Mostrando postagens com marcador Esoteric Reactive. Mostrar todas as postagens
Mostrando postagens com marcador Esoteric Reactive. Mostrar todas as postagens

1.9.25

OUT OF FOCUS — Wake Up! (1971-2010) RM | Two Version | APE + FLAC (image+.tracks+.cue), lossless

Focus' first album does an interesting take on jazz- and blues-inflected progressive rock, with a peculiar German twist on music similar to British prog like Traffic, Jethro Tull, and Gravy Train. The crack rhythm section propels the music along on repetitive but unusual funk grooves over which guitar, organ, and flute riff and take turns soloing. Though more song-oriented than later efforts by the group, there are plenty of long instrumental passages with some classic heavy psychedelic guitar burn-up as well as chunky organ chords and airy flute flights to give the music plenty of texture. Moran Neumuller's gruff voice and awkward English may turn off some listeners, though the dark humor of his lyrics on tracks like "God Save the Queen, Cried Jesus" show a group who's political without getting stuck in the rut of their own dogma. For many bands, a record as good as Wake Up would be a worthy culmination of effort, though with Out of Focus it was only their launch pad as they continued onward and outward with even better subsequent releases. Rolf Semprebon
Tracklist :
1    See How A White Negro Flies    5:49
2    God Save The Queen, Cried Jesus    7:31
3    Hey John    9:39
4    No Name    3:07
5    World's End    9:56
6    Dark, Darker    11:40
Credits :
Bass – Stephan Wisheu
Composed By [All Compositions], Arranged By [Arrangements], Written-By – Out Of Focus
Drums – Klaus Spöri
Guitar – Remigius Drechsler
Organ, Piano – Hennes Hering
Saxophone, Flute, Lead Vocals [Lead Vocal] – Moran Neumüller

30.8.25

OUT OF FOCUS — Four Letter Monday Afternoon (1972-1992) RM | 2xCD | Two Version | FLAC (image+.tracks+.cue), lossless

Out of Focus' third album was their magnum opus, where all the stops are pulled out and the group, with the addition of a horn section and bongos, was at their most inventive. As a natural progression from the earlier two records, Four Letter Monday Afternoon has even longer instrumental sections, as well as far more variety. The double album opens with the sidelong track "L.S.B.," which is either a misspelling of LSD or stands for "Love S Burning." This track starts off with an imposing martial beat before evolving into a more typical funk groove with over-the-top brass, before this collapses into a brief bit of free jazz and explosions, then a pastoral flute solo, and then more of the powerfully swinging jazz-rock. "Tsajama" goes more in a Magma direction, with weird vocal chanting and an intense bass-driven sound, whereas "Black Cards" is more wistful, with bleak lyrics and haunted flute. Of the only two short tracks, "Where Have You Been" is a bitter folk song, with a far more sparse instrumentation of acoustic guitar and not much else, and the CD bonus cut, "When I'm Sleeping," is the only slightly conventional song on the album. The second CD (sides three and four of the original album) contains the three parts of a single piece, "Huchen 55," each segued to the next by a multi-tracked flute solo. This mostly instrumental improvisation is all over the place as the group gets even more free-form than usual. Though the less-focused "Huchen 55" is not quite as strong as much of the material on the first disc, it is still a compelling piece with some fascinating parts. Four Letter Monday Afternoon was an ambitious project and it succeeds wonderfully. Rolf Semprebon
Tracklist 1 :
1    L.S.B.    17:37
2    When I'm Sleeping    4:04
3    Tsajama    9:23
4    Black Cards    9:38
5    Where Have You Been    5:35
Tracklist 2 :
1    Huchen 55, A    9:19
2    Huchen 55, B    14:32
3    Huchen 55, C    24:18
Credits :
Acoustic Guitar [A-Gitarre], Backing Vocals [Begleitgesang] – Peter Dechant
Baritone Saxophone [Bariton-], Alto Saxophone – Ingo Schmid-Neuhaus
Bass Guitar – Stepen Wisheu
Bongos [Bangos] – Grand Roman Langhans
Composed By, Arranged By, Producer [Produziert Von] – Out Of Focus
Drums – Klaus Spöri
Electric Guitar [E-Gitarre], Acoustic Guitar [A-Gitarre], Stylophone [Stylophon], Backing Vocals [Begleitgesang], Concert Flute [Querflöte], Tenor Saxophone, Recorder – Remigius Drechsler
Organ – Michael Thatcher
Organ, Piano – Hennes Hering
Soprano Saxophone, Vocals – Moran Neumüller
Trombone [Posaune] – Hermann Breuer
Trumpet – Jimmy Polivka

PANKO — Weil es so schön perlt (1971-2014) Two Version | FLAC (image+.tracks+.cue), lossless

Panko from West Berlin - not to be confused with the much later GDR band Pankow - are somewhat reminiscent of Xhol Caravan or the early Emb...