Curtis
 Fuller emerged during the 1950s as a leading hard bop trombonist. A 
native of Detroit, Fuller was initially inspired by hearing J.J. 
Johnson, who became a mentor for the young musician. This recording was 
completed only weeks before Fuller went into the studio to record John 
Coltrane's Blue Trane. The session is unique in its pairing of trombone 
with the baritone sax of Tate Houston. The resultant front line sound is
 thick and rotund. The rhythm section of Sonny Clark, Paul Chambers and 
Art Taylor had a lovely rapport; individually and collectively, these 
three made many important recordings in the late 1950s, especially for 
the Blue Note label. Highlights of Bone & Bari include the title 
tune, penned by Fuller, and the group's rendering of the standard "Heart
 and Soul." Lee Bloom
 made many important recordings in the late 1950s, especially for 
the Blue Note label. Highlights of Bone & Bari include the title 
tune, penned by Fuller, and the group's rendering of the standard "Heart
 and Soul." Lee Bloom
Tracklist
1 Algonquin 5:02
Written-By – Curtis Fuller
2 Nita's Waltz 6:55
Written-By – Curtis Fuller
3 Bone & Bari 6:18
Written-By – Curtis Fuller
4 Heart And Soul 4:48
Written-By – Frank Loesser, Hoagy Carmichael
5 Again 7:18
Written-By – Dorcas Cochran, Lionel Newman
6 Pickup 5:46
Written-By – Curtis Fuller
Credits :
Baritone Saxophone – Tate Houston
Bass – Paul Chambers
Drums – Art Taylor
Piano – Sonny Clark
Trombone – Curtis Fuller


 
 
 
 
.jpg) 
 
 
 
 
 
 
 
.jpg) 
https://nitroflare.com/view/EA9E7755459F56D/Curtis_Fuller_—_Bone_&_Bari_(1957-2003
ResponderExcluir_Blue_Note_–_TOCJ-9561)_FLAC.rar
https://tbit.to/ueo1xwqbfprz/Curtis Fuller — Bone & Bari (1957-2003, Blue Note – TOCJ-9561) FLAC.rar.html