CASSANDRA WILSON — New Moon Daughter (1996) Two Version (BN – CDP 7243 8 US + BN – TOCJ-5996 JP) FLAC (tracks+.cue), lossless

Singer Cassandra Wilson, who has had a rather diverse career that has ranged from the free funk of M-Base to standards à la Betty Carter, has in recent times adopted a folk-oriented style a little reminiscent of Nina Simone. On New Moon Daughter her repertoire ranges from U2 to Son House, from Hoagy Carmichael to Hank Williams ("I'm So Lonesome I Could Cry"); it is certainly the only album ever that contains both the Monkees' "Last Train to Clarksville" and "Strange Fruit." This CD is a surprise best-seller, for Wilson's voice actually sounds quite bored and emotionally detached. She deserves great credit for stretching herself, but one has to dig deep to find any warmth in her overly cool approach. Scott Yanow
Tracklist :
1.    Strange Fruit 5:33
Bass – Lonnie Plaxico
Cornet – Graham Haynes
Resonator Guitar [Resophonic Guitar] – Chris Whitley
Vocals – Cassandra Wilson
Written-By – Lewis Allan
2.    Love Is Blindness 4:53
Acoustic Guitar, Guitar [Octave] – Brandon Ross
Acoustic Guitar, Resonator Guitar [Resophonic Guitar] – Kevin Breit
Bass – Lonnie Plaxico
Cornet – Lawrence "Butch" Morris
Tom Tom [Floor Tom] – Dougie Bowne
Vocals – Cassandra Wilson
Written-By – U2
3.    Solomon Sang 5:56
Acoustic Guitar – Brandon Ross
Acoustic Guitar, Resonator Guitar [Resophonic Guitar] – Kevin Breit
Drums – Dougie Bowne
Percussion – Cyro Baptista
Written-By, Vocals – Cassandra Wilson
4.    Death Letter 4:12
Acoustic Guitar – Brandon Ross
Banjo [Tenor], Electric Guitar – Kevin Breit
Bass – Mark Anthony Peterson
Drums, Percussion – Dougie Bowne
Jew's Harp, Percussion – Cyro Baptista
Vocals – Cassandra Wilson
Written-By – Son House
5.    Skylark 4:08
Bass – Lonnie Plaxico
Drums – Dougie Bowne
Pedal Steel Guitar – Gib Wharton
Vocals – Cassandra Wilson
Written-By – Hoagy Carmichael
6.    Find Him 4:37
Bass – Lonnie Plaxico
Guitar [Octave] – Brandon Ross
Written-By, Vocals, Acoustic Guitar – Cassandra Wilson
7.    I'm So Lonesome I Could Cry 4:50
Acoustic Guitar – Brandon Ross
Bass – Lonnie Plaxico
Bouzouki [Irish Bozouki] – Kevin Breit
Drums – Dougie Bowne
Violin – Charlie Burnham
Vocals – Cassandra Wilson
Written-By – Hank Williams
8.    Last Train To Clarksville 5:15
Acoustic Guitar – Brandon Ross
Bass – Lonnie Plaxico
Drums, Vibraphone [Vibes] – Dougie Bowne
Electric Guitar – Kevin Breit
Vocals – Cassandra Wilson
Written-By – Tommy Boyce, Bobby Hart
9.    Until 6:29
Accordion – Tony Cedras
Acoustic Guitar, Guitar [Octave] – Brandon Ross
Bass – Lonnie Plaxico
Bongos – Jeff Haynes
Shaker [s] – Cyro Baptista
Written-By, Vocals – Cassandra Wilson
10.    A Little Warm Death 5:43
Acoustic Guitar – Brandon Ross
Percussion – Cyro Baptista, Jeff Haynes
Violin – Charlie Burnham
Written-By, Vocals – Cassandra Wilson
11.    Memphis 5:04
Bass – Lonnie Plaxico
Electric Guitar [Lead] – Kevin Breit
Electric Guitar [Rhythm] – Brandon Ross
Organ [Hammond B3] – Gary Breit
Percussion – Cyro Baptista
Written-By, Vocals – Cassandra Wilson
12.    Harvest Moon 5:01
Acoustic Guitar – Brandon Ross
Backing Vocals [Background Vocals] – The Peepers
Bass – Mark Anthony Peterson
Percussion – Cyro Baptista
Resonator Guitar [Resophonic Guitar] – Kevin Breit
Vocals – Cassandra Wilson
Whistling, Other [Lampshades] – Dougie Bowne
Written-By – Neil Young

