GARY HUSBAND — Dirty & Beautiful · Volume 1 (2010) FLAC (tracks+.cue), lossless

Fusion isn't as plentiful as it was back in the 1970s, which was the golden age of fusion just as the '30s and early '40s were the golden age of swing and the mid- to late '40s and '50s were the golden age of bop. But noteworthy fusion can still be found if you know where to look for it, and Gary Husband's Dirty and Beautiful, Vol. 1 is an example of noteworthy 21st century fusion. An impressive cast of fusion icons joins the British keyboardist/drummer/composer on this 2010 release, including guitarists Allan Holdsworth and John McLaughlin and keyboardist Jan Hammer; guitarist Robin Trower, who is best known for hard rock and blues-rock, is also on board. With such a cast, one would expect five-star results. But Dirty and Beautiful, Vol. 1 falls short of exceptional, although it's still an enjoyable, solid outing as well as a fairly diverse one. This 51-minute CD, which is dominated by Husband's original material, has its more aggressive moments (including "Ternberg Jam" and "Dreams in Blue"), but many of the tunes are on the reflective, contemplative side; that is certainly true of "Bedford Falls," "Afterglow," "The Maverick," "Averstone Jam," and the mysterious "Boulevard Baloneyo." And Husband reminds listeners that quality fusion, like quality bop, quality Dixieland, or quality swing, isn't just about pyrotechnics -- which is why there is a lot of lyricism on this album to go with all the chops and technical proficiency. Fusion enthusiasts will appreciate the amount of nuance that Husband and his soloists bring to Dirty and Beautiful, Vol. 1. Alex Henderson  
Tracklist :
1 Leave 'Em On  4:32
Bass – Jimmy Johnson
Drums – Gary Husband
Guitar – Allan Holdsworth
Keyboards – Jan Hammer
Written-By – Allan Holdsworth
2 Bedford Falls  3:20
Bass – Laurence Cottle
Drums – Gary Husband
Keyboards – Gary Husband
Written-By – Gary Husband
3 Between The Sheets Of Music  3:32
Bass – Jimmy Johnson 
Drums – Gary Husband
Guitar – Allan Holdsworth
Violin – Jerry Goodman
Written-By – Jan Hammer, Anthony Smith
4 Yesternow - Preview  0:57
Bass – Livingstone Brown
Drums – Gary Husband
Guitar – Robin Trower
Written-By – Miles Davis
5 Afterglow  2:15
Keyboards – Gary Husband
Written-By – Gary Husband
6 Dreams In Blue  10:12
Bass – Jimmy Johnson 
Drums – Gary Husband
Guitar – John McLaughlin
Keyboards – Gary Husband
Written-By – Gary Husband
7 Ternberg Jam  3:01
Bass – Jimmy Johnson 
Drums – Gary Husband
Keyboards – Gary Husband
Written-By – Gary Husband
8 Moon Song  4:32
Bass – Laurence Cottle
Drums – Gary Husband
Guitar – Steve Hackett
Keyboards – Gary Husband
Written-By – Gary Husband
9 Swell  0:45
Drums – Gary Husband
Keyboards – Gary Husband
Written-By – Gary Husband
10 The Maverick  4:53
Bass – Steve Price
Drums – Gary Husband
Guitar – Steve Topping
Written-By – Steve Topping
11 Boulevard Baloneyo  7:42
Bass – Jimmy Johnson 
Drums – Gary Husband
Guitar – Allan Holdsworth
Keyboards – Gary Husband
Written-By – Gary Husband
12 Alverstone Jam 5:22
Bass – Mark King
Drums – Gary Husband
Keyboards – Gary Husband
Written-By – Gary Husband, Mark King

