ETHAN IVERSON | LEE KONITZ | LARRY GRENADIER | JORGE ROSSY - Costumes Are Mandatory (2013) FLAC (tracks+.cue), lossless

In his liner notes to Costumes Are Mandatory, pianist Ethan Iverson states plainly that this recording documents "the four of us in dialog with the Tristano school." That dialogue includes argument. Alto saxophonist Lee Konitz, of course, comes directly from that school; Lennie was his mentor. At 85, Konitz is one of the music's most iconic and constant improvisers and he shines here. Of these 14 cuts, eight feature him and Iverson, with bassist Larry Grenadier and drummer Jorge Rossy -- the rhythm section of Brad Mehldau's trio. The rest are trios, solos, or duets. There are numerous surprises, including two versions of Iverson's "Blueberry Ice Cream." It's a blues and Konitz doesn't usually play them. But it's where he came from -- he was a vocalist in a jump band originally, and the pianist composed it with that in mind. Grenadier's walking bassline establishes the 12-bar notion, and Iverson begins a harmonic inquiry into Tristano, while Konitz moves right into the middle of the blues with that airy, dry tone of his, speaking sparely yet insistently. "Try a Little Tenderness" is a set watermark, commencing with a ghostly piano intro that touches on gospel, allowing the hint of the melody in impressionistically before bringing it in wholesale. Konitz uses a mute on the first chorus. When the rhythm section enters behind him, he dumps it and stretches the lyric to the edge, while never losing its languid beauty. Iverson overdubs his piano, solo, on an intro version of Konitz's "It's You," in homage to Tristano's examples from the 1950s, before the band plays their own. On the latter, Iverson directly opposes Lennie by channeling Thelonious Monk -- his least favorite pianist. Grenadier's walking bassline keeps the track anchored as Rossy plays another Lennie no-no: a busy syncopated cadence, much freer than the original. Konitz also extrapolates on the lyric and makes it elastic, deconstructing it in his solo. Another gem is the alto and bass duet on "Body and Soul," which is full of deep dulcet tones by both players as they move through, around, and inside the lyric almost symbiotically. Iverson attempted in vain to get Konitz to play on the R&B standard "Blueberry Hill." But the way the pianist pulls apart the harmony beginning with the second chorus is remarkable for being simultaneously knotty and elegant. No dialogue with Tristano would be complete without a reading of Konitz's "317 East 32nd." Iverson claims the saxophonist agreed to play it grudgingly, but it is a compelling encounter nonetheless. The pianist approaches the harmonics from the back end, while the saxophonist inverts his own ideas of its lyric -- only touching on the head at the end -- and Rossy's skittering cymbals almost strut against Grenadier's walk. Costumes Are Mandatory is anything but a conventional recording: these players communicate, inquire, and argue with one another as much as they do Tristano and seem to delight in the process, which is a reward for any jazz listener.
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Tracklist :
1    Blueberry Ice Cream Take 2 3:23
Written-By – E. Iverson
2    Try A Little Tenderness 7:03
Written-By – H. Woods, J. Campbell, R. Connelly
3    It's You (Tempo Complex) 1:05
Written-By – L. Konitz
4    It's You 4:54
Written-By – L. Konitz
5    What's New 5:33
Written-By – B. Haggart
6    317 East 32nd 4:47
Written-By – L. Konitz
7    Body And Soul 5:49
Written-By – E. Heyman, F. Eyton, J. Green, R. Sour
8    Blueberry Hill 4:42
Written-By – A. Lewis, L. Stock, V. Rose
9    A Distant Bell 2:01
Written-By – E. Iverson
10    Bats 2:12
Written-By – E. Iverson
11    Mr. Bumi 1:19
Written-By – E. Iverson
12    My New Lovers All Seem So Tame 2:36
Written-By – E. Iverson
13    My Old Flame 7:04
Written-By – A. Johnston, S. Coslow
14    Blueberry Ice Cream Take 1 3:24
Written-By – E. Iverson
Credits :
Alto Saxophone – Lee Konitz
Bass – Larry Grenadier
Drums – Jorge Rossy
Piano, Producer – Ethan Iverson
Vocals – Lee Konitz (pistas: 13) 

MARK TURNER | ETHAN IVERSON - Temporary Kings (2018) FLAC (tracks+.cue), lossless

With Temporary Kings two of the most distinct voices on today’s jazz scene present their debut on record as a duo: Engaging in inspired dialogue Mark Turner and Ethan Iverson here explore aesthetic common ground in the atmosphere of a modernist chamber music-like setting at the Auditorio Stelio Molo RSI, Lugano. The saxophonist and the pianist had begun their association in the Billy Hart Quartet, where the two players featured sympathetically on two ECM albums by that band. The new duo album now contains six originals by Iverson (among them the nostalgic solo tune “Yesterday’s Bouquet”) and two by Turner (including “Myron’s World,” which has acquired near-classic status among contemporary jazz players). There’s an off-kilter blues (“Unclaimed Freight”) and a strikingly melodic, almost Ravelian opening track dedicated to the town where the album was recorded under ideal sonic conditions (“Lugano”), plus an interpretation of Warne Marsh’s playfully serpentine “Dixie’s Dilemma.” ecm
Tracklist :
1    Lugano 5'00
(Ethan Iverson)
2    Temporary Kings 5'04
(Ethan Iverson)
3    Turner?s Chamber of Unlikely Delights 5'54
(Ethan Iverson)
4    Dixie?s Dilemma 6'00
(Warne Marsh)
5    Yesterday?s Bouquet 4'44
(Ethan Iverson)
6    Unclaimed Freight 6'49
(Ethan Iverson)
7    Myron?s World 7'15
(Mark Turner)
8    Third Familiar 4'24
(Ethan Iverson)
9    Seven Points 7'54
(Mark Turner)
Credits :
 Mark Turner   Tenor Saxophone
Ethan Iverson   Piano