver
4     Cookin' at the Continental 10'25
Horace Silver
Credits :
Baritone Saxophone – Howard Johnson (pistas: 3)
Bass – Takashi "Gon" Mizuhashi
Drums – Roy Brooks
Piano – Mickey Tucker
Tenor Saxophone – Archie Shepp
Tuba – Howard Johnson (pistas: 4)

THE JAZZTET - Moment to Moment (1983) FLAC (image+.cue), lossless

Tracklist :
1     Moment to Moment 8:50
Henry Mancini / Johnny Mercer
2     Along Came Betty 6:45
Benny Golson
3     Farmer's Market 5:32
Art Farmer
4     Fair Weather 5:50
Benny Golson
5     Yesterday's Thoughts 8:21
Benny Golson
6     Ease Away Walk 8:21
Benny Golson
Credits :
Bass – Ray Drummond
Drums – Albert "Tootie" Heath
Flugelhorn – Art Farmer
Piano – Mickey Tucker
Tenor Saxophone – Benny Golson
Trombone – Curtis Fuller

THE ART FARMER / BENNY GOLSON JAZZTET - Back to the City (1986) FLAC (image+.cue), lossless

Recorded at the same sessions as Real Time, this set features a reunion by the Jazztet, a classic sextet that originally broke up in 1963 due to lack of work. Twenty-three years later, flugelhornist Art Farmer and trombonist Curtis Fuller are heard playing in their unchanged styles while tenor-saxophonist Benny Golson (who had evolved from a Don Byas-type approach to a sound influenced by Archie Shepp) is in fine form. With pianist Mickey Tucker, bassist Ray Drummond and drummer Marvin "Smitty" Smith completing the group, the band plays four lesser-known Golson compositions, Farmer's "Write Soon" and the standard "Speak Low." Timeless hard bop music. by Scott Yanow
Tracklist :
1     Back to the City 7:55
Composed By – Benny Golson
2     From Dream to Dream 6:49
Composed By – Benny Golson
3     Write Soon 9:44
Composed By – Art Farmer
4     Vas Simeon 7:31
Composed By – Benny Golson
5     Speak Low 6:07
Ogden Nash / Kurt Weill
6     Without Delay/Time Speaks 6:59
Composed By – Benny Golson
Credits :
Arranged By – Art Farmer, Benny Golson
Bass – Ray Drummond
Drums – Marvin "Smitty" Smith
Flugelhorn – Art Farmer
Piano – Mickey Tucker
Tenor Saxophone – Benny Golson
Trombone – Curtis Fuller