Mostrando postagens com marcador Long Hair. Mostrar todas as postagens
Mostrando postagens com marcador Long Hair. Mostrar todas as postagens

21.3.26

DZYAN – Mandala (2010) FLAC (tracks+.cue), lossless

Better late than never, I suppose, but this live-in-the-studio novelty was too long overdue, released almost forty years after it was recorded. Dzyan never achieved anything more than cult stardom, at best. But to fans this belated addition to their slim discography will provide a fascinating slice of audio anthropology: the missing link between the band's jazzy 1972 debut and the blossoming Krautrock of their "Time Machine" and "Electric Silence" albums (the latter title currently the Number Ten rated Krautrock album on this site).

The prevailing style was still the Canterbury Fusion of that first LP, with Gerd Ehrmann's frenetic saxophone the primary instrument on most tracks, and percussionist Jochen Leuschner providing the bluesy lead vocals. But the ace up their collective sleeve was new guitarist Eddy Marron, recently enlisted but already making an impact, even in a relative supporting role.

Under his galvanizing influence the music was beginning to show a harder edge, in tracks like "Steel's Electric": an obvious signpost toward the MAHAVISHNU intensity of the "Time Machine" sessions. Listening to Marron's absolutely torrid solo at the end of "Dragonsong" (a holdover song from the first album) it's easy to imagine the jaws of his bandmates falling to the studio floor in flabbergasted awe, as the guitarist shredded his fretboard into ragged tatters.

In this track and elsewhere you can hear the later, psychedelicized Dzyan trying to break free of its Jazz Rock shell, especially when Marron begins strumming his beloved Turkish saz, in the song of the same name. The more exploratory instrumental jams show their age best, and the band itself no doubt felt the same. After this rehearsal 'concert' the way ahead must have seemed clear: ditch the singer and the sax, and continue as a trio (but with a more sympathetic drummer).

The title track is an odd droning entr'acte from bassist Reinhard Karwatky (recording date unknown), and the incomplete "Celestial City" is the only selection actually performed on stage. It was included here as a bonus track, but really the entire album is a welcome bonus, 38-years late but worth the wait. progarchives.con
Tracklist :
1.    Resurrection 9:49
Written-By – Karwatky
2.    Dragonsong 11:33
Written-By – Leuschner, Karwatky
3.    Mandala - Transmigration 2:08
Producer [Produced By], Recorded By, Mixed By – Reinhard Karwatky
Written-By – Karwatky

4.    Steel's Electric 6:30
Written-By – Marron
5.    Daddy Groove 8:43
Written-By – Leuschner, Karwatky
6.    Saz 8:08
Written-By – Marron, Leuschner, Karwatky
7.    Celestial City 4:23
Producer [Produced By] – Reinhard Karwatky
Written-By – Karwatky

Credits :
Cover [Cover Painting], Painting [Cover Painting] – Helmut Wenske
Drums, Percussion, Timpani – Lothar Scharf
Electric Bass, Contrabass, Percussion, Arranged By [Arrangements By], Technician [Sonus FX Designed By] – Reinhard Karwatky
Electric Guitar, Baglama [Saz] – Eddy Marron
Tenor Saxophone – Gerd "Bock" Ehrmann
Vocals, Congas, Percussion – Jochen Leuschner

6.10.25

MISSUS BEASTLY — SWF-Session 1974 (2012) FLAC (tracks+.cue), lossless

Tracklist :
1.    Fly Away 7:21
Written-By – Miekautsch
2.    Simsalabim 4:05
Written-By – Josch
3.    Talle 4:45
Written-By – Josch
4.    Free Clinic 4:02
Written-By – Dömling
5.    Geisha 5:15
Written-By – Benz
6.    Space In The Place 2:06
Written-By – Miekautsch
7.    Song For Ann 3:14
Written-By – Miekautsch
8.    Dauerwurst 5:15
Written-By – Benz
9.    Julia 3:27
Written-By – Benz
10.    Einmal Ist Keinmal 3:45
Written-By – Benz
11.    Serenade To A Soul Sister 3:41
Written-By – Miekautsch
Credits :
Alto Saxophone [Alto Sax], Flute – Jürgen Benz
Bass, Guitar – Norbert Dömling
Drums, Percussion [Percussions] – Lutz Oldemeier
Flute, Soprano Saxophone [Soprano Sax] – Friedemann Josch
Keyboards – Dieter Miekautsch
Performer [Personnel] – Dieter Miekautsch, Friedemann Josch, Jürgen Benz, Lutz Oldemeier, Norbert Dömling

