This CD is billed as a trio, but the only time Evan Parker, George
Haslam, and John Edwards perform together is during the last 14 minutes.
A one-off event, the concert they gave in Oxford on September 3, 2000,
consisted of solos and duets, plus the aforementioned trio session. It
was the first time the three of them met on-stage (for those who value
the "premiere factor"). The album opens with two solos by Haslam, one on
baritone saxophone, the other on tárogató, a Hungarian single-reed
instrument. It is followed by a soprano saxophone solo by Parker. One
can measure the distance between the two players: Haslam's round,
polished sound and jazzy inflections are miles apart from his
colleague's screechy cycles of notes (by the way, the latter released
much better solos three months earlier on Lines Burnt in Light). The
longest piece, 18 minutes, is a duet between soprano sax and double
bass. Like the concluding trio, it features interesting moments,
including good solo spots for Edwards. Nevertheless, this Parker Haslam
Edwards holds no magic moment worth placing it on your must-have list.
For all three players involved, it was a very average performance. The
shaky artwork and design (the Slam label can definitely do better) don't
help. François Couture
Tracklist :
1 Solo For Baritone Saxophone 9:41
Baritone Saxophone – George Haslam
Composed By – Haslam
2 Solo For Tarogato 5:18
Composed By – Haslam
Tárogató – George Haslam
3 Solo For Soprano Saxophone 15:01
Composed By – Parker
Soprano Saxophone – Evan Parker
4 Solo For Double Bass 10:33
Composed By – Edwards
Double Bass – John Edwards
5 Duet For Saxophone And Bass 18:18
Composed By – Parker, Edwards
Double Bass – John Edwards
Tenor Saxophone – Evan Parker
6 Trio For Two Saxophones And Bass 14:10
Baritone Saxophone – George Haslam
Composed By – Parker, Haslam, Edwards
Double Bass – John Edwards
Soprano Saxophone – Evan Parker 
