Mostrando postagens com marcador John King. Mostrar todas as postagens
Mostrando postagens com marcador John King. Mostrar todas as postagens

5.7.18

DAVID MOSS DENSE BAND — Texture Time (1993) FLAC (tracks+.cue), lossless

David Moss is crazy, but I love him. There are many intellectual statements that can be made to create an apologia for this music of his, but none is necessary. Thankfully there is precious little of that. Moss is that rare avant-gardist: He has no need to be militant, nor does he need to justify what he does as somehow relevant. Basically, he doesn't give a sh*t what anybody thinks and that's good because his brand of vanguard exploration even makes some avant fans squeamish. Here's the deal: Moss claims that the Dense Band was created after he asked Fred Frith to produce a record that would frame his music in terms of songs. There have been countless avant heavies through its ranks, but this edition, in 1994, included John King on guitar, Anthony Coleman on keyboards, Jean Chaine on bass, and Moss playing drums, electronics, and, of course, "singing." To call these 15 selections "songs" in the Western, verse/refrain/verse/bridge/refrain sense would be absurd, as this is, in some sense, absurdist music. But make no mistake, these pieces are indeed songs. They feature repetitive sounds and textures, are turned around by a certain sense of rhythm and timing, and are colored in such a way that some of them are actually -- not "almost" as he states in his liner notes -- danceable. The obvious fractured funk of "A Dot, a Line" is most reminiscent, but even the more expansive and fractionally abstract pieces such as "Outrigger," "Double Broke Back Blues," "What Happens With Thunder," "Botticelli Niblets," and "Society of Niches" have their own ambience and structure that is recognizable and even memorable. There is an unaccredited and hilariously weird cover of the old Tom Jones standard "Delilah," and the most beautiful piece on the record, "Invisible Cities," uses fragments from the Italian writer Italo Calvino to carve a structure from the structure of sound vibration itself.  
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1 A Dot, A Line 3:06
 David Moss
2 Society Of Niches 4:10
 David Moss
3 Outrigger 1:32
 David Moss
4 Invisible Cities 4:47
 David Moss
5 Those Were The Days 2:00
Eugene Raskin
6 Botticelli Niblets 2:56
 David Moss
7 Collision Course 2:02
 David Moss
8 Texture Time 3:18
 David Moss
9 Illusion Of The Groove 2:53
 David Moss
10 Delilah 3:17
 David Moss
11 What Happens With Thunder 4:10
 David Moss
12 Kandinsky Decisions 7:39
 Anthony Coleman /  John King
13 Double Broke Back Blues  2:32
 John King
Vocals – Moss, King
14 Understanding Gravity 4:00
 David Moss
15 Collision, Of Course! 2:50
 David Moss
Credits
Bass – Jean Chaine (tracks: 1 to 6, 8 to 15)
Drums, Voice, Vocals, Electronics – David Moss
Guitar – John King (tracks: 1 to 6, 8 to 15)
Keyboards, Keyboards [Sampling] – Anthony Coleman


STEFANO BOLLANI TRIO — Mediterraneo (2017) Serie : Jazz At Berlin Philharmonic — VIII | FLAC (tracks), lossless

Tracklist : 1    Toccata 0:36 Composed By – Monteverdi 2    Sinfonia 6:55 Composed By – Monteverdi 3    Amarcord 2:47 Composed By – Rota 4  ...