HOT LIPS PAGE – 1946-1950 | The Chronogical Classics – 1199 (2001) FLAC (tracks+.cue), lossless

 The bebop era may have been raging during the period covered by this CD, but trumpeter-singer Hot Lips Page stuck to his swing/Dixieland/blues style. Although commercial success would largely elude him, Page is heard in prime form on the 23 formerly rare performances included on this valuable CD. Other than one cut from 1946, the music is from 1947 and 1949-1950. Page (whose voice had become a bit raspier through the years) digs into four instrumentals and four vocals with a medium-size group in 1947; four of the titles were previously unreleased. He is also heard with slightly later combos, on two numbers with strings and a choir, and on a very successful four-song session in which he interacts vocally with Pearl Bailey; their version of "Baby, It's Cold Outside" is classic. Other highlights include "St. James Infirmary," "Fat Stuff," "Don't Tell a Man About His Woman," "The Hucklebuck," and "Ain't No Flies on Me." Recommended. Scott Yanow  
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PEARL BAILEY – 1947-1950 | The Classics Chronological Series – 1293 (2003) FLAC (tracks+.cue), lossless

The second volume in Classics' welcome wrap-up of Pearl Bailey's early career begins at the end of 1947, with Bailey fresh from the success of her film debut, Variety Girl, and its career-making song, "Tired." During the next two years, she would refine her approach to jive rhythm and sweet singing, a relaxed sense of vocal cool that fused the exquisite phrasing of Billie Holiday to the hip majesty of Cab Calloway. The first two sessions include her usual studio orchestra of the time, led by Mitchell Ayres and featuring great work from Peanuts Hucko on clarinet and the Charioteers on vocal backing. Most of the rest are small-group dates, during which she recorded some of her finest material; present are two of her best performances, the gloriously swinging, exuberant duets "Baby, It's Cold Outside" featuring Hot Lips Page and "Saturday Night Fish Fry" featuring Moms Mabley. Even the obscure songs from this period are filled with great moments, as on the solos "Johnson Rag" and "Not Tonight," as well as her appearance with Tony Pastor on "Mamie Is Mimi." Fans looking to find more excellent material after enjoying a collection like Ain't She Sweet! will find much to love here on these sides, originally recorded for Columbia and Harmony. John Bush
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SARAH VAUGHAN – 1947-1949 | The Classics Chronological Series – 1101 (2000) FLAC (tracks+.cue), lossless

Classics #1101 captures Sarah Vaughan early in her career from 1947-1949. These Musicraft and early Columbia sessions paved the way for her future success as a leading jazz vocalists. Featuring 23 tracks, Vaughan is backed by orchestras led by Ted Dale, Richard Maltby, Joe Lippman, and Hugo Winterhalter, while also recording more jazz oriented material with the Jimmy Jones Quartet featuring Al Mckibbon on bass and Kenny Clarke on drums. While these combination string arrangements/jazz sessions only contain a handful of essentials ("Just Friends," "I Cried For You," "Nature Boy") they represent the beginning of that commercial balance Sarah Vaughan would successfully bounce back and forth between during her long career. Al Campbell
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