CHARLIE HADEN QUARTET WEST — Sophisticated Ladies (2010) FLAC (tracks+.cue) lossless

Bassist extraordinaire Charlie Haden has always prized diversity in his music, whether reaching for the outer limits with Ornette Coleman a half-century ago, leading his own experimental Liberation Music Orchestra or, in 2008, celebrating his roots in what's now called Americana onRambling Boy, a Grammy-nominated album that featured contributions from Elvis Costello, Béla Fleck, and others. As they mark their 25th year together, Haden's Quartet West -- not so much a side trip at this point as a comfy base to occasionally return to -- offers up Sophisticated Ladies, a collection split between collaborations with superstar female vocalists and rich instrumentals, nearly all of it heavily orchestrated. The set expands upon the concept Haden first explored in 1999 on The Art of the Song, which utilized vocalists Shirley Horn and Bill Henderson on various film songs and standards. This time, with tenor saxophonist Ernie Watts, pianist/arranger Alan Broadbent (both mainstays of the quartet), and drummer Rodney Green, Haden goes for a lush, all-embracing sound that suggests a warm, cozy mood that reflects a time -- which may or may not ever have existed -- when life was much less hectic. The recording largely pays tribute to the romantic balladry of the mid-20th century, and Haden's choices of both material and guest artists allow him to bring that concept to fruition gloriously. Diana Krall, leading the back-to-back "Goodbye" and "Wahoo," closes out the album: the first is a whispery take on the Gordon Jenkins number that served as Benny Goodman's theme song, and the latter an uptempo swinger written by Benny Harris. Norah Jones was a natural pick for a set that values classiness and sensuality, and her "Ill Wind," penned by Harold Arlen and Ted Koehler and arranged by Haden, exudes a smoky nightclub ambience, Broadbent's piano lending a blues touch to Jones' soothing delivery. Cassandra Wilson is another inspired pick, and her interpretation of Johnny Mercer's "My Love and I," bathed in strings and elegance, is a highlight of the set. The album's other vocal performances -- by Melody Gardot, Renée Fleming, and Ruth Cameron -- are also memorable, but not to be overlooked are the non-vocal tracks. Hank Jones' bluesy "Angel Face" is simultaneously sweet and melancholy, while Steve Khun's fiery "Today I Am a Man" is the swingingest number here. And of course, Haden couldn't very well title his album Sophisticated Ladies without including Duke Ellington's "Sophisticated Lady," which matches Watts' bold saxophone licks to another luxuriant orchestration. Sophisticated Ladies does fall just short at times of mimicking a brand of saccharine faux-post-big-band jazz that flourished in the '50s and early '60s, but Haden and his team are too masterful to allow their tribute to lose its stylishness and, of course, its sophistication. Jeff Tamarkin
Tracklist :
