
Gretchen Parlato is a rising star in vocal jazz circles of the 2000s who
everyone should pay attention to and enjoy. Her singing is pure
sterling silver, accented with just a hint of ethnic shadings and a big
helping of modern style that goes well beyond standard fare. As
alluring, distinct, and mature as her youthful instrument is, she
deserves extra credit for choosing some of the most interesting young
players who also are ascending to major-league status.
Guitarist/vocalist Lionel Loueke, keyboardist Aaron Parks, bassist
Derrick Hodge, and drummer Kendrick Scott are all leaders in their own
right, but add bright and inventive accompaniment that perfectly matches
the pristinely hopeful sounds Parlato expresses. The music taps from
many sources, including a cute vocal variation of Herbie Hancock's funky
"Butterfly," Wayne Shorter's "E.S.P." with rain forest imagery, scat,
and quirky 6/8 beats, or Duke Ellington's "Azure" in adapted 5/4 time
with Loueke's guitar and Hodge in late. Stevie Wonder's "I Can't Help
It" is a pining, crossover, Latin-tinged love song as Parlato sings and
Loueke scats and add mouth pops, while Dori Caymmi's skittering
"Doralice" is easily representative of expanded tropicalia sensuality.
Parks, much like his peer Robert Glasper, has the modern spirit song,
loose-repeat-phrased-and-deep-harmonic piano style down pat. As you
listen to the Glasper/Parlato joint composition "In a Dream," or the 7/8
meter of "Turning into Blue," you are enveloped in this thin veneer of
cloudy, dream sequence sound that identifies the heart and soul of these
unique musicians. "Weak" turns this concept into a rock/funk beat
emphasized by Fender Rhodes electric piano juxtaposing choppy rhythms
versus Parlato's sweet voice, whereas "On the Other Side" flips the
script in a shuffle with percussion in shades of renewal and retrial. A
muffled, taped recording of Parlato singing at age two is tacked on two
tracks, emphasizing the growth curve she has experienced, but more so
how she appreciates the child-like wonder that her music clearly
retains. Gretchen Parlato is going to be a major player on the
contemporary vocal music scene, jazz or not. In a Dream already shows
vast potential realized, and is easily recommended to those who
appreciate vocal music with an instrumentalist's concept.
Michael G. Nastos
Tracklist :
1. I Can't Help It 4:49
Susaye Greene / Stevie Wonder
2. Within Me 5:34
Francis Jacob
3. Butterfly 5:02
Herbie Hancock / Jean Hancock / Bennie Maupin
4. In A Dream 5:30
Robert Glasper / Gretchen Parlato
5. Doralice 3:22
Antonio Almeida / Dorival Caymmi
6. Turning Into Blue 5:13
Alan Hampton / Gretchen Parlato
7. E.S.P. 4:05
Wayne Shorter
8. Azure 4:17
Duke Ellington / Irving Mills
9. On The Other Side 3:58
Francis Jacob
10. Weak 5:10
Brian Alexander Morgan / Roger / Larry Troutman
Credits :
Acoustic Bass – Derrick Hodge (tracks: 2, 4, 6, 8)
Arranged
By – Alan Hampton (tracks: 6), Gretchen Parlato (tracks: 1, 3 to 8,
10), Lionel Loueke (tracks: 8), Robert Glasper (tracks: 4, 10)
Drums – Kendrick Scott (tracks: 2, 4, 6, 9, 10)
Electric Bass – Derrick Hodge (tracks: 3, 7, 9, 10)
Electric Piano [Fender Rhodes] – Aaron Parks (tracks: 4, 7, 9, 10)
Glockenspiel – Aaron Parks (tracks: 6)
Guitar – Lionel Loueke (tracks: 1 to 5, 7 to 9)
Organ – Aaron Parks (tracks: 4, 6)
Percussion – Gretchen Parlato (tracks: 7, 9), Kendrick Scott (tracks: 2)
Piano – Aaron Parks (tracks: 2, 6, 8)
Synthesizer – Aaron Parks (tracks: 10)
Vocals – Gretchen Parlato, Lionel Loueke (tracks: 1, 3, 5, 8, 9)
https://nitroflare.com/view/AFA316BA3AF30B6/Gretchen_Parlato_—_In_a_Dream_(2009
ResponderExcluir_ObliqSound_–_OSD-CD-107_US)_FLAC.rar