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Mostrando postagens com marcador Catalyst. Mostrar todas as postagens

9.5.20

CATALYST - The Complete Recordings Vol. 1 (2010) FLAC (image+.cue), lossless

It may be somewhat misleading to call Catalyst a fusion group, since that implies a rock element to the sound, and unlike such contemporaries as Mahavishnu Orchestra and Return to Forever, the Philadelphia-based band rarely incorporated overt rock influences, unless you want to count the use of electric instruments. Rather, their style was a free-form-leaning brand of jazz whose expansiveness was in keeping with the spirit of the era (early to mid-‘70s). Though they never found much success outside of the Philly scene, Catalyst made four influential albums, which were first gathered together for reissue in 1999 under the appropriate title The Funkiest Band You Never Heard. Over a decade later, these sessions see the light of day once more in Porter Records' two-volume set The Complete Recordings. Though Catalyst didn't achieve much success, a number of bandmembers became renowned in their own right, like saxman Odean Pope, who went on to play with Max Roach, but one of the real standouts on the self-titled 1972 album making up the first half of The Complete Recordings, Vol. 1 is bassist Alphonso Johnson. He would soon join Weather Report, and spends much of the album tossing out percolating, percussive flurries that keep the often funky grooves fired up, though Ron Baker and Anthony Jackson sit in on a couple of cuts. "Ain't It the Truth" is the kind of jazzy, early-‘70s funk track you could easily imagine as part of a blaxploitation film soundtrack, while "East" is a modal, Coltrane-ish piece with Eastern flavoring, and the open-ended, hard-grooving "Jabali" finds Johnson and electric pianist Eddie Green truly tearing things up. The poignantly melodic midtempo "New-Found Truths" is the closest thing to a ballad, not counting the minute-and-a-half atmospheric closer, "Salaam." By the time Catalyst released Perception later that same year, Tyrone Brown had taken over for Johnson, which may be part of the reason the second half of Vol. 1 bears slightly less rhythmic intensity. There also seems to be a bit more of an attempt to appeal to the mainstream, with two short melodic numbers that almost verge on smooth jazz. The extended workouts of the title track and "Celestial Bodies," however, more than make up for such transgressions, with Green, Pope, and company putting the pedal to the floor in no uncertain terms. James Allen   
Tracklist:
From The Album "Catalyst"
1 Ain't It The Truth 2:41
Bass – Ron Baker
Drums – Sherman Ferguson
Guitar – Norman Harris
Piano, Vocals – Eddie Green  
Written-By – E. Green 
2 East 7:59
Bass – Al Johnson 
Drums, Percussion – Sherman Ferguson
Electric Piano [Fender Rhodes], Vocals – Eddie Green  
Instruments [Poppy Pod] – Skip Drinkwater
Oboe – Odean Pope
Vocals – Morris Bailey
Written-By – T. Brown 
3 Catalyst Is Coming 8:13
Bass – Anthony Jackson
Drums – Sherman Ferguson
Electric Piano [Fender Rhodes], Vocals – Eddie Green  
Tenor Saxophone, Flute – Odean Pope
Written-By – E. Green 
4 Jabali 8:36
Bass – Al Johnson 
Drums – Sherman Ferguson
Electric Piano [Fender Rhodes], Vocals – Eddie Green 
Tenor Saxophone – Odean Pope
Written-By – S. Ferguson 
5 New-Found Truths 5:28
Bass – Anthony Jackson
Drums, Percussion – Sherman Ferguson
Electric Piano [Fender Rhodes] – Eddie Green 
Instruments [Poppy Pod] – Skip Drinkwater
Written-By – E. Green 
6 Salaam 1:38
Bass – Al Johnson 
Electric Piano [Fender Rhodes] – Eddie Green  
Flute – Odean Pope
Percussion – Sherman Ferguson
Written-By – E. Green 
From The Album "Perception"
7 Perception 14:32
Written-By – E. Green 
8 Uzuri 2:59
Written-By – T. Brown 
9 Celestial Bodies 8:47
Written-By – O. Pope 
10 Ile Ife 6:22
Written-By – O. Pope 
11 Got To Be There 2:44
Written-By – D. Willensky 
12 Jabali (Demo Recording) 5:34
Credits:
Bass – Anthony Jackson (tracks: 11)
Bass [Fender] – Zuri Tyrone Brown (tracks: 7 to 11)
Congas – Larry Washington (tracks: 11)
Congas, Percussion – Farel Johnson (tracks: 7 to 11)
Drums, Percussion – Onaje Sherman Ferguson (tracks: 7 to 11)
Electric Piano – Sanifu Eddie Green (tracks: 7 to 11)
Guitar – Norman Harris (tracks: 7 to 11)
Percussion – Jabali Billy Hart (tracks: 7 to 11)
Synthesizer [Arp] – Pat Gleason (tracks: 7 to 11)
Tenor Saxophone, Flute – Nwalinu Odean Pope (tracks: 7 to 11)

