Musically, this is wildly ambitious. The group's sound has naturally evolved, but it pays no heed to modern production values. The album's sound is analog. The number of styles the band move through on Transiberiana is quite astonishing -- they take deep dives into modern prog, avant-garde, atmospheric and experimental rock, classical, jazz, and even have an AOR moment or two. Opener "Stelle Sulla Terra" is almost suite-like in construction. It commences with a three-note circular keyboard vamp with jagged synths coming in to add a pulse, then alternates between quickly shifting time signatures, pastoral passages, and finally, D'Alessio's balladic vocals. As the music turns itself inside-out, colliding and dove-tailing through metallic futurism, Zappa-esque arpeggios, and riff-enhanced rock, he responds with recitative shouting and crooning. "La Discesa Dal Treno" offers dreamy piano and powerful guitar riffs before fierce lead guitar runs that underscore passionate vocals, while a tender jazz piano melody adds tension and later, balance. The synth in "Lo Sciamano" sounds like Vangelis and Keith Emerson struggling to inhabit the same body before King Crimson-esque guitars and thrumming drums add heft, and a rootsy acoustic piano delivers blues chords and post-bop arpeggios as D'Alessio croons. "Il Grande Bianco" begins with a guitar pattern reminiscent of '80s-era King Crimson (think Discipline and Beat), with horn and string sounds emerging overture-like to introduce the first part of the melody. Over its six minutes, it travels through prog and classical music, harmonious cinematic tropes, and knotty, cascading prog. The set closes with two bonus cuts, live versions of two Banco classics cut at 2018's Festival Prog Di Veruno -- "Metamorfosi" and "Il Ragno" -- which reveal this version of Banco can hold their own on-stage. Transiberiana is far better than almost any fan would expect from a band continuing their exploratory quest for musical discovery and expansion more than 25 years after their last effort.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1. Stelle Sulla Terra (6:05)
1a. La Partenza
1b. Cavalli Sull'altopiano
1c. Perche', Perche', Perche'
2. L'imprevisto 3:31
3. La Discesa Dal Treno (6:17)
3a. Fermi Ed Agitati Come Tende Al Vento
3b. Come Nell'Ade
4. L'assalto Dei Lupi 5:37
5. Campi Di Fragole 3:34
Lead Vocals – Vittorio Nocenzi
6. Lo Sciamano 3:59
7. Eterna Transiberiana 6:18
8. I Ruderi Del Gulag 6:05
9. Lasciando Alle Spalle 1:52
10. Il Grande Bianco 6:33
11. Oceano: Strade Di Sale 3:38
– BONUS TRACK –
12. Metamorfosi (Live) 9:40
13. Il Ragno (Live) 5:37
Credits :
Arranged By [Arrangiament] – Filippo Marcheggiani, Michelangelo Nocenzi, Nicola Di Già, Vittorio Nocenzi
Artwork – Cristiano Longhi, Link Design, Milano*, Stefano Mattiozzi, Valentina Mazzella
Keyboards [Additional Keyboards], Programmed By [Loops Programming] – Michelangelo Nocenzi
Lyrics By – Francesco Di Giacomo (tracks: 12, 13), Paolo Logli (tracks: 1 to 11), Vittorio Nocenzi
Music By – Michelangelo Nocenzi (tracks: 1 to 11), Vittorio Nocenzi
Performer [BMS Are], Bass – Marco Capozi
Performer [BMS Are], Drums – Fabio Moresco
Performer [BMS Are], Fortepiano [Pianoforte], Keyboards, Backing Vocals – Vittorio Nocenzi
Performer [BMS Are], Lead Guitar [Lead Guitars], Backing Vocals – Filippo Marcheggiani
Performer [BMS Are], Lead Vocals – Tony D'Alessio
Performer [BMS Are], Rhythm Guitar [Rhythm Guitars], Acoustic Guitar [Acoustic Guitars], Balalaika – Nicola Di Già