GARY HUSBAND — Dirty & Beautiful · Volume 2 (2012) FLAC (tracks+.cue), lossless

Rather than releasing a double album, keyboardist/drummer Gary Husband split the jazz fusion songs he recorded with high-profile guests into two separate but equal hour-long discs. It's a logical, economically feasible way to get this music out and probably makes for a better overall listening experience, too, since the sound can get wearing, even over the length of a single platter. Anyone who enjoyed the first volume from 2011 will find the same pleasures here as Husband invites mostly guitar-shredding guests such as Mike Stern, John McLaughlin, Wayne Krantz, Robin Trower, Jimmy Herring, and old pal Allan Holdsworth, among others, for a good, old-fashioned '80s fusion fest. As is typical of the genre, the line between noodling and edgy improvisation can get awfully thin and there are moments that alternate on either side of that divide. That's the case within the confines of some songs such as the ten-minute John McLaughlin extravaganza "Sulley" that goes through multiple tempo changes, winding through its extended playing time with some terrific guitar soloing and some that just meanders. Props to bassist Mark King, whose husky yet malleable playing on the track holds down the rhythm and keeps the song vital even when the leads wander. Trower's Hendrix-inspired bluesy reverb on Miles Davis' "Yesternow-Epilogue" fades in where the first set's "Yesternow-Prologue" left off in a performance that blurs the border between rock and jazz. The energized nature of the disc is tempered on a short and lovely reading of Jan Hammer's "Rain." Hammer doesn't contribute to the track, but he does appear on Holdsworth's "Fred 2011," letting Husband -- who plays both drums and keyboards on eight of the eleven cuts -- concentrate on percussion. A similar dynamic applies to John McLaughlin's "New Blues, Old Bruise," where the guitarist is M.I.A. Rather, tenor saxist Sean Freeman, whose playing is strongly influenced by Wayne Shorter, gets free rein to strut his impressive stuff, which shifts from lovely to jagged as he blows his way through the ten-minute jam. Despite the obviously overdubbed nature of Husband's double-duty instrumental work, this album, and the previous one, sounds remarkably organic. That's especially true of the funky "East River Jam" featuring a relatively dialed down Wayne Krantz, whose innovative solos seldom go where you think they will. It adds up to a tasty, if somewhat inconsistent project that will please fans of both the old-school jazz fusion genre and of the prestigious musicians who help Husband bring it home. Hal Horowitz
Tracklist :
1    If The Animals Had Guns Too 5:28
Bass – Jimmy Johnson
Guitar – Ray Russell
Keyboards, Drums – Gary Husband
Written-By – Gary Husband
2    Rolling Sevens 4:44
Bass – Teymur Phell
Guitar – Mike Stern
Keyboards, Drums, Percussion – Gary Husband
3    New Blues, Old Bruise 10:21
Keyboards, Drums – Gary Husband
Tenor Saxophone – Sean Freeman
Written-By – John McLaughlin
4    East River Jam 3:01
Guitar – Wayne Krantz
Keyboards, Drums – Gary Husband
Written-By – Gary Husband, Wayne Krantz
5    Fred 2011 4:48
Bass – Jimmy Johnson
Drums – Gary Husband
Guitar – Allan Holdsworth
Keyboards – Jan Hammer
Written-By – Allan Holdsworth
6    Rain 2:48
Guitar – Neil Taylor
Keyboards, Drums – Gary Husband
Written-By – Jan Hammer
7    Lock, Stock & Two Smoking Brothers 6:14
Drums – Gary Husband
Guitar, Programmed By – Alex Machacek
Written-By – Alex Machacek
8    Fuguie 4:18
Keyboards – Gary Husband
Written-By – Gary Husband
9    Sulley 10:08
Bass – Mark King
Guitar – John McLaughlin
Keyboards, Drums – Gary Husband
Written-By – Gary Husband
10    England Green 2:52
Bass – Laurence Cottle
Guitar – Jimmy Herring
Keyboards, Drums – Gary Husband
Written-By – Gary Husband
11    Yesternow - Epilogue 4:52
Bass – Livingstone Brown
Guitar – Robin Trower
Keyboards, Drums – Gary Husband
Written-By – Miles Davis

JOHN McLAUGHLIN & THE 4th DIMENSION — Now Here This (2012) FLAC (tracks+.cue), lossless

For anyone who's paid attention to John McLaughlin's recorded output since the turn of the century, it's obvious that he's been on a creative streak unequaled since his days as a Miles Davis sideman and his early Mahavishnu Orchestra recordings. Whether it's his two Remember Shakti sets, or the guitar-and-strings offering that was Thieves and Poets, the Indian carnatic intensity of his Floating Point band, or his forays into fiery, improvisational jazz-rock terrain on Industrial Zen, the evidence is clear. With his latest band, the 4th Dimension, McLaughlin has been on a tear. The band's first offering, To the One, is a direct jazz-rock investigation of John Coltrane's influence on McLaughlin's musical thinking. Now Here This is a knottier jazz-rock fusion offering -- with all the positive connotations of that word and none of the negative. Keyboardist Gary Husband and Cameroonian über-bassist Etienne M'Bappé are holdovers from To the One, while drummer Mark Mondesir has been replaced by Ranjit Barot, who helmed the kit on Floating Point. McLaughlin and the 4th Dimension marry propulsive prog rock to Indian modalities to serious grooves (thanks in no small part to M'Bappé's wildly funky, virtuosic bass playing and Barot's triple-timed breaks and fills). Check opener "Trancefusion" for evidence of kinetic, infectious stop-and-start fusion that keeps rock and jazz in dynamic tension. "Riff Raff" careens with funky bass and keyboard interplay and massive guitar and drum kit grooves. "Echoes from Then" showcases McLaughlin's frenetically rhythmic rock soloing on an extended bass and keyboard vamp, while "Call and Answer" allows Husband to show off his post-bop chops in fluid right-hand flourishes. For balance, there are a couple of mellower cut such as "Wonderfall" (with lovely, languid bass work from M'Bappé) and "Not Here, Not There," a more R&B-oriented, midtempo, jazz-funk vamp that features lyric, emotive playing from McLaughlin. "Guitar Love" is a more rock-based jam, while closer "Take It or Leave It" mines Indian harmony, complex syncopation, and spacey funk with intuitive guitar and keyboard exchanges. Now Here This not only continues the excellent run of albums McLaughlin's amassed in the 21st century, it also displays the 4th Dimension not as a group of sidemen, but as an exciting working band which possesses depth, breadth, and imaginatioon.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <- 

Tracklist :
1 Trancefusion 7:16
John McLaughlin
2 Riff Raff 7:03
John McLaughlin
3 Echos From Then 6:08
John McLaughlin
4 Wonderfall 6:28
John McLaughlin
5 Call And Answer 5:53
John McLaughlin
6 Not Here Not There 6:17
John McLaughlin
7 Guitar Love 7:09
John McLaughlin
8 Take It Or Leave It 3:46
John McLaughlin
Credits :
Drums – Ranjit Barot
Electric Bass, Electric Bass [Fretless Bass] – Etienne M'Bappe
Guitar, Synth [Guitar-Synth] Composed By – John McLaughlin
Piano, Synthesizer, Drums – Gary Husband