1. If I'm Lucky - 5:40
Vocals [Vocal] – Melody Gardot
Written-By – Eddie De Lange, Josef Myrow
2. Sophisticated Lady - 4:29
Written-By – Duke Ellington, Irving Mills, Mitchell Parish
3. Ill Wind - 4:25
Arranged By – Charlie Haden
Vocals [Vocal] – Norah Jones
Written-By – Harold Arlen, Ted Koehler
4. Today I Am A Man - 5:23
Arranged By – Charlie Haden
Written-By – Steve Khun
5. My Love And I - 4:14
Vocals - Cassandra Wilson
Written-By – David Raksin, Johnny Mercer
6. Theme From 'Markham' - 4:40
Written-By – Stanley Wilson
7. Let's Call It A Day - 5:52
Vocals - Ruth Cameron
Written-By – Lew Brown, Ray Henderson
8. Angel Face - 4:09
Written-By – Hank Jones
9. A Love Like This - 5:13
 Vocals - Renée Fleming
Written-By – Ned Washington, Victor Young
10. My Old Flame - 5:35
Arranged By – Charlie Haden
Written-By – Arthur Johnston, Sam Coslow
11. Goodbye - 5:49
 Vocals - Diana Krall
Written-By – Gordon Jenkins
12. Wahoo - 4:53
Arranged By – Charlie Haden
Written-By – Bennie Harris
Credits
Arranged By [Quartet Arrangements By] – Charlie Haden
Arranged By [String Orchestra Arranged By], Conductor [String Orchestra Conducted By] – Alan Broadbent
Band – Charlie Haden Quartet West
Contractor [String Contractor: String Orchestra Los Angeles, May 20th and 21st, 2010, Capitol Studios] – Marcy Vaj
Contractor [String Contractor: String Orchestra New York, June 4th 2010, Avatar Studios] – Jill Dell'Abate
Double Bass – Charlie Haden
Drums – Rodney Green
Featuring – Cassandra Wilson, Diana Krall, Melody Gardot, Norah Jones, Renée Fleming, Ruth Cameron
Musician [String Orchestra Los Angeles], Cello – Elizabeth Wright, Jodi Burnett, Tim Loo
Musician [String Orchestra Los Angeles], Cello [Principal] – Steve Richards
Musician [String Orchestra Los Angeles], Viola – Margot Aldcroft, Robert Berg, Susanna Giordano
Musician [String Orchestra Los Angeles], Viola [Principal] – Karen Elaine
Musician [String Orchestra Los Angeles], Violin – Adriana Zoppo, Anatoly Fosinsky, Cameron Patrick, Eric Gorfain, Kevin Kumar, Kirsten Fife, Maria Newman, Marina Manukian, Michael Ferril, Pam Gates, Ruth Buegger Johnson*, Susan Chatman
Musician [String Orchestra Los Angeles], Violin [Principal] – Margaret Wooten
Musician [String Orchestra Los Angeles], Violin, Concertmaster – Marcy Vaj
Musician [String Orchestra New York], Cello – Diane Barere, Ellen Westerman, Jeanne Leblanc, Jerry Grossman
Musician [String Orchestra New York], Viola – Dov Scheindlin, Karen Dreyfus, Todd Low, Vincent Lionti
Musician [String Orchestra New York], Violin – Avril Brown, Cecelia Hobbs Gardner, Hae Young Ham, Jonathan Dinklage, Joyce Hammann, Karen Karlsrud, Katherine Fong, Katherine Livolsi*, Laura McGinniss, Narciso Figueroa, Una Tone, Yuilo Kamakari, Yuri Vodovoz
Musician [String Orchestra New York], Violin, Concertmaster – Elena Barere
Piano – Alan Broadbent
Tenor Saxophone – Ernie Watts

DANILO PÉREZ — Across The Crystal Sea (Arranged & Conducted by Claus Ogerman) (2008) FLAC (image+.cue), lossless

