 Out to Lunch stands as Eric Dolphy's magnum opus, an absolute pinnacle 
of avant-garde jazz in any form or era. Its rhythmic complexity was 
perhaps unrivaled since Dave Brubeck's Time Out, and its five Dolphy 
originals -- the jarring Monk tribute "Hat and Beard," the aptly titled 
"Something Sweet, Something Tender," the weirdly jaunty flute showcase 
"Gazzelloni," the militaristic title track, the drunken lurch of 
"Straight Up and Down" -- were a perfect balance of structured 
frameworks, carefully calibrated timbres, and generous individual 
freedom. Much has been written about Dolphy's odd time signatures, 
wide-interval leaps, and flirtations with atonality. And those 
preoccupations reach their peak on Out to Lunch, which is less rooted in
 bop tradition than anything Dolphy had ever done. But that sort of 
analytical description simply doesn't do justice to the utterly alien 
effect of the album's jagged soundscapes. Dolphy uses those pet devices 
for their evocative power and unnerving hints of dementia, not some 
abstract intellectual exercise. His solos and themes aren't just angular
 and dissonant -- they're hugely so, with a definite playfulness that 
becomes more apparent with every listen. The whole ensemble -- trumpeter
 Freddie Hubbard, vibist Bobby Hutcherson, bassist Richard Davis, and 
drummer Tony Williams -- takes full advantage of the freedom Dolphy 
offers, but special mention has to be made of Hutcherson, who has fully 
perfected his pianoless accompaniment technique. His creepy, floating 
chords and quick stabs of dissonance anchor the album's texture, and he 
punctuates the soloists' lines at the least expected times, suggesting 
completely different pulses. Meanwhile, Dolphy's stuttering vocal-like 
effects and oddly placed pauses often make his bass clarinet lines sound
 like they're tripping over themselves. Just as the title Out to Lunch 
suggests, this is music that sounds like nothing so much as a mad gleam 
in its creator's eyes. Steve Huey
 Out to Lunch stands as Eric Dolphy's magnum opus, an absolute pinnacle 
of avant-garde jazz in any form or era. Its rhythmic complexity was 
perhaps unrivaled since Dave Brubeck's Time Out, and its five Dolphy 
originals -- the jarring Monk tribute "Hat and Beard," the aptly titled 
"Something Sweet, Something Tender," the weirdly jaunty flute showcase 
"Gazzelloni," the militaristic title track, the drunken lurch of 
"Straight Up and Down" -- were a perfect balance of structured 
frameworks, carefully calibrated timbres, and generous individual 
freedom. Much has been written about Dolphy's odd time signatures, 
wide-interval leaps, and flirtations with atonality. And those 
preoccupations reach their peak on Out to Lunch, which is less rooted in
 bop tradition than anything Dolphy had ever done. But that sort of 
analytical description simply doesn't do justice to the utterly alien 
effect of the album's jagged soundscapes. Dolphy uses those pet devices 
for their evocative power and unnerving hints of dementia, not some 
abstract intellectual exercise. His solos and themes aren't just angular
 and dissonant -- they're hugely so, with a definite playfulness that 
becomes more apparent with every listen. The whole ensemble -- trumpeter
 Freddie Hubbard, vibist Bobby Hutcherson, bassist Richard Davis, and 
drummer Tony Williams -- takes full advantage of the freedom Dolphy 
offers, but special mention has to be made of Hutcherson, who has fully 
perfected his pianoless accompaniment technique. His creepy, floating 
chords and quick stabs of dissonance anchor the album's texture, and he 
punctuates the soloists' lines at the least expected times, suggesting 
completely different pulses. Meanwhile, Dolphy's stuttering vocal-like 
effects and oddly placed pauses often make his bass clarinet lines sound
 like they're tripping over themselves. Just as the title Out to Lunch 
suggests, this is music that sounds like nothing so much as a mad gleam 
in its creator's eyes. Steve Huey  
Tracklist :
1 Hat And Beard 8:24
2 Something Sweet, Something Tender 6:02
3 Gazzelloni 7:22
4 Out To Lunch 12:06
5 Straight Up And Down 8:19
Credits
Alto Saxophone, Flute, Bass Clarinet, Composed By – Eric Dolphy
Bass – Richard Davis
Drums – Tony Williams
Recorded By [Recording] – Rudy Van Gelder
Trumpet – Freddie Hubbard
Vibraphone [Vibes] – Bobby Hutcherson  
 
23.11.23
ERIC DOLPHY — Out to Lunch (1964) Two Version (1986, Blue Note CD Super 50 – 11 + 1999, RVG Edition | FLAC & APE (image+.cue), lossless
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