BILL BRUFORD - Feels Good To Me (1978) lp [24bits-96hz] FLAC (tracks+.cue), lossless

This is the first solo date by drummer Bill Bruford after the first demise of King Crimson. Feels Good to Me goes far beyond the usual prog rock conceits of its time, and enters fully into the compositional structures and improvisational dynamics of jazz. Here he surrounds himself with various mates from the Canterbury scene -- guitarists Allan Holdsworth (Soft Machine and Tony Williams' Lifetime) and John Goodsall (Brand X), bassist Jeff Berlin, keyboardist Dave Stewart, and ECM flügelhorn stalwart Kenny Wheeler. He also enlisted the enigmatic vocal prowess of poet, singer, and songwriter Annette Peacock.
The opener, "Beelzebub," is a furious staccato workout. Holdsworth trades eights with Bruford and Berlin executes loping basslines as Stewart waxes painterly with both organ and synthesizer. It's knotty and stops on a dime before charging into a beautiful solo by Holdsworth and resolving itself with the ensemble restating the theme. "Back to the Beginning" has one of four vocal performances by Peacock. It's a jazz tune -- funky, syncopated, and heavily and wildly lyrical both in groove and meter. It's a song about addictions and, given Peacock's sultry treatment, it's hard to tell if they are chemical, material, or sexual. The band works hard staying behind the singer but can't help but overshadow her.
On the two-part "Seems Like a Lifetime Ago," musical schizophrenia sets in. After a colorful pastoral intro, Peacock glides beautifully through Bruford's lyric of forlorn reverie accompanied by a gorgeous Wheeler solo. Then "Part Two" begins with her growling out the refrain and the band taking off for parts unknown. Hard funky rhythms call Holdsworth's lead guitar to move flat up against Bruford's frenetic drumming. They challenge each other dynamically as the rest of the rhythm section nervously dances around them. Holdsworth finally grabs the lead and plays a solo that is nothing short of breathtaking, giving way to a restatement of the theme and Bruford opening up the harmonic structure before bringing it to a transcendent close two minutes later. The album's six instrumentals are tight: they hold improvisational breaks to the limits of compositional dictation rather than vice versa. The most beautiful, "Either End of August," features Stewart and Wheeler playing unusual yet melodic solos that entwine with each other as the rest of the band struggles to keep the drama out of the music. They don't succeed entirely and the track is all the better for it.
The set closes with "Adios a la Pasada (Goodbye to the Past)," a collaboration between Peacock and Bruford. It's on Peacock's favorite theme: to emerge from love scraped and beaten, yet resolved to keep an open heart. The opening is spare and strange, coated with whispering keyboards and bass haunting the artist's every word. Then Bruford majestically leads the band, soaring into the heart of her lyric, "What it is/Is this/Is what it is/Forgive yourselves/Release yourselves from the past." The music opens up an entirely new sonic dimension, as if history, both musical and emotional, was being rewritten. And it was. Bruford has yet to issue a solo recording as powerful as Feels Good to Me.  by Thom Jurek  
Tracklist:
A1 - Beelzebub 3:16
Written-By - Bill Bruford
A2 - Back To The Beginning 7:09
Words By, Music By - Bill Bruford
A3 - Seems Like A Lifetime Ago (Part One) 2:30
Words By, Music By - Bill Bruford
A4 - Seems Like A Lifetime Ago (Part Two) 4:25
Written-By - Bill Bruford
A5 - Sample And Hold 5:12
Written-By - Bill Bruford, Dave Stewart
B1- Feels Good To Me 3:49
Guitar [Additional] - John Goodsall / Written-By - Bill Bruford
B2 - Either End Of August 5:27
Written-By - Bill Bruford
B3 - If You Can't The Heat 3:20
Written-By - Bill Bruford, Dave Stewart
B4 - Springtime In Siberia 2:43
Written-By - Bill Bruford, Dave Stewart
B5 - Adios A La Pasada (Goodbye To The Past) 7:56
Music By - Bill Bruford / Words By - Annette Peacock
Credits
Bass – Jeff Berlin
Featuring [With], Flugelhorn – Kenny Wheeler
Guitar – Allan Holdsworth
Keyboards – Dave Stewart
Percussion [Tuned And Untuned Percussion], Drums [Kit Drums] – Bill Bruford
Vocals – Annette Peacock