Many jazz pianists desire to record with strings at least one time in their careers. Unfortunately, this frequently causes them to play a bit too conservatively, while the strings overwhelm the release. Such is the case on this CD by pianist Danilo Perez with arrangements by Claus Ogerman (who previously worked on recording projects with Bill Evans and Oscar Peterson, among others). The jazz group, which includes bassist Christian McBride, drummer Lewis Nash, and percussionist Luis Quintero, plays acceptably but they clearly are having to rein in too much in deference to the strings. One wonders how Perez has top billing when hearing "Lazy Afternoon," as the piece is nearly two-thirds over by the time he and his group make their entrance, though vocalist Cassandra Wilson shines in the dreamy setting. She also appears in "(All of a Sudden) My Heart Sings," a neglected gem from decades ago; fortunately, Perez isn't shunted aside by the strings in this chart. Ogerman's originals, many of which are derived from themes by classical composers Rachmaninov, Sibelius, Massenet, and others, frankly aren't memorable at all. Skip this disappointing release. Ken Dryden  
Tracklist :
1    Across The Crystal Sea    7:13
Claus Ogerman
2    Rays And Shadows    4:41
Claus Ogerman
3    Lazy Afternoon    6:39
John Latouche / Jerome Moross
4    The Purple Condor    8:41
Claus Ogerman
5    If I Forget You    5:39
Claus Ogerman
6    (All Of A Sudden) My Heart Sings    7:44
Henri Herpin / Harold Rome
7    The Saga Of Rita Joe    7:39
Claus Ogerman
8    Another Autumn    9:28
Claus Ogerman
Credits :
Bass – Christian McBride
Concertmaster – Bruce Dukov
Conductor, Arranged By – Claus Ogerman
Drums – Lewis Nash
Percussion – Luis Quintero
Piano – Danilo Perez
Vocals – Cassandra Wilson (pistas: 3, 6)

CASSANDRA WILSON — Traveling Miles (1999) FLAC (tracks+.cue), lossless

A tribute album by Cassandra Wilson to Miles Davis seems like a very logical idea, but this CD is actually less than one would expect. Wilson's deep voice gives a downbeat feel to the music, her lyrics for such Davis-associated songs as "Miles Runs the Voodoo Down," "Seven Steps to Heaven," "ESP," "Tutu," and "Blue in Green" are forgettable, and her interpretations smooth down most of the melodies, robbing them of their personality. Cyndi Lauper's "Time After Time" and "Someday My Prince Will Come" fare better, but most of the set (which includes three unrelated originals) is as boring as Cassandra Wilson's voice. Despite the presence of some notable all-stars (including Steve Coleman, Stefon Harris, Regina Carter, and Pat Metheny), this is a misfire. Scott Yanow

Tracklist :

1. Run the Voodoo Down – 4:36 

(Miles Davis, Cassandra Wilson) 

2. Traveling Miles – 4:52

(Wilson) 

3. Right Here Right Now – 5:57

(Marvin Sewell, Wilson)

4. Time After Time – 4:08

(Rob Hyman, Cyndi Lauper)

5. When The Sun Goes Down – 6:05

(Wilson)

6. Seven Steps" – 6:44

(Victor Feldman, Davis) 

7. Someday My Prince Will Come – 3:53

(Frank Churchill, Larry Morey) 

8. Never Broken – 5:13

 (Wayne Shorter, Wilson)

9. Resurrection Blues (Tutu) – 6:11 

(Marcus Miller, Wilson) 

10. Sky & Sea (Blue in Green) – 5:24 

 (Davis, Wilson) 

11. Piper – 5:03

 (Wilson) 

12. Voodoo Reprise – 4:15.

(Davis, Wilson, Angelique Kidjo)

Credits :

Cassandra Wilson – vocals, acoustic guitar

Doug Wamble – acoustic guitar

Eric Lewis – piano

Jeffrey Haynes, Kevin Breit – acoustic, electric, resophonic & e-bow guitars, electric mandolin, mandocello, bazouki

Lonnie Plaxico – acoustic bass

Marcus Baylor – drums, percussion

Marvin Sewell – acoustic, classical & electric guitars, bazouki

Mino Cinelu – percussion

Perry Wilson – drums

Vincent Henry – harmonica

Dave Holland – bass

Olu Dara – cornet

Steve Coleman – alto sax

Pat Metheny – classical guitar

Angelique Kidjo – vocals

Regina Carter – violin

Stefon Harris – vibraphone