Born in 1660 into a family of peasant farmers, Johann Joseph Fux died in
 1741 as Kapellmeister at the Habsburg court in Vienna, a prestigious 
post that he had held for almost 30 years: an extraordinary rise in 
fortune and testament to both considerable gifts as a musician and, 
self-evidently, an inclination towards hard work and self-improvement.
He
 is best known now for the Gradus ad Parnassum. This monumental treatise
 was published in 1725 at the Emperor’s expense and quickly became an 
indispensable manual on counterpoint, studied and absorbed by 
generations of composers thereafter. However, its formidable reputation 
should not overshadow his talent as a creative musician, which is 
displayed here in five keyboard partitas, a colourful Capriccio and a 
set of 12 minuets as well as a trio of shorter pieces. In all of them 
may be heard – and enjoyed – a surprising degree of charm, grace and 
easefully written melody. Indeed, Fux’s achievement was a perfect 
balance between rational precision and feeling, artifice and 
spontaneity.
These new recordings by Filippo Emanuele Ravizzi 
have few rivals in the current catalogue. Ravizzi is a pupil of Bob van 
Asperen and Gustav Leonhardt: a distinguished pedigree, which brings a 
fine feeling both to the tripping, French-style dance rhythms of the 
partitas and to the potential for darker expressive coloration in the 
Capriccio and the long D major chaconne (not to be confused with a 
better-known G major work in the same form, composed by Fux for a 
chamber ensemble of strings). All these works, not forgetting the Aria 
passeggiata in C, with its masterful handling of counterpoint (as one 
might expect) became reference works for Bach and Handel in their turn. 
Anyone curious to hear the work of a formative figure in the Baroque 
period will take great pleasure from this set.
Johann Joseph Fux 
(1660-1741) overcame his humble origins as son of peasant farmers 
brilliantly, eventually holding the prestigious post of Kapellmeister at
 the Hapsburg Court in Vienna for over 30 years, serving 3 Emperors in a
 row, all of whom were in the possession of a passion for music.
This
 new recording contains Fux’ complete works for harpsichord: the 5 
Partitas, a Capriccio and several miscellaneous works. His style is a 
perfect blend of French and German keyboard style: French in its 
elaborate ornamentation, elegance and brilliance, German in the strict 
counterpoint. Fux is also the author of “Gradus ad Parnassum”, the 
monumental treatise on counterpoint which became a point of reference 
for many generations to come.
Harpsichordist Filippo Ravizza plays on
 a copy made by Luca Vismara of a magnificent Dulcken harpsichord, built
 in the Flemish tradition and kept in the Smithonian Institute in 
Washington.
Excellent liner notes written by the artist in both English and Italian, as well as information on the instrument. brilliantclassics.com   Tracklist & Credits : 
24.8.24
FUX : Complete Music for Harpsichord (Filippo Emanuele Ravizza) 2CD (2017) FLAC (image+.cue) lossless
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