After issuing Anthony Braxton's Three Compositions of New Jazz in 1968, Chicago's Delmark Records took an enormous chance by issuing the first lengthy solo saxophone improvisation record in 1969 -- and as a double LP no less! And while it's true that hindsight is 20/20, For Alto is still, over 30 years later, a record that is ahead of its time. There is nothing tame or nostalgic about these blasts of jazz futurism from the young Braxton, who sounds here like he's trying to blow his way out of Chicago. Most of the pieces on this set are over nine minutes, and all are dedicated to various influences and friends in the saxophonist's circle. Perhaps the most frightening -- and enlightening -- improvisation here is "To Composer John Cage." Braxton attempts to literally change the entire tonal terrain on which the saxophone plays solo. His skittering skeins of cascading runs are interspersed with huge shouts and screeches all played at lightning speed with a deftness and angularity of approach that is far superior to most of his peers at the time, Messrs. Mitchell and Jarman included. Braxton was introducing tonal possibilities and deconstructions on this record; a solid listen to "Dedicated to Multi-Instrumentalist Leroy Jenkins," with its deep color palette and textural shifts and shapes, is enough to disorient one still. Also, the use of trills as interval markers in "To Artist Murray De Pillars" is remarkable -- especially now, as no one would follow this logic for such an extended period anymore. The reinvention of blues theory on this piece that becomes a kind of muted expressionism is truly remarkable. Many of the recordings from the magical period of the '60s and early-'70s creative movement sound dated now, quaint and diffuse from their original power. For Alto is not one of those records; it still has the literacy and vision to teach us about concentration, vision, emotional aesthetics, and even spiritual possibilities in the world of sound and how that world, that universe, interacts and dovetails with our lives. For Alto is one of the greatest solo saxophone records ever made, and maybe one of the greatest recordings ever issued, period.
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Tracklist :
1 Dedicated To Multi-Instrumentalist Jack Gell (8a) 0:37
2 To Composer John Cage (8f) 9:26
3 To Artist Murray De Pillars (8h) 4:12
4 To Pianist Cecil Taylor (8a/b) 5:13
5 Dedicated To Ann And Peter Allen (8d) 12:49
6 Dedicated To Susan Axelrod (8c) 10:19
7 To My Friend Kenny McKenny (8g) 10:01
8 Dedicated To Multi-Instrumentalist Leroy Jenkins (8b) 19:46
Credits :
Alto Saxophone, Composed By – Anthony Braxton
Notas.
Reissue of a double LP originally released in 1969.
Recorded during the summer of 1969.
The distortion and other recorded imperfections are on the original master tapes. All has been done to offer the best sound quality possible.
The reference numbers in parenthesis refer to the listings from the Anthony Braxton Catalog of Works.
29.1.23
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