WILLIE "THE LION" SMITH – 1944-1949 | The Chronogical Classics – 1229 (2002) FLAC (tracks+.cue), lossless

Willie "The Lion" Smith had a career that was somewhat sporadically documented in phonograph records. Living almost until the age of 80, he waxed a fair number of piano solos over many decades and sat in from time to time here and there, but only occasionally led his own bands. The solos greatly outnumber his ensemble recordings, and so it is always interesting to hear this pianist operating as part of a group. On September 29, 1944, a sextet calling itself the Lion's Band cut four sides for the small-time Black & White label in New York. Trumpeter Max Kaminsky, clarinetist Rod Cless, and trombonist Frank Orchard made for a strong front line, perfect for Kid Ory's "Muskrat Ramble" and "Bugle Call Rag." Smith sang on his own sentimental composition, "How Could You Put Me Down." Sounding a bit plaintive but not unpleasant, he was already ripening into the old man who would be heard singing and playing for the patrons of Blues Alley on two albums brought out by the Chiaroscuro label many years later. The odd tune here is "Let's Mop It," a somewhat forced bit of hipness based on the famous lick from Dizzy Gillespie's "Salt Peanuts." With the exception of "Woodland Fantasy," a pleasant piano solo left over from a Moses Asch recording project, the rest of the material on this disc was recorded in Paris during December of 1949. There are 14 piano solos covering a good sampling of Smith's catalog of original compositions, along with a few standards and a pair of shouts by his old companion James P. Johnson: "Charleston" and "Carolina Shout." Smith's reflective blue reverie "I'm Gonna Ride the Rest of the Way" is particularly satisfying. As a sort of epilogue, listeners are treated to a session featuring the magnificent trumpet of Buck Clayton in the company of a rather reedy-sounding Claude Luter, who does his best to emulate his hero, Sidney Bechet. This little band's version of "Nagasaki" is especially delightful, as Willie strides up and down the piano while chuckling, grumbling, and shouting with joy. arwulf arwulf  
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WINGY MANONE – 1944-1946 | The Classics Chronological Series – 1412 (2006) FLAC (tracks+.cue), lossless

Volume eight in the Classics complete chronologically reissued recordings of Wingy Manone documents the singing trumpeter's recording activity during a time period extending from July 1944 to March 1946. Manone, a hard-swinging, husky voiced hipster with New Orleans roots, is at his best on a very funny rendition of "O Sole Mio," the rather libidinous "Where Can I Find a Cherry (For My Banana Split)?" and Slim Gaillard's "Cement Mixer," which Wingy makes sound like it was written expressly for him. Of all the instrumentalists who participated in these recordings, it is the clarinetists who seem to be pointing in a futuristic direction; not so much the merry Matty Matlock but rather Joe Marsala and Hank D'Amico, traditionally based individuals who were in the process of branching out onto adventuresome and distinctly modern stylistic turf. In addition to Wingy (and certain rather overbearing bandmembers whose chatty outbursts clutter up an otherwise enjoyable "Salt Pork West Virginia"), vocals are by Kay Starr and Kay Kyser's Gloria Wood. arwulf arwulf
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