This was André Previn's second album after his long, symphonically
enforced absence from jazz, and it sounds noticeably more fluid and
relaxed than his first. No longer apprehensive about dusting off his old
skills, Previn is delightfully confident and breezy (dig his sly turns
on "Come Rain or Come Shine" and "C Jam Blues"), taking some chances as
he re-phrases and paraphrases a collection of revivified standards,
mostly Harold Arlen and assorted Duke Ellington. Even if Previn, that
noted wit, sometimes sounds as if he is kidding the pants off these old
tunes, it's great to hear him having such a good time playing jazz
again. Mundell Lowe is Previn's new guitar partner, and Ray Brown
returns on bass; both are right at home in this refined brand of chamber
jazz grooving. Adding to the CD's appeal are some marvelously (and
typically) graceful liner notes by Mel Powell, an old pal of Previn's
and a lively fellow defector from the jazz piano ranks to the classical
world. Richard S. Ginell
Harold Arlen / Ted Koehler
2. A Sleepin' Bee 5:13
Harold Arlen / Truman Capote
3. Come Rain Or Come Shine 4:10
Harold Arlen / Johnny Mercer
4. Stormy Weather 4:33
Harold Arlen / Ted Koehler
5. Over The rainbow 4:36
Harold Arlen / E.Y. "Yip" Harburg
6. Let's Fall In Love 3:21
Harold Arlen / Ted Koehler
7. Day Dream / Prelude To A Kiss 4:43
Duke Ellington / Irving Gordon / John Latouche / Irving Mills / Billy Strayhorn
8. Good Queen Bess 4:21
Johnny Hodges
9. Things Ain't What They Used To Be 4:19
Mercer Ellington / Ted Persons
10. It Don't Mean A Thing If It Ain't Got That Swing 3:05
Duke Ellington / Irving Mills
11. Five O' Clock Whistle 5:29
Kim Gannon / Gene Irwin / Josef Myrow
12. Come Sunday 4:11
Duke Ellington
13. C Jam Blues 4:51
Barney Bigard / Duke Ellington
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