Produced by Bob Thiele and recorded at Electric Lady studios with engineer Eddie Kramer, Barefoot Boy is one of Larry Coryell's finest recordings as a leader. "Gypsy Queen" was recorded prior to bassist Mervin Bronson's arrival at the studio, and features the percussion section locking into a groove over which Coryell lays down a riff and Steve Marcus cuts loose with a fiery soprano sax solo. When it's his turn to solo on this opening number, Coryell turns up the heat, sounding like a cross between Jimi Hendrix and Sonny Sharrock. (Coryell played with Sharrock on Herbie Mann's Memphis Underground.) "The Great Escape" finds Coryell cooking over a bass and percussion groove, with Marcus on tenor sax. "Call to the Higher Consciousness" is a side-long 20-minute jam in which all the players take a ride, with Marcus once again cooking on the soprano sax. Roy Haynes is superb throughout, working in tandem with the percussionists to keep the music moving. This recording is a noteworthy example of the possibilities inherent in the early days of fusion, blending the electrifying energy of rock with the improvisational excitement of jazz. Jim Newsom
Tracklist :
1 Gypsy Queen 11:50
Congas – Lawrence Killian
Drums – Roy Haynes
Guitar – Larry Coryell
Percussion – Harry Wilkinson
Soprano Saxophone – Steve Marcus
Written-By – Gabor Szabo
2 The Great Escape 8:39
Bass – Mervin Bronson
Congas – Lawrence Killian
Drums – Roy Haynes
Guitar – Larry Coryell
Percussion – Harry Wilkinson
Soprano Saxophone – Steve Marcus
Written-By – Coryell
3 Call To The Higher Consciousness 20:00
Bass – Mervin Bronson
Congas – Lawrence Killian
Drums – Roy Haynes
Guitar – Larry Coryell
Percussion – Harry Wilkinson
Piano – Mike Mandel
Tenor Saxophone – Steve Marcus
Written-By – Coryell
22.3.24
LARRY CORYELL — Barefoot Boy (1971-2000) WV (image+.cue), lossless
26.2.24
LARRY CORYELL — Offering (1972-2001) APE (image+.cue), lossless
Recorded in 1972, guitarist Larry Coryell's Offering has often been
overlooked because it was the album that was released just before the
debut of his legendary fusion band the Eleventh House. It's too bad,
too, since Coryell's playing here is so inspired and free of the
intellectual trappings of some of his later work. The band on Offering
is a crack jazz-rock outfit made up of drummer Harry Wilkinson, bassist
Melvyn Bronson, soprano saxophonist Steve Marcus, and electric pianist
Mike Mandel (also a founding member of the Eleventh House). The vibe on
this set is akin to the rugged jazz-rock forging of Soft Machine
beginning on Fourth. And while it's tempting to lump this set in with
the rest of the fused-out fare of the time, Offering is a distinctly --
and consciously -- more melodic record than those issued by Coryell's
contemporaries at the time. Compositions such as "Foreplay," with its
loping soprano and keyboard lines, stand apart from most of the Miles
Davis-inspired crowd (Hancock, Corea, et. al), and "Ruminations" with
its knotty, striated bop lines, comes on strong from the middle of three
entwining harmonic figures to reach out and create a melodic framer
from the pathos; Coryell's solo, which is equal parts Jimi Hendrix and
Sonny Sharrock, is a wonderfully scorching and elusive sprite. Beginning
with "Scotland I," which closes out side one, the jams get a bit more
abstract and a bit more involved with the primacy of improvisation
without losing their lyrical sensibilities. Offering is, in its own way,
every bit as strong as the Eleventh House's debut and deserves to be
considered hand in hand with it.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist
1. Foreplay (8:10)
2. Ruminations (4:17)
3. Scotland I (6:41)
4. Offering (6:46)
5. The Meditation Of November 8th (5:12)
6. Beggar`s Chant (8:03)
Total time 39:09
Credits
Larry Coryell - Guitar
Mike Mandel - Electric Piano with Fuzz-Wah
Steve Marcus - Soprano Saxophone
Mervin Bronson - Bass
Harry Wilkinson - Drums
+ last month
EDDIE HARRIS — The Last Concert (1997) FLAC (tracks+.cue), lossless
Unless something unauthorized turns up, this appears to be Eddie Harris' last recording. The concert was taped in Europe -- where Harris...