21.5.23
ARTIE SHAW AND HIS NEW MUSIC – 1937 | The Classics Chronological Series – 929 (1997) FLAC (tracks+.cue), lossless
Although Artie Shaw's big band did not catch on in 1937, they did record regularly for Brunswick, generally featured superior songs (with a few vocal novelties tossed in), and had impressive musicianship. On the third of the Classics label's Artie Shaw records, highlights include a few eccentric vocals by Leo Watson; the two-part "Blues March"; the original recording of Shaw's theme, "Nightmare"; and fine versions of "Just You, Just Me," "Free for All," and "Nonstop Flight." The clarinetist-leader, Tony Pastor on tenor, and trumpeter John Best are the band's main soloists, but Artie Shaw would have to wait until 1938 before hitting it big. Scott Yanow
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20.5.23
ARTIE SHAW AND HIS ORCHESTRA – 1939 | The Classics Chronological Series – 1007 (1998) FLAC (tracks+.cue), lossless
As 1939 began, Artie Shaw had the most popular band in jazz, topping Benny Goodman and recording best-selling records for Bluebird. This CD covers a two-month period, as Shaw's band (which features tenor saxophonist Georgie Auld, Tony Pastor on vocals and tenor, drummer Buddy Rich, and singer Helen Forrest) showed that they could swing as hard as anyone. Highlights include "Lover Come Back to Me," "Carioca," "Rose Room," and "I'm Comin' Virginia," although there are also a lot of so-so Forrest vocals. Scott Yanow
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KNUT REIERSRUD | ALE MÖLLER | ERIC BIBB | ALY BAIN | FRASER FIFIELD | TUVA SYVERTSEN | OLLE LINDER — Celtic Roots (2016) Serie : Jazz at Berlin Philharmonic — VI (2016) FLAC (tracks+.cue), lossless
An exploration of the traces left by Celtic music on its journey from European music into jazz. In "Jazz at Berlin Philharmonic," ...