28.9.25

TOMORROW'S GIFT — Tomorrow's Gift (1970-2016) RM | FLAC (tracks+.cue), lossless

Fantastic Kraut-Prog band from Hamburg with an original and groundbreaking sound few acts were producing in ealy-70's.The initial steps found Tomorrow's Gift covering tracks from tne famous British/American Rock bands of late-60's and material from the late-69'/70' can be heard in the ''Pop & Blues Festival 1970'' and ''Love And Peace'' compilations, but at the same time the band was preparing for its debut, writing and recording original songs.Tomorrow's Gift's self-titled double-LP debut was the first album to be released on the short-lived yet legendary Plus label in 1970 with a 6-piece line-up of Ellen Meier (vocals), Wolfgang Trescher (flute), Carlo Karges (guitars, percussion), Bernd Kiefer (bass), Gerd Paetzke (drums), Manfred Rürup (keyboards).
These talented Germans sound like a band struggling to stay calm with the ordinary Psych/Blues/Hard Rock style, which was pretty popular in 1970, and simultaneously trying to push the limits of Rock music to a next level.The album yet contains the basic elements of Hard/Blues Rock, characterized by the powerful grooves, the mindblowing guitar solos, the tremendous energy of the rhythm section, the dominant Hammond organ parts and the sharp riffs, while next to these you get a singer who sounds a lot like JANIS JOPLIN.But things are actually way more complicated.Along with the basic rockin' passages you will get series of driving flutes with both Kraut and symphonic leanings, Classical-inpired keyboard textures (even some lovely clavinet appears in one track), massive sudden breaks, elaborate and refined interplays and impressive changing tempos.The daring face of the group does not stop here.The longer tracks even contain the fundamental color of early German Kraut Rock: long, powerful and pounding jams, based on furious, psychedelic grooves with guitars and organ in the forefront and yet another solid performance by the tireless rhythm section.
Among the best ever Kraut Rock debuts.A fascinating mix of Psychedelic, Hard, Symphonic and early-70's Progressive Rock, that is sure to satisfy even the most demanding proghead out there.An instant and highly recommended purchase. porgarchives 
Tracklist :
1.    Riddle In A Swamp    8:03
2.    Prayin' To Satan    5:08
3.    One Of The Narrow Minded Thoughts    3:27
4.    Tenakel Gnag    2:55
5.    The First Seasons After The Destruction    13:01
6.    How You Want To Live    7:24
7.    Gray Aurora    1:50
8.    Ants    2:51
9.    Breeds There A: Man    3:17
10.    King In A Nook    4:25
11.    Sandy Concert 8:06
Alto Saxophone – Jochen Petersen
12.    Enough To Write A Song About Or Two    1:58
13.    Second Song    0:27
Credits :
Bass Guitar [Fender] – Bernd Kiefer
Drums – Gerd Paetzke
Engineer – Dieter Dierks, Wolfgang Klaus
Flute – Wolfgang Trescher
Guitar, Percussion – Carlo Karges
Keyboards – Manfred Rürup
Vocals – Ellen Meyer
Written-By – Karges (tracks: 1 to 10, 12, 13), Rürup (tracks: 1 to 3, 5, 6, 9, 11), Trescher (tracks: 4, 8, 13)

29.8.25

EULENSPYGEL — Ausschuss / Trash -English Version (1972-2021) Two Version | FLAC (image+.tracks+.cue), lossless

Tracklist :
1    Trash 22:10
Percussion – Danny Bridgemen
2    Mindshapers 3:00
Bass – Anthony Grout-Smith
3    Vicious Circle 6:16
Bass – Anthony Grout-Smith
Guitar – Mulo Maulbetsch

Percussion – Danny Bridgemen

4    Annoying     2:52
5    Stranger 5:38
Vocals – Sylvia Nebel
6    Battery Farm    3:49
Credits :
Bass – Ronnie Libal
Drums – Günter Klinger
Flute, Alto Saxophone [Altsaxophon], Crumhorn [Krummhorn] – Cornelius Hauptmann
Guitar, Mellotron, Violin [Geige], Sitar – James "Till" Thurow
Guitar, Vocals – Detlev Nottrodt
Music By, Lyrics By, Arranged By – Eulenspygel
Organ, Synthesizer – Karlheinz Großhans
Vocals – Mulo Maulbetsch
Notas.
English version of "Ausschuss".
Quote from English liner notes: 'Eulenspygel´s English version of "Ausschuss" was intended for release by Intercord in 1972, but never went beyond the status of an 8-track that had been produced for the American market. "Trash", the title of the English version of "Ausschuss", contains partly different mixes, consequently English vocals and was partly recorded with the help of English musicians. The recordings took place from 4.4.-8.4.1972 at the famous Apple Studios in London. The band enlisted the help of a bass player who had just worked in the studio for Ringo Star or Rod Argent, and whose professionalism saved further takes during the recording.'
The English narrator is not credited on the release.

23.6.24

JOE BECK — Nature Boy (1968-2006) RM | FLAC (image+.cue), lossless

Tracklist :
1    Nature Boy 5:29
 Eden Ahbez
2    Spoon's Caress    3:06
 Joe Beck / Diane Doe
3    Let Me Go    3:43
 Danny Whitten
4    Come Back: Visions Without You    6:07
 Joe Beck
5    Maybe    3:18
 Joe Beck
6    No More Blues    6:21
 Joe Beck
7    Goodbye L.A.    6:15
 Joe Beck / Diane Doe
8    Please Believe Me    5:35
 Joe Beck / Diane Doe
9    Ain't No Use In Talkin'    5:34
 Joe Beck
Credits
Bass – Don Payne (tracks: 7, 9)
Bass, Guitar, Organ, Vocals, Written-By, Producer, Liner Notes – Joe Beck
Guitar, Vocals – Danny Whitten (tracks: 3)
Percussion – Donald MacDonald
Trumpet – Randy Brecker (tracks: 4)

CAMEL — Stationary Traveller (1984-2009) RM | Serie Camel SHM-CD Paper Jacket Collection – 11 | FLAC (tracks+.cue), lossless

Although Stationary Traveller is a concept album, it musically falls into line with its predecessor The Single Factor, which found Camel try...