CATALYST - The Complete Recordings Vol. 2 (2010) FLAC (image+.cue), lossless

On Complete Recordings, Vol. 2 -- the second disc in the complete discography of unsung-but-seminal Philadelphia jazz-funk outfit Catalyst, the band seems to have gotten attempt to court commercialism out of their system. Whether they decided that selling out doesn't work if nobody's buying, or simply felt uncomfortable moving in a mainstream direction, there's a greater feeling of experimentation on Catalyst's 1974 album, Unity, which occupies the first half of Vol. 2. At this point, the band began working with a wider sonic palette than before, both in terms of tonal colors and guest musicians bringing different flavors to the proceedings. Good use is made of Unity's extended guest list; for instance, the eerie violins on "Athene" create an unexpected, haunting atmosphere, and when fiddler John Blair steps out for an incendiary solo, it ups the intensity of the track considerably. Original bassist Alphonso Johnson, by that time a member of Weather Report, pops up on "A Country Song" to make for a two-man bass section alongside Tyrone Brown, with one man holding down the bottom and the other playing guitar-like, fuzztone lead lines. Even Skip Drinkwater's production proves to be more adventurous, and his judicious addition of effects, like flanging and wah-wah, serve to open up the sound even further. The second half of Vol. 2 contains Catalyst's 1975 swan song, Tear and a Smile, which was the most ambitious of the group's four albums. It was also the closest to full-fledged fusion -- as opposed to jazz-funk -- with keyboardist Eddie Green making extensive use of synthesizer for the first time, more vocals popping up in the arrangements, and Tyrone Brown digging into a funkier, more wah-wah-heavy sound. Plainly, the band still packed plenty of punch by the end of their career, but history had other plans for them. James Allen  
Tracklist:
1 A Country Song 6:13
Written-By – E. Green, S. Ferguson
2 Little Miss Lady 4:48
Written-By – E. Green 
3 Maze 5:22
Written-By – E. Green 
4 Athene 5:26
Written-By – T. Brown 
5 Mail Order 9:12
Written-By – O. Pope 
6 Shorter Street 3:52
Written-By – E. Green 
7 The Demon Pt. 1 4:13
Written-By – E. Green, S. Ferguson 
8 The Demon Pt. 2 3:10
Written-By – E. Green, S. Ferguson 
9 A Tear And A Smile 4:36
Written-By – S. Ferguson 
10 Fifty Second Street Boogie Down 3:59
Written-By – S. Ferguson 
11 Suite For Albeniz 6:13
Written-By – T. Brown 
12 A Prayer Dance 5:55
Written-By – E. Green, M. Bailey 
13 Bahia 6:11
Written-By – F. Johnson, S. Ferguson
Credits:
Bass – Alphonso Johnson (tracks: 1)
Bass [Fender] – Zuri Tyrone Brown (tracks: 1 to 6)
Cello – Michael Peebles (tracks: 11)
Chanter, Percussion – Farel Johnson (tracks: 7 to 13)
Clarinet, Flute – George Taylor (tracks: 11)
Drums – Jabali Billy Hart (tracks: 4)
Drums, Marimba, Percussion – Sherman Ferguson (tracks: 7 to 13)
Drums, Percussion – Onaje Sherman Ferguson (tracks: 1 to 6)
Electric Bass, Double Bass [Acoustic Bass] – Tyrone Brown (tracks: 7 to 13)
Electric Guitar – Charles Ellerbe (tracks: 7 to 13)
Electric Piano, Percussion – Sanifu Eddie Green (tracks: 1 to 6)
Electric Piano, Piano [Acoustic], Synthesizer [Moog] – Eddie Green (tracks: 7 to 13)
Flute – Connie Hamilton (tracks: 4), Shirley Byrne Brown (tracks: 11), Shirley Bryne Brown (tracks: 4)
Flute [Alto], Flute – Steve Tanzer (tracks: 11)
Flute, Piccolo Flute – Steve Tanzer (tracks: 4)
Percussion – Jabali Billy Hart (tracks: 1, 5)
Soloist [Flute] – Nwalinu Odean Pope (tracks: 4)
Tenor Saxophone, Flute – Nwalinu Odean Pope (tracks: 1 to 6)
Tenor Saxophone, Flute, Flute [Alto] – Odean Pope (tracks: 7 to 13)
Viola – Aliza Appel (tracks: 11)
Violin – Gail Murdaugh (tracks: 4)
Violin, Soloist – John Blake (tracks: 4, 11)
Vocals – Eddie Green (tracks: 8), Sharon Scott (tracks: 7 to 13)

NILS LANDGREN FUNK UNIT — Paint It Blue 'A Tribute To Cannonball Adderley (1996) FLAC (image+.cue), lossless

One of trombonist Nils Landgren's early inspirations was Cannonball Adderley's group. Paint It Blue is dedicated to Adderley with La...