EVAN PARKER | ELECTRO-ACOUSTIC ENSEMBLE - Memory/Vision (2003) FLAC (tracks+.cue), lossless

The Evan Parker Electro-Acoustic Ensemble has been an ever-changing entity in both personnel and musical direction. Originally structured as a free jazz unit whose players were given "electronic shadows," this model has given way to something entirely other in composition and execution. The ensemble now numbers nine members. Only five of these players -- Parker (saxophones, tapes, samples), Philipp Wachsmann (violin, electronics), Augusti Fernandez (piano, prepared piano), Barry Guy (double bass), and Paul Lytton (percussion, electronics) -- are considered "free jazz" players in anything resembling proper usage. Six members of the ensemble play electronics (the others are Joel Ryan, Walter Prati, Marco Vecchio, and Lawrence Casserley). Memory/Vision is a work commissioned by the Huddersfield Contemporary Music Festival and Oslo's Ultima Festival. These recordings of the work were taken from those performances. What is so remarkable about this work is that four of the ensemble members (the final four mentioned above) make music by transforming sounds and phrases from the musicians in real time according to individual interpretation and re-offering them as improvisational material. Talk about walking on a wire; this all happened live in front of an audience! In his introductory notes, Parker gives credit for the inspiration for the structure of this work to Charles Arthur Musés and his concept of "chronotopology." At each of the seven stages here a "strand" of prior recordings exists, sometimes already containing prior recorded improvisations. These are reacted to and acted upon, creating within their new framework the resonances of something previous, something other. Sure, it's interesting, but how does it "sound"? Like excitement, like something emerging that moves beyond itself in each phase; it sounds like a dialogue that cannot be insular because of its input from "outside" as each member contributes from previously held notions not only of the music itself, but from previous improvisations; it sounds like movement directed at other movement for the purpose of moving further still. And finally, it sounds like a group, an ensemble, fixed on a direction where many articulations create seams and cracks from which emerge musico-linguistic utterance that becomes a communicative language both poetic and speculative. It is at times startling, wondrous, puzzling, and beautiful. It is always compelling, engaging, and full of interest for any listener with an open mind. Ultimately, this is one of the most emotionally resonant works Parker has given listeners. And one hopes that such a description will not insult his brilliant mind or his aesthetic sensibilities. Wonderful.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
Memory / Vision - Staring Into The Time Cone    
1    Part 1    10:22
2    Part 2    11:18
3    Part 3    5:09
4    Part 4    13:21
5    Part 5    12:43
6    Part 6    9:10
7    Part 7    8:31
Credits :
Computer, Effects [Sound Processing] – Joel Ryan
Design – Sascha Kleis
Double Bass – Barry Guy
Electronics, Effects [Sound Processing] – Marco Vecchi, Walter Prati
Music By – Evan Parker
Percussion, Electronics – Paul Lytton
Piano, Piano [Prepared Piano] – Agustí Fernandez
Soprano Saxophone, Tape [Tapes], Sampler [Samples], Liner Notes – Evan Parker
Violin, Electronics – Philipp Wachsmann

JOHN DOWLAND : Tell Me True Love (Joel Frederiksen) (2016) FLAC (image+.cue), lossless

Songs full melancholy, and songs of love's joys and pains, composed by the "Orpheus of England", John Dowland, have lost none of their inmediacy and poignancy since the Renaissance. Joel Frederiksen accompanies his deep, expressive bass voice on the lute, and is aided by an expert ensemble of viols and lutes, to shape this exquisite program of vocal and instrumental works.

JOHN DOWLAND (1563-1626)

1    The Lowest Trees Have Tops
2    The Woods So Wild/Can She Excuse My Wrongs
3    Deare, If You Change
4    Tarleton's Riserrectione
5    Sleep Wayward Thoughts
6    All Ye Who Love Or Fortune Hath Betrayed
7    Away With These Self Loving Lads
8    Flow My Teares
9    My Lord Chamberlain His Gallaird
10    Fine Knacks For Ladies
11    When Phoebus First
12    Say Love If Ever Thou Didst Find
13    A Fancy
14    Lady If You So Spite Me
15    In Darkness Let Me Dwell
16    If That A Sinner's Singhs
17    From Silent Night
18    Praeludium
19    The Frog Gaillard (Arr. For 3 Lutes)
20    Shall I Strive With Words To Move
21    Tell Me True Love

Bass Vocals, Lute – Joel Frederiksen
Ensemble - Ensemble Phoenix Munich