Another chapter in Leo Records' exhaustive documentation of Anthony Braxton's many-sided art, this two-disc set is comprised of improvised duos with the percussionist Abraham Adzinyah. Braxton is never better than when he allows himself the most freedom. Here, though he is reined in a bit by the regular beat of Adzinyah's Middle-Eastern drumming, the saxophonist is relatively unencumbered by formal concerns; this is the best possible framework in which to hear Braxton's improvising. He and Adzinyah concoct some very intense vamps. The percussionist is a subtle accompanist. His time isn't great, by jazz standards; the pulse wanders a bit, though in this context, it's hardly relevant. Adzinyah has a nice feel for changing timbres, within the limitations of his apparently minimal drum set-up. In contexts like this, Braxton is the most focused and intense of improvisors. It's evident, when listening to him play what is essentially "free" music, how little he really needs in the way of external organization. Braxton's greatest strength (his always intriguing and sometimes brilliant compositions notwithstanding) is as a creator of his own spontaneous structures. This set is a prime example of how transcendent an artist he can be, when left to his own devices. Chris Kelsey
Tracklist :
1-1 Untitled 51:12
2-1 Untitled 49:48
Credits :
Music By – Abraham Adzinyah, Anthony Braxton
Painting [Front Cover Painting] – Boris Kopylov
Percussion – Abraham Adzinyah
Reeds – Anthony Braxton
12.1.23
ABRAHAM ADZINYAH | ANTHONY BRAXTON - Duo (Wesleyan) 1994 (1995) 2CD | FLAC (tracks+.cue), lossless
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MAGGIE JONES — Volume 2 (May 1925 To June 1926) + GLADYS BENTLEY — Complete Recorded Works In Chronological Order 1928/1929 (1995) DOCD-5349 | FLAC (tracks+.cue), lossless
Two different blues-oriented vaudeville singers are featured on this CD, which is the follow-up to Maggie Jones, Vol. 1. Jones had a strong ...
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