Mostrando postagens com marcador Harlem River Drive. Mostrar todas as postagens
Mostrando postagens com marcador Harlem River Drive. Mostrar todas as postagens

27.5.21

HARLEM RIVER DRIVE - Harlem River Drive (1971-2005) RM / APE (image+.cue), lossless

The reason this record is "legendary" is because it marks the first recorded performances, in 1970, of Eddie and Charlie Palmieri as bandleaders. The reason it should be a near mythical recording (it has never been available in the U.S. on CD, and was long out of print on LP before CDs made the scene), is for its musical quality and innovation. The Palmieris formed a band of themselves, a couple of Latinos that included Andy Gonzales, jazz-funk great -- even then -- Bernard "Pretty" Purdie, and some white guys and taught them how to play a music that was equal parts Cuban mambo, American soul via Stax/Volt, blues, Funkadelic-style rock, pop-jazz, and harmonic and instrumental arrangements every bit as sophisticated as Burt Bacharach's or Henry Mancini's or even Stan Kenton's. One can hear in "Harlem River Drive (Theme)" and "Idle Hands" a sound akin to War's on World Is a Ghetto. Guess where War got it? "If (We Had Peace)" was even a model for Lee Oskar's "City, Country, City." And as much as War modeled their later sound on this one record, as great as they were, they never reached this peak artistically. But there's so much here: the amazing vocals (Jimmy Noonan was in this band), the multi-dimensional percussion section, the tight, brass-heavy horn section, and the spaced-out guitar and keyboard work (give a listen to "Broken Home") where vocal lines trade with a soprano saxophone and a guitar as snaky keyboards create their own mystical effect. One can bet that Chick Corea heard in Eddie's piano playing a stylistic possibility for Return to Forever's Light As a Feather and Romantic Warrior albums. The band seems endless, as if there are dozens of musicians playing seamlessly together live -- dig the percussion styling of Manny Oquendo on the cowbell and conga and the choral work of Marilyn Hirscher and Allan Taylor behind Noonan. Harlem River Drive is a classic because after 30-plus years, it still sounds as if listeners are the ones catching up to it. It's worth every dime you pay for it, so special order it today.
(This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa')
Tracklist :
1     Harlem River Drive (Theme Song) 4:11
Bass – Victor Venegas
Congas – Eladio Perez
Drums – Reggie Ferguson
Guitar – Bob Bianco
Organ – Charlie Palmieri
Timbales – Nick Marrero    

2     If (We Had Peace Today) 3:02
Bass – Gerald Jemmott
Drums – Dean Robert Pratt
Guitar – Cornell Dupree
Trombone – Bruce L. Fowler
Trumpet – Burt Collins   
 
3     Idle Hands 8:29
Bass – Gerald Jemmott
Congas – Eladio Perez
Drums – Bernard Purdy
Guitar – Cornell Dupree
Saxophone [Tenor] – Dick Meza
Timbales – Nick Marrero
Trombone – Bruce L. Fowler

4     Broken Home 10:37
Bass – Victor Venegas
Congas, Cowbell – Manny Oquendo
Drums – Nick Marrero
Guitar – Bob Bianco
Organ – Charlie Palmieri    

5     Seeds of Life 5:09
Bass – Victor Venegas
Bass [Fender] – Andy Gonzalez
Congas – Eladio Perez
Drums – Bernard Purdy
Guitar [Accompanying] – Cornell Dupree
Guitar [Lead] – Bob Mann
Saxophone [Tenor] – Dick Meza
Timbales – Manny Oquendo
Trombone – Barry Rogers
Trumpet – Randy Brecker

Credits :
Chorus – Allan Taylor, Marilyn Hirscher
Piano – Eddie Palmieri
Producer – Eddie Palmieri, Lockie Edwards
Saxophone [Soprano, Baritone] – Ronnie Cuber
Vocals – Jimmy Norman 

ANDREW CYRILLE | WADADA LEO SMITH | BILL FRISELL — Lebroba (2018) FLAC (tracks+.cue), lossless

Lebroba, Andrew Cyrille's second leader date for ECM, finds the septuagenarian rhythm explorer trading in all but guitarist Bill